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A chamber opera blown up to impressive proportions at @hollandfestival

Holland Festival Holland Festival

,,The special thing about Quartett is that an intimate story between two people is blown up to impressive proportions. The characters find themselves in a room, which seems to float. In this seclusion, an isolated game between a man and a woman plays out. Giant video projections

Social media and art connect people, but Egypt stays away for a while #vvu

Treaty of Utrecht

Experiments may well have a different outcome than you hope for beforehand. The Community Arts Lab is now discovering through the Face to Face project that the world of the internet still has to deal with real borders. A project in which ordinary people in Egypt would create a work of art with ordinary m...

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Minicourse Opening @HollandFestival, part 1: Total theatre on slippery communication

Holland Festival Holland Festival

This year's Holland Festival opens with a performance of the opera 'Quartett'. It is a piece with a story, which needs some explanation. Maarten Baanders gives a short course on this performance. Also interesting for those who toev...

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Simon Stone adapts Ibsen for Australians: 'And why would you even go to the theatre if you live in Sydney?'

Holland Festival Holland Festival

Simon Stone (28) wrote a new play based on Henrik Ibsen's 1884 stage classic The Wild Duck. The Swiss-born Australian provided the Norwegian play with entirely contemporary language and dressing. The actors sit

Moritz Eggert: 'I want to give Wagner back his innocence'

With Tragedy of a Friendship, Flanders Opera commemorates the bicentenary of Richard Wagner's birth. It is a production by controversial artist Jan Fabre, author Stefan Hertmans and composer Moritz Eggert. When I approach the German tone poet for a conversation about this opera, he responds with shock: there is ab-so-lutely no opera! Could I please clear up this misunderstanding once and for all?

Why shouldn't Tragedy of a Friendship be a ...

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'Everyone is happy to be part of something so beautiful.' Stut Choir and Irish performers sing together for the first time. #vvu

Radiant faces and swinging bodies filled the Utrecht Stut Choir's rehearsal room in Overvecht on Sunday. For the first time, the members collaborated with Irish singer Lorna McLaughlin of The Henry Girls and conductors Neil Burns and Anna Nolan of the Inishowen Gospel Choir. On 21 June, the two choirs will join the three Henry Girls sisters on stage at Stadsschouwburg Utrecht.

In high concentration, the group practises the subdued song 'Home' by The Henry Girls, only to ...

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Film project makes lives of ISK students visible: 'That's my grandmother, that's my heart'

Treaty of Utrecht Munira has written a letter in Somali. Before reading it out in her own language, she has to say something about it in Dutch.
Another student interviews her and asks who the letter is for.
Munira: 'It's a letter for my grandmother.'
Classmate: 'What does it say?'
Munira: 'I love you dear grandma. I miss you.'
Classmate: 'Why your grandmother?....

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Utrecht deploys army at opening of festive year

200 military personnel and JunkieXL are expected to cause a spectacle on the A2 motorway near Utrecht on 13 April. The roof of the new tunnel trench will be the stage for a battle of medieval proportions, in which peace will be conquered by our army over something with a wall and 'war' on it.

It has to be big, that much is clear. To add to the atmosphere, spectators will also be transported by army truck from the centre of Utrecht to the performance area.

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Writers Unlimited 2013: about writers and people with a story #wu13

Whether Tahmina Akefi is a good writer, I dare not say. The Afghan beauty can at least glue sentences together, and knows how to add an erotic layer on top. But whether this means she surpasses the average penny novel, or whether she has nothing to offer but oriental soft porn anyway? Tricky.

The fact is that she does have a story. After all, what she presented in terms of light erotica on the programme "Wanna Know A Secret?" on Writers Unlimited stemmed from ...

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Blogging vs demons #wu13

"We don't use social media because it's cool," says Tunisian internet activist Sami Ben Gharbia. "But in a dictatorship, it is the only way to inform people about what is really going on. To fight the demons in society. I am not a techny Became because it's fun. I just needed useful knowledge about internet codes, to improve my civic activism possible."

Really free poetry can be learned #wu13

We spoke briefly at Writers Unlimited 2013 with the woman who has been giving workshops in poetry to schoolchildren for a few years now. And we wondered again if rap wasn't enough for them, those kids. No. So it turns out. And she explains it clearly. ... You can now log in to continue reading! Welcome to the archive of... 

Hassnae Bouazza's Thousand Shades of Arabia on #wu13

John de Mol is doing good business in the Arab world. He acts rather dismissively about this, according to Hassnae Bouazza. According to her, the television producer talks publicly mainly about the many restrictions on his formats because of Islam and the sentimentalism of TV in the Middle East in general. That De Mol's success number The Voice of Arabia during the final in

'For me, only the text exists' - Alberto Manguel & Hans Goedkoop on black pages #wu13

With a jam-packed programme like Writers Unlimited 2013, it sometimes happens that, even as a professional journalist, despite everything, you end up dropping in somewhere too late, and then just catch a glimpse of something really great. In this case, after the tour de force by Amos Oz and Adriaan van Dis, it was the spoken word performance by Kenyan Ngwatilo Mawiyoo. Mea culpa for that.

Mawiyoo introduced the Forget It! programme. A conversation with Hans Goedkoop (bek...

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Does it luckily still involve sex on #wu13

How many male genitals Yasmine Allas had weighed in her hand. For a while, that was the question during Writers Unlimited's most shameless programme to date. This latenight talk show addressed the question of how shameless writers actually dare to be these days. Kristien Hemmerechts, always good for a few firm statements, met her peers in

Presenters can make a Winternight. And break it. #wu13

And then, just like that, you can miss the highlight of the first Winternacht because you don't pull it together with a presenter. Flemish author Bart van Loo, according to many twitterers, seems to have uttered beautiful sentences in the programme 'Daar geef ik mijn leven voor' (I'll give my life for that), but that was well after midnight and I had given up by then. The presenter on duty, the in itself excellent storyteller and very amiable Anousha Nzume, was too eager to attach in-depth interviews to...

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A lot of Oz & a little Van Dis on impossible dreams and ideals #wu13

During the kick-off of Winternacht 1, publicist Bas Heijne brought the two literary giants Amos Oz and Adriaan van Dis closer together. What remains of their former idealism? Oz's barrage of wonderful one-liners proved difficult to tame and made for a hilarious but somewhat unbalanced conversation.

A recalcitrant teenager, Israeli Amos Oz ran away from home at the age of 15 and joined a kibbutz. He lived there for years. Adriaan van Dis, too, once spent time as a ...

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