By Leo Bankersen
Uncle Boonmee Who Can Recall His Past Lives, this year's surprise Golden Palm winner, will get its first Dutch screening at the new festival World Cinema Amsterdam next weekend. The Cannes jury had caused some noise with this choice even among critics. After all, was this ghost story by the Thai filmmaker with the unpronounceable name now a dull and obscure film, or rather a cinematic masterpiece?
By Wijbrand Schaap Once in a while, a theatre director stands up who wants to expose the emptiness around him or her. That it is about the emptiness within him (or her) himself, this young director usually finds out some 20 years later, once it has become a little less empty. That's how these things go. We...
Text Maarten Baanders (photo Herman Sorgeloos) After sensory work had already been reduced to a minimum in Keeping Still - Part I and The Song, dance philosopher Anne Teresa de Keersmaeker confronts the most extreme reduction possible in life in the final part of the trilogy, 3Abschied: death. Her choice of music strikes again Der...
Fortunately, there is a considerable time difference between Santa Monica and Amsterdam, but for a while there was a threat of considerable confusion when the organisers of the three-day Harmony Festival thought they could reserve the hashtag #hf10 for themselves. However, since the first twitters, yesterday, things have been quiet in California, as they have discovered that Holland Rulez where trending topics are concerned....
By Wijbrand Schaap (photo Arno Declair) Since Wednesday 9 June 2010, the Netherlands has been looking a bit more like Austria again, although with us the mountains are in the southeast, instead of the west. And there's another difference: we are still allowed to see the stage work of Austrian Nobel laureate Elfriede Jelinek, while the stern writer's work in her...
Loek Zonneveld is furious about The Bridge Project, but overjoyed with De Keersemaeker's The Song and Wijbrand Schaap still enjoys Amal Maher in the broadcast of Clash der Recensenten on Amsterdam FM, Tuesday 8 June, between 15:00 and 16:00. Also featuring a clear explanation of what The Dodo is, and what it is for...
By Maarten Baanders (photo by Herman Sorgeloos) Where were we? In the previous performance, Keeping Still, Anne Teresa de Keersmaeker gave us an empty space as the final image. Now we walk into the hall of the Muziektheater for part 2 of the triptych, The Song and once again an explicitly bare stage stretches before us. The hall light is still on...
We at the press do it for free, but people with really big money can buy it: the right to unsolicited advice to the Holland Festival. Today, the festival announced the appointment of a Board of Governors. People with money who like to put it into top culture. A novelty for the Netherlands. We have the names: G.J. van den Bergh and...
By Maarten Baanders (photo by Herman Sorgeloos) Calmly we stand at the door of the venue. A bit like the Holland Festival is a drag. No one suspects that in a few minutes, existence will be reduced to almost nothing. It starts with darkness. Silence. For minutes. Softly, footsteps sound. The ears are tuned to it in detail. There is singing. Mahler's...
As every year, the Holland Festival presents previews and teasers of productions in the shop window of De Bijenkorf, on the corner of Dam and Damrak. This year will be no different. Or will it?
In the mail the following note from De Bijenkorf to the Holland Festival:
English (UK) 
Nederlands 
Français
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