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Why I hope to meet those youngsters from that particular reading club here: Olga Neuwirth composes soundtrack to Die Stadt ohne Juden

Emerging fascism is becoming increasingly parlous. Especially among young people, I discovered recently at a concert by the Netherlands Philharmonic Orchestra at the Concertgebouw. A reading club of twenty-somethings said they enjoyed James MacMillan's Second Percussion Concerto. They joined me in denouncing the draconian cuts to culture. But suddenly it sounded carefree: 'We are all voting for Thierry.' When I was dismayed... 

Read More "Why I hope to meet those youngsters from that particular reading club here: Olga Neuwirth composes soundtrack to Die Stadt ohne Juden

Five stars. Or more. Why we need heroines like Tina Turner. 

What. Have. We. Terrible. Much. Too. Learning. If there is 1 thing the musical Tina makes clear, it is that. Especially at the stormy premiere, Sunday 9 February, a few hours before storm Ciara blew the last bubbles out of the Utrecht champagne glasses. An almost completely white auditorium, in Black Tie, that is, with only a few people from... 

Read More "Five stars. Or more. Why we need heroines like Tina Turner. 

'For a year I dragged Ravel's scores everywhere' - Bart Visman orchestrates 'Ondine'

Dutch composer Bart Visman (1962) has already written many wonderful works of his own, but makes his debut with the Rotterdam Philharmonic Orchestra with an orchestration of 'Ondine'. This is the first movement from Maurice Ravel's three-part piano cycle Gaspard de la nuit. It is the prelude to an integral orchestration, to be premiered next season. 'I am of the same... 

Read More "'For a year I dragged Ravel's scores everywhere' - Bart Visman orchestrates 'Ondine'

Song festival-gate update: fee for spectacle orchestra even lower

Those who want to be musicians have to bleed. Earlier, we reported that the highlight of the Dutch edition of the Eurovision Song Contest was going to be performed by professional musicians and conservatoire students who would receive 100 euros a day for it. Outrageously little, when you know that full days of work were going to be involved anyway, for eight days. Well: it's even worse than... 

Read More "Song festival-gate update: fee for spectacle orchestra even lower

Eurovision Song Contest had the Metropole Orchestra, but chose students.

Where is the Metropole Orchestra? A unique orchestra, the only one in the world that can pull off the complete repertoire from classical to pop and jazz? The orchestra that used to accompany the Dutch acts at the Song Festival when everything was still live? The orchestra, which as recently as December was on tour with our new Song Contest candidate,... 

Read More "Eurovision Song Contest had the Metropole Orchestra, but chose students.

What is the remplaçanten-cao and why is it so bad that the NPO applies it to the Eurovision Song Contest?

[update: they get even less, see post below] We received confusing news last weekend. The occasion was the festive announcement by the organisers of the Eurovision Song Contest that a special symphonic happening would take place at the final in Rotterdam. Invited were third-year and master students from Rotterdam Conservatoire, part of Codarts, as well as young professional musicians. For the performances... 

Read More "What is the remplaçanten-cao and why is it so bad that the NPO applies it to the Eurovision Song Contest?

(update: Song Contest response and nuanced message) Playing with the Eurovision Song Contest Orchestra? From 100 euros per day

In the first version of this post, we assumed 100 euros for 8 days. We turned out to be misinformed. The application of the remplaçants' collective agreement, mentioned in the explanation by the Song Festival, gives a bit more leeway, although its hourly and daily rates are still controversial. But 1,000 euros for eight days is now apparently the going rate.... 

Read More "(update: Song Contest response and nuanced message) Playing with the Eurovision Song Contest Orchestra? From 100 euros per day

Conductor Elim Chan: 'I can't walk away from the music.'

'When I unexpectedly had to conduct the "Dies Irae" from Verdi's Requiem Verdi, I felt how raw and impactful music could be. I knew immediately: I can no longer run away from music.' Elim Chan is moving like a rocket and will make her debut with the Netherlands Philharmonic Orchestra on 17 January. In 2014, Elim Chan (Hong Kong, 1986) was the first female... 

Read More "Conductor Elim Chan: 'I can't walk away from the music.'

Lera Auerbach decries 72 demons: ''We know exactly what the right decision is, but often choose against our intuition''

Guts cannot be denied the Russian-American Lera Auerbach (1973). After all, you have to be 'a bit crazy and a bit of a genius to write a full-length choral work on a text limited to a list of 72 angel names', as one reviewer noted in 2016 after the world premiere of 72 Angels for the Netherlands Chamber Choir and the Raschèr Saxophone Quartet.... 

