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Nerd podcast #5: on the future of theatre, Milo Rau and the power of the critic

This episode, number 5 already in an increasingly well-listened-to podcast series, is about the future of theatre. A future after Corona, of course, but also the future as some theatre makers and journalists dream of it. For example, Marijn Lems (NRC) and Wijbrand Schaap (Culture Press) talk about Milo Rau, the high-profile artistic director of NTGent (Belgium). Who came a few years... 

Wopke in Thialf or Laura in Frascati. Who will explain the difference to me?

Wopke Hoekstra, would-be boss of the Netherlands, stood last week on the ice of an ice rink that was closed to all but Sven Kramer. Because of Corona. The CDA frontman received a justified storm of criticism. After Grapperhaus, the country's second top executive who thinks his own rules only apply to others. Last week, Laura van Dolron, played... 

Opinion: Arts and culture are thrown out with the rubbish in Brabant

On 24 December 2020, the provincial hearing and objection committee issued an opinion to the Provincial Executive of the province of North Brabant in response to eight submitted objections. Then -only a month later- on 26-1-2021, a communication dated 26-1-2021 from the Board of GS to Provincial Councils and a press release to the cultural institutions that submitted an application 2021-2024 appeared.... 

Nadia's revenge. VPRO's #onstage is the best answer to the cynics at the top of the NPO

Maybe it's the snow, and my little dog that made me so happy. Maybe it's the sledding children in 'The Pit' of Lunetten, and maybe it's the lameness that creeps up on me after so many valiant attempts to keep up the fun of art in times of Corona. But I sat through the first minutes of VPRO's Onstage... 

13 foundations and one private limited company. Controversial Brabant grant decisions raise more questions every day.

To get a subsidy in the Netherlands, you have to jump through a lot of hoops. Every farmer knows that, and so does every artist. In the cultural sector, for instance, it is important that you have a form of organisation that is controllable and approachable. You cannot have a profit motive either. That is why you can usually only apply for funding as a foundation, so you have statutes, a board and a... 

A trip around the world, a bike, a cat and her bodyguard Dean: 'Nala makes my life a lot more exciting'

When he left Dunbar over two years ago for a round-the-world bicycle trip, Scottish Dean Nicholson (32) could not have suspected how much his life would change. When he rescued a kitten a few weeks old from a ditch in Bosnia, his life took a completely different turn. Since then, Nala and he have been inseparable, cycling together... 

Theatre of Concordia, at home on the tube 

With the lockdown in full swing and the curfew shackling us to our homes, the theatre performances at Concordia Film | Theatre | Visual Arts in Enschede continue as usual. With no less than three diverse, musical performances in the coming week that can be followed via a livestream, so you can still get your much-needed dose of culture.

Eddy Bellegueule live. Still impressive, but also makes you yearn for the real thing.

Yesterday, I finally saw 'Away with Eddy Bellegueule', the theatre hit of the previous broken and devastated theatre season, and saw that its creators had effortlessly bridged the gap between youth and grown-up theatre. The show is a nineties grunge concert with brilliant actors and intense visual direction by rising star Eline Arbo.

Listening away for music. Is that possible?

Listening away, does the word exist? I did it. And still do. For music. Just as you can look away from something, I listened away from the CD that was so thoughtfully sent to me. Here's the thing. This autumn, I received CD Wounds & Brutality through the post as a gift from Tom America- composer, musician, quirky creator. I've been a fan of America since 2011. He... 

JUST

It is stupid and pointless to start comparing suffering. There is always someone who had it shittier than you, usually even closer than you thought. But reinforcing the delusion that writers and poets can live off their royalties, when that is literally true for less than one per cent of professional literary authors, shows little empathy.

Guilt helps no one. Philosopher and writer Jannah Loontjens took a closer look at her gnawing conscience

I have come to realise that guilt creates a distance. To others, I sometimes come across as cool and reserved; this is because I unconsciously shut down to suppress my feelings and desires. I don't want to get in the way of others with my emotions. But that also means I rarely let the other person get close.

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