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Garry Feingold en Ger Jager, Dansmakers, 2012. Foto: Jean-Pierre Jans.

Extremely rare landslide possible in contemporary dance in the Netherlands.

In contemporary dance, artistic leaders are often in place for decades, at least in the Netherlands. This week, Leo Spreksel announced his departure from Korzo, as of September 2017. After 29 years, the director