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THEATER

With text, movement, actors, sets.

Ten days of theatre with bollocks in Kikker Kiest (At once up to date)

'When Paul moves his little finger something happens. They have a scene where Jochem draws a picture of Paul. Paul is posing naked. And that lasts. That takes a long time. You and I, as amateurs, would fill that with all sorts of poses and movements, but Paul doesn't do anything. You think. And all sorts of things happen. HIj is doing something, then, but.... 

Chablis, riesling, bardolino and five indies: Boulevard succeeded

Wine tasting and listening to medieval music are usually things people only do with very serious faces. So it took five glasses, three drunken singers and a good hour before the mob in the sober Heilig Hart church in Den Bosch loosened up a bit. With a Frontignan to boot. You do start fantasising about the amazing dinner you had at... 

8 phenomena together on stage do not make phenomenal theatre at Theatre Festival Boulevard

Claron McFadden is a phenomenon. Josse de Pauw is a phenomenon. Arnon Grunberg is a phenomenon. LOD is a phenomenon. KVS is a phenomenon. Theatre Festival Boulevard is a phenomenon. I did not yet know pianist Kris Defoort, but he is also a phenomenon. As is Henry Purcell, but we've known that for a couple of centuries: also a phenomenon. After such an opening paragraph... 

Wunderbaum provokes revulsion with sacred performance about North Sea cruise at Theatre Festival Boulevard

Anyone who is young, a little nicely educated and otherwise generally of good character does not go on a North Sea cruise. A cruise on the North Sea, that's what you do if you have no imagination, have bad legs or are too sick for anything else. Believes Wunderbaum. The theatre collective that likes to take care of the vulnerable of this planet is... 

Boukje Schweigman makes you feel how weird time is at Theatre Festival Boulevard.

Industrial estates are weird. They lie souring on the outskirts of one city, only to seamlessly morph into the same site on the outskirts of another. Once they were A-locations, places of visibility and the incarnate dream of reconstruction. Now they are low-grade structures, halls with a front door, a visible office for the Dirk and a pathetic... 

Humour, marinated in tears on a bed of melancholy. Perfect day on Boulevard

The prize for the longest and most artful kiss of 2017 has been given away and goes to Conny Janssen Danst. In a small tent on the square below Bossche Sint-Jan, this danced kiss forms the technical and dramatic highlight of Clarity. Two dancers, spinning pirouettes while keeping their lips connected, a video artist and the floating music performed live by iET were on Saturday ... 

Thinking won't make you a hero. Artful Flemish musical theatre on Boulevard

Heroes are not always the smartest people. Indeed, most acts that have gone down in history as heroes have been thoughtless actions. That happened to succeed. Pure luck. Against every heroic act, therefore, there is an unknown but not negligible number of senseless deaths of would-be heroes. The main character of the theatre play The Heroes, which I attended in Den Bosch on 4 August,... 

Celebrate art in times of gloom. #tfboulevard

Opening speeches. Every festival has one. Or two. You have to go through them. As a guest, but also as a host. Something should be found on it. Of course a point has to be made, a flag raised, a champagne bottle bang introduced. And also the sponsors should be thanked. In these times of a retreating government, there are more of them every year. And. 

No man can escape Nottrots Thundering Time. (Theatre with built-in escaperoom)

'Can I ask you: do you know what time is?' Greg Nottrot's question cannot be straightforward, as I am the only spectator. MIjn spot is uncomfortable: a chair sinking into fresh gravel on the curious Utrecht plain christened 'Berlinplein' by city developers. I witness an early rehearsal of De Denderende Tijd. In that... 

So you'll never leave Den Bosch again (why holidays in your own country can be fun)

Would like your interpretation of the cover girl's look on the Theatre Festival Boulevard programme book. It may be projection, but I see a slightly overwhelmed desperation in those eyes, whose eyebrows have been replaced by two playfully placed arches of St John's, above: Den Bosch on my mind. Where to start, mostly. In the book, especially abundance. Glassily designed... 

The new theatre system is just about finished. Only seven 'dilemmas' remain.

[This post was already online under the title 'Save us from the Transition Office', but has been updated in a few details] While you are preparing for a well-deserved holiday, people in the arts sector are working on a new model. That new model is needed because the old model is no longer adequate. That old model, and we are of course talking about our... 

Just a Guest is justified summer hit: listening always makes people interesting

I held my heart. Patrick Nederkoorn and Oscar Kocken had been tempted by television to bring their brilliant gem 'Zomaargasten' over to the living room. NPO3 still. The channel targeting millennials. I had visions of channel managers, dramaturgs, audience specialists and gussied-up boys and girls well over forty that these two little artists would... 