Read More "Lera Auerbach decries 72 demons: ''We know exactly what the right decision is, but often choose against our intuition''
A Christmas Carol by Carl Davis and The Dutch Don't Dance Division

A deep bow for Gesamtkunstwerk A Christmas Carol by Carl Davis and The Dutch Don't Dance Division

So this: 'It is not easy to compete with YouTube, Netflix and other entertainment giants lying at our fingertips...' Wise words from Jiří Kylián in the foreword to the programme booklet of A Christmas Carol. The renowned choreographer sees The Dutch Don't Dance Division at the Zuiderstrandtheater creating something magical with their latest production: with limited resources in this multimedia... 

Read More "A deep bow for Gesamtkunstwerk A Christmas Carol by Carl Davis and The Dutch Don't Dance Division

Kersjes Prize winner Lodewijk van der Ree: 'Language strongly determines the sound of a choir'

'An inspired conductor, with an intelligent approach to the score, a clear stroke and the ability to draw a choir into his vision. So says the jury of the Kersjes Prize about Lodewijk van der Ree (1986), who received this year's conducting prize. I have worked with him many times before and can wholeheartedly endorse this statement. Carte... 

Read More "Kersjes Prize winner Lodewijk van der Ree: 'Language strongly determines the sound of a choir'

Musicians in plastic and a rock-hard snare drum - Forty years of orchestra de ereprijs celebrated with 4 new compositions - one for each decade

As an intro, the percussionist of orchestra the prize of honour played a cadenza of air beats. When he unexpectedly gave a cutting blow on his snare drum, everyone was startled. Thus, with Bewegung ohne Bewegung for cello and ensemble by Jan van de Putte, opened the anniversary concert of the ensemble founded in 1979 by Wim Boerman. Last year,... 

Read More "Musicians in plastic and a rock-hard snare drum - Forty years of orchestra de ereprijs celebrated with 4 new compositions - one for each decade

'Wikileaks has never been caught at a single fault' - Iris ter Schiphorst writes Assange: Fragmente einer Unzeit

'There is an information war going on right now, which shows how important data is. The Assange case is the most poignant example of this.' Dutch-German composer Iris Ter Schiphorst wrote a piece about Julian Assange, the now controversially declared founder of Wikileaks. She is on a mission with this: 'Although Wikileaks has never been caught at a single fault, Assange has been accused of... 

Read More "'Wikileaks has never been caught at a single fault' - Iris ter Schiphorst writes Assange: Fragmente einer Unzeit

'High time for an end to segregated religions!' - Joost Kleppe composes Spirit of Mustafa for Groot Omroepkoor and Radio Philharmonic Orchestra

'Everything I make stems from feeling, from being touched', Joost Kleppe (1963) once said about his music. That sensibility is often triggered by poetry and his oeuvre therefore includes many vocal works. His lyrical, rhythmically varied pieces regularly appear on the desks of both professional and amateur choirs. With his appealing style, Kleppe follows in the footsteps of illustrious composers,... 

Read More "'High time for an end to segregated religions!' - Joost Kleppe composes Spirit of Mustafa for Groot Omroepkoor and Radio Philharmonic Orchestra

'The soprano sighs, supports, whispers, breathes in, breathes out, blows, squeals' - Helmut Lachenmann Got Lost in November Music

German composer Helmut Lachenmann (1935) is a champion of evocative squeaks, creaks and crunches. Like John Cage, for instance, he hears music in unusual sources. Rarely is an instrument played the way it is written in the books. 'Making music with sounds is relatively simple and always somewhere modern,' he once said of this. Although he started his career as a choirboy counts... 

Read More "'The soprano sighs, supports, whispers, breathes in, breathes out, blows, squeals' - Helmut Lachenmann Got Lost in November Music

'Like a terrifying chorus of ghostly aliens.' Why you just have to suffer Anna Korsun in November Music.

'Anna Korsun stood head and shoulders above her peers with her surprising, introspective and communicative music.' I wrote that in 2014, when she won the Gaudeamus Award. 'We are definitely going to hear more from her,' I concluded, and since then the Ukrainian has more than fulfilled that promise. She has made a name for herself as a composer, pianist, vocalist, conductor and (co-)organiser of concert series.... 

Read More "'Like a terrifying chorus of ghostly aliens.' Why you just have to suffer Anna Korsun in November Music.

Lazarus in Dutch premiere: it's Valentine's Day!

Before I say anything substantive about Lazarus, Sunday 13 October the musical premiere for people who never go to musicals, a few misunderstandings the world over. First of all, the album Blackstar, which David Bowie released three days before his death on 11 January 2016, is NOT the soundtrack to Lazarus, his musical that was released a month before his death.... 

