Wijbrand Schaap
Cultural journalist since 1996. Worked as theatre critic, columnist and reporter for Algemeen Dagblad, Utrechts Nieuwsblad, Rotterdams Dagblad, Parool and regional newspapers through Associated Press Services. Interviews for TheaterMaker, Theatererkrant Magazine, Ons Erfdeel, Boekman. Podcast maker, likes to experiment with new media. Culture Press is called the brainchild I gave birth to in 2009. Life partner of Suzanne Brink roommate of Edje, Fonzie and Rufus. Search and find me on Mastodon.
Collection shuffling, Rutte II's new hobby
The Money Museum will close in a month, but its collection (as far as important) will go to De Nederlandsche Bank. The Tropenmuseum has been disbanded, but the collection will be housed elsewhere. However, only half of the library will be saved: everything from after 1950 is not interesting enough to preserve, according to minister Bussemaker. This is evident from the answers given by Culture Minister Bussemaker to questions by the SP.
BPP Kaputt (6): All theatre awards and collective marketing discontinued
Not a cent more goes to the annual theatre awards and all other collective marketing activities, such as the performing arts congress, also go to 0 euros or very little. Says one chairman to another director, who is also chairman, and is actually the same. Because that's how it goes at the Association of Theatre and Concert Hall Directors:
Happy jerk or depressed bacteria? Biodesign is the future, according to William Myers
What idiot could come up with that, one of the attendees wondered: that you can make electrical circuits by combining the DNA of an algae with that of a hamster? Just a question that comes to mind when walking around the exhibition Biodesign, on show in Rotterdam from 27 September to 5 January (2014). And then there's...
More art supply does not create more demand, but free helps
More seats do not bring more spectators. The only way to get more spectators to venues and museums is: drop the price. This is according to figures from the Central Bureau of Statistics.
Dream team comes to save Utrecht Games
Thibaud Delpeut, up-and-coming talent in theatre land, has been appointed artistic director of The Utrecht Games. Jacques van Veen has been appointed as managing director to exude sufficient confidence in the business field as well. He previously won his spurs at the Holland Festival and Groningen City Theatre.
BPP kaputt (5): what exactly is a dead body in the closet, or: is 4 million enough?
The dissolution of the Performing Arts Promotion Office continues to stir minds. So another piece, although we are actually supposed to be walking around the Uitmarkt to expensive advertising leaflets to sell.
Enfin.
Ebooks under fire by BREIN and Google
That the book market is struggling, is well known by now. In the battle between paper and ereader, things are getting tough. Publishers actually consider digital reading a form of theft. Are you allowed to cut up, lend, give away, resell and burn a bought paper book apart from reading it, with an ebook you are not allowed to do any of that.
'This was the site of the Cold War' Dennis Meyer on Festival The Base
"I am very curious about the audience's reactions. People always have an image at a festival. They come, expecting to experience all sorts of things. What you get here is the terrain, an exploration and a story that emerges as a result. The main energy that exists on and around this terrain is, "I get to go on it, and what's there? On that energy, I want to build on."
Fewer audiences, but fuller halls for @hollandfestival 2013
69,500 visitors, at least 5,000 fewer than previous editions, but the halls were fuller. With 82% audience occupancy, the Holland Festival organisers are satisfied with the 2013 festival. Whether that higher occupancy rate, apart from the smaller number of performances (14 fewer than last year) is also due to smaller halls, is impossible to find out from here, but the fact that the large Theater Carré, with its many unsellable low-visibility seats, was also hardly used this year will certainly have helped.
Martin Wuttke makes Berlin museum night worthwhile at @hollandfestival
There are those who spend nights queuing for a ticket. After all, the Berliner Ensemble is mythologically big. As big as the Royal Shakespeare Company in England, or La Comédie Française in France. Monuments to cultural history, dedicated to one writer, like Brecht or Shakespeare, or to an entire history, as the French are used to. We Dutch have
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