Usually without lyrics, often with music, always with movement
Amsterdam is once again spoilt for choice with Julidans, an international festival packed with impressive dance. The second festival night features Child by Peeping Tom. The work of this Brussels-based company is a phenomenon and I am a fan of it. Ever since its dance trilogy at NDT1: The missing door (2013), The lost room (2015), The hidden floor (2017) (reviews under...
The nominations for the 2019 Swans have been announced. Here is my annual prediction of who will win one. Spoiler alert. This year, it will be a cautious prediction. Even though in past years I wasn't far wrong (sometimes completely right) in guessing the winners, now when it comes to the dancers, you have to choose from superlatives: 'let them be on a...
With all the socially critical, exotic and personal life art at the Holland Festival, Van Manen, Forsythe, Arqués is actually an outlier, a statement without a message. Dance has enough on its own, expresses itself full-length. And how. Work of overwhelming quality. How much better can it get? At most by giving it a message anyway. There is room there. The rest is complete....
'I think they understood.' Faustin Linyekula says it, very quietly, a little apologetically almost, to his fellow actor at the end of the performance Congo. A slightly relieved laugh can be heard in the main auditorium of Frascati, where Princess Beatrix is also seated. Shortly before, Daddy Moanda Kamono had erupted in an increasingly desperate tirade against our shared past....
French is made for rap. Forget all that American-English mincing, listen to the rhythmic drone that good French-language rap offers. One of the possible benefits of a self-absorbed US and a post-Brexit Europe is that we might start hearing that beautiful language of our southern southern neighbours a bit more often. 'Speak French to me, darling!' Macron will be delighted. Wednesday...
Why do we actually want to see blood so much? That's what I wondered during the performance Roughhouse. This American-German piece is showing in the Holland Festival (Wednesday 12 June still) and in it there is no blood. That's also what it's about. That blood no longer flows anywhere, in the media, in art. That everyone always gets up again, that...
Hlengiwe Lushaba, remember that name. This South African singer sings the paving stones out of the street during Sur lessons traces the Dinozord. She does so with a voice that goes from gritty falsetto to full Wagner soprano, though that term will again be resented by classical sharpshooters. But what would it be? Hlengiwe Lushaba will care little, because...
Anthony and Cleopatra is exactly the kind of repertory piece that people look forward to during the Holland Festival, or any other prestigious stage. Director and writer Tiago Rodrigues manages not so much to deflate that grandiose expectation as to reduce it to the intimacy of a duet and a play with extremely basic theatrical gestures. His two actors are dancers, an experienced choreographer duo
Djino Alolo Sabin (1990) sits there, relaxed, in the morning at the hotel in Brussels. The night before, he has danced his solo Piki Piki for the first time, which will also be shown at Theater Frascati during the Holland Festival. The performance touches on many intense themes, but is anything but melodramatic. Rather, it expresses a relentless optimism....
Some stories are too big to tell. Too big, but no less important or true for that. Like the story of the millions of Africans who died in World War I in the service of the warring factions there: Britain, France, Italy and Germany. No one knew that last story. At least, nobody I knew knew about it, and neither did I myself. It...
The dance film occupies a unique place among the film offerings. Not driven purely by psychologising or text, it offers every opportunity for experimentation in form and content. But that also means it is difficult to place. And therefore difficult to make. The second part on the growing pains of the dance film features 2 dancers and performance artist....
You have those performances where, as an unsuspecting spectator, you are invited on stage and, once there, get completely blocked. SOUL #3 Co-Creation is not one of those. Well almost. Indeed, in this work, dancer Claire Hermans explains that fear is a blockade to creativity. The four performers therefore do not urge you to take to the floor to...
There is a lot of grumbling about Dutch cinema: it is too good, not creative enough, there is not enough experimentation. However, there is one small island where other laws apply. Where, sometimes with hefty budgets and sometimes for next to nothing, films are made that speak a different language: the dance film. No psychologising, no endless dialogue, but...