Read More "Lazarus in Dutch premiere: it's Valentine's Day!

Music from anger and powerlessness - Extra focus on sensational composer Georg Friedrich Haas in November Music

Last year, Austrian Georg Friedrich Haas caused a stir at the Holland Festival by openly talking about his master-slave relationship with his wife Mollena. If possible, even more startling was their joint production Hyena. Mollena Williams-Haas told a blood-curdling tale of how she rehabbed from her alcohol addiction, her husband providing the hypnotic music. This year, Haas is one of the central... 

Read More "Music from anger and powerlessness - Extra focus on sensational composer Georg Friedrich Haas in November Music

'I decided to make an unabashedly grand romantic gesture and blow people away' - Mathilde Wantenaar writes new piece for Rotterdam Philharmonic Orchestra

Being creative on demand? That's impossible, you would think. Yet it is the reality for composers and artists who work on commission. Mathilde Wantenaar (1993) therefore got acute choice stress when the Rotterdam Philharmonic Orchestra asked her for a new piece. She was just working on a commission from De Nationale Opera. 'I felt like a rabbit in the... 

Read More "'I decided to make an unabashedly grand romantic gesture and blow people away' - Mathilde Wantenaar writes new piece for Rotterdam Philharmonic Orchestra

'I am interested in situations or people that are overlooked in everyday life.' - Meriç Artaç two seasons guest composer of Day in the Fire.

'I always draw out my characters before I start composing. They are inspired by people I see on the street, personalities I admire, details that make someone special... I usually focus on one specific aspect of a character, a dominant mood that I then highlight in my composition.' Born in 1990 in Istanbul, Meriç Artaç was already... 

Read More "'I am interested in situations or people that are overlooked in everyday life.' - Meriç Artaç two seasons guest composer of Day in the Fire.

Zeitgeist and chance cannot be captured by an algorithm. Why a robot should not replace the music programmer.

Last Wednesday, 2 October, at the annual congress of the Vereniging Nederlandse Poppodia en Festivals in Tivoli/Vredenburg, I saw an interesting presentation by Jonas Kiesekoms, research coordinator at PXL-Music in Hasselt, Belgium, and musician. The question is now classic: can a robot replace the music programmer? With his research group, Kiesekoms is working on several applications that use data science to improve ticket sales for concerts,... 

Read More "Zeitgeist and chance cannot be captured by an algorithm. Why a robot should not replace the music programmer.

Joy of life and icy constriction. Ensemble Modern performs striking world premieres by female composers during November Music

Ensemble Modern presents world premieres by German-Dutch Iris ter Schiphorst and Turkish Zeynep Gedizlioğlu in November Music. And that is good news, because the female composer remains too often invisible even in 2019. In the brochures of any Dutch orchestra, you will find none, or only a single work by a woman. On the new Heart & Soul list of... 

Read More "Joy of life and icy constriction. Ensemble Modern performs striking world premieres by female composers during November Music

'Quite a few ex-believers have thrown out the baby with the bathwater: the music, the rituals, the language.' Composer Daan Manneke turns 80.

Daan Manneke will soon turn eighty. On 5 October, this great purveyor of vocal music and 'chapel master of space' will take centre stage during a programme by the Groot Omroepkoor in Utrecht's Jacobi Church. For this programme, he composed the brand new Geistliche Dämmerung, commissioned by the AVROTROSVrijdagconcert. Even at eighty, Manneke is still all zest for life and energy. 'I continue to... 

Read More "'Quite a few ex-believers have thrown out the baby with the bathwater: the music, the rituals, the language.' Composer Daan Manneke turns 80.

'I hope we will all slip into another world.' Calliope Tsoupaki writes Bosch Requiem 'Liknon' for November Music

In 1988, Calliope Tsoupaki (1963) came to the Netherlands from Greece to study composition with Louis Andriessen. Exactly 30 years later, she was appointed 'Composer of the Fatherland'. In that capacity, she has already composed some highly topical pieces. When Notre Dame de Paris caught fire on 15 April, Tsoupaki immediately climbed into the pen. Five days later... 

Read More "'I hope we will all slip into another world.' Calliope Tsoupaki writes Bosch Requiem 'Liknon' for November Music
Clara Schumann in 1878

Clara Schumann: still in Robert's shadow even after 200 years

Exactly 200 years ago, on 13 September 1819, Clara Schumann was born in Leipzig as Clara Wieck. She is among one of the greatest pianists of the nineteenth century. Against her father's wishes, she married Robert Schumann, whose work she fervently promoted. She also wrote well-received compositions of her own and was more famous than Robert. Yet after her... 

Read More "Clara Schumann: still in Robert's shadow even after 200 years

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