Especially for our subscribers: the great Holland Festival 2017 e-book

The advantage of being a subscriber to Culture Press is, of course, mainly that we can exist thanks to you. So our independent sound remains audible, so you get the interpretation of the news as you get it nowhere else. In June, a total of 14 authors hit the road for you to see as many Holland Festival performances as possible.... 

I had a perfect near-death experience in the Amsterdam theatre #HF17

Sometimes you don't need a lot of words for a great story. Often, few words also require more effort than many words. That idea Blaise Pascal once managed to coin. Yesterday, on the penultimate day of the seventieth Holland Festival, the statement was reinforced in another, unexpected way. Australia's Back to Back Theatre told the story of... 

American kindergarten drama with a body count of 2 million on #HF17

Chances are not inconceivable that you have never heard of Fortunato Depero. Or maybe you are a lover of classic design and still have an old mini bottle of Campari somewhere. He made that. As a playwright, you might well have overlooked him. On 21 June, I went to see if you could find yourself with that... 

Art that is not about anything. Greek spectacle The Great Tamer was a delight on #HF17

During the first two weeks of this Holland Festival, almost all art was about something. The festival theme of 'democracy', conceived for the occasion, appears to have penetrated just about every hairline. Sometimes painful and highly topical, as in the National Theatre's phenomenal 'The Nation', sometimes downright embarrassing, as in Romeo's heavily overrated 'Democracy in America'... 

Robert Lepage pulls out all the stops in '887'. (Because we forget so much.) #HF17

Twenty-five Canadians are listed for design and production of sound, video, music, lighting and stage technology. Nine Canadians are working behind the scenes for two hours. During those two hours, one Canadian is on stage. In front of six hundred spectators. What those 35 people have all managed to pull off tickles your imagination and tells... 

Dries Verhoeven's Phobiarama is a pointless machine #HF17

I went to Amsterdam to face my social anxieties on the once infamous Mercatorplein. I saw a sunny square with a trendy bar and bakfiets mothers around a play fountain for white children (brrrr! gentrification), old veiled and un veiled women chatting on a bench (help! multiculture) and a performance in a converted bumper car tent (Waaaah! Holland Festival). What I didn't... 

This is what devastation looks like: The Gabriels is the perfect mirror for stumpers like us. #HF17

Endless chatting at the kitchen table. While cooking. That's all they do, the brother, the sister, the ex, the two daughters-in-law and the mother of the Gabriel family. About recipes, about the old piano. About Thomas, the brother who died of parkinson's, about his wife, who due to informal care had no time to renew her doctor's degree. All very casually, without... 

'En Manque', or why your reviewer was on the dance floor at the #HF17

Do you write a review for people who are still going to the show, for people who have already been or for people who want to be informed? It is and remains an eternal dilemma. Vincent Macaigne's Holland Festival performance 'En Manque' will only be at the Compagnietheater on Thursday 8 and Friday 9 June. The chances of you, the reader,... 

Go see how Romana Peace takes The Nation to the highest level. #HF17

At last. The Nation, the hyperactual theatrical serial with which the revamped Nationale Toneel, sorry Theatre, presents itself to the country, feels like a refreshing splash of water on a soggy day. Newly appointed boss Eric de Vroedt lives up to his reputation by delivering a work that will no doubt draw new audiences into the theatres. An audience spoiled by... 

Has Romeo Castellucci become accessible with Democracy in America? #HF17

A prologue, two dialogues and a long interlude. All clearly connected. In a performance by Romeo Castellucci - it doesn't have to get any crazier. Italian theatre maker Castellucci prefers to make theatre that is not easily or even misunderstood. He does not shy away from shock effects. Visually overwhelming, but a clear line is often hardly recognisable. So that promises... 

Jeroen van Merwijk achter het raam van Kunstruimte Kuub in Utrecht. Foto: Wijbrand Schaap

Why Jeroen van Merwijk likes to welcome you to his studio: 'Being a cabaret artist is not a profession.'

'Everyone has an Apple. Everyone has a Corneille. Nobody has a Van Merwijk. So the question is whether Van Merwijk is any good. Nobody knows that. Then the challenge is for a few great people to buy a Van Merwijk. After that, everyone wants to have a Van Merwijk. When that happens, I'll go back to making other work, because I want... 

Hooligans, but good hooligans. Viking drama on the edge of comic and laughable

Roaring warriors, pomp and circumstance, a tough drama set against the historical background of the Viking era. That goes down like cake (or beer) with the Danes who see themselves as direct heirs of the Vikings, the organisers must have thought. And that is why the play Røde Orm is being presented as one of the highlights in... 

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