'I have broken every bone on the left side of my body at least once. My knee ten years ago, my elbow five years later, a toe, a finger, and under my left eye I have a scar from a stone someone threw at me when I was a kid.' Jesús de Vega, dancer, choreographer, videographer and teremin player, has had the requisite...
Some 400 virtual metres we go up with the dancers. Beforehand, we are warned to look straight ahead if we are afraid of heights. For me, this was unnecessary, I loved flying along in the huge circular space, knowing I was safely ensconced in a chair. Choreography, avatars, architecture and Blixa Bargeld. Those are a few...
Water and dance have agility in common. Yet there is much more to be gained from this interface. Two choreographies in the New Adventures series give audiences a water experience that is both playful and reflective. Under the title New Adventures, Dansmakers Amsterdam presents work by selected dancers and choreographers that they created during a four-week study residency at the production house,...
Is production house Dansmakers Amsterdam losing its housing? Together with other institutions in the dance sector, it has made every effort to align and further develop the whole spectrum of dance facilities in Amsterdam. In 2018, for example, the joint plan Danswerf was developed and submitted as an application for a two-year development grant to the Amsterdam Fund for the Arts (AFK)...
Peaks and valleys right from the opening night of CaDance, the festival of contemporary dance. From toe-curlingly long dance to sky-high drama. Highlights: dancer Sammie Hermans and the entire Mom:Me. Crushing New artistic director Stacz Wilhelm, in the presence of the minister during his opening speech, names the harsh years of austerity since 2013. The so-called obviousness of art he wants to...
Dance pioneer Lucinda Childs is actually the reason I went to Modern Girls. I am a lover of that. Of her work. But as a bonus, I got Regina van Berkel. With Frozen Echo. Why is it important for Introdans to bring a programme of work by female choreographers only? Huh? That's the feeling I got. With Van Berkel's Frozen Echo. Right from...
Paul Lightfoot, artistic director of Nederlands Dans Theater, announces his departure from 2020. A remarkable decision. Just recently, the energetic leader was on stage at Zuiderstrandtheater to properly wave off Gerald Tibbs, former artistic director of NDT2 to his retirement. But there are some questions. 1: Why the day after a departure of his own...
Moving. Before Significant Moments begins, the brisk Fernando Hernando Magadan presents himself as the new artistic director of NDT2. Applause in the auditorium. But the reason he stands behind a lectern with a huge flower arrangement is to pay tribute to the retiring artistic director: Gerald Tibbs. Gerald Tibbs. The peerless dancer everyone could walk away from
This edition, Theatre Festival Boulevard invited the audience to reflect on the two sides of identity: its immutability but especially its malleability. All this under the heading what you see is what you guess. If there is a performance to which this applies, it has to be Goat Song. A fascinating fifty-minute wordless performance by...
Between the buildings, streaks of sunlight invade the endless streets. Yellow taxis accentuate the colourful, vibrant street scene that looks like candy canes. On either side, countless floors and windows rise skyward. On one of those floors on 42nd Street, the Dance Theatre of Harlem is rehearsing the final scenes of Balamouk, a new creation by Annabelle Lopez Ochoa. Who also...
Speaking of bubbles. In the middle of Den Bosch, on the parade square, there are three mega-play blocks you can enter. They are mini theatres, brainchildren of designer Theun Mosk. In one of them, you come across a very large plastic bubble in which young, mostly naked, people move. The audience stands on either side of the bubble feeling uncomfortable. Partly because the naked young people...
It started three years ago. Guilherme Miotto, working as a dance maker in Tilburg, was asked by a good friend of his. Whether he wanted to come and have a look in Noord. There, in that rather notorious slum, there were some fantastic freestyle footballers running around. YouTube runs with them, and the best one, Nasser El Jackson, is even world champion. A ball wizard. That is.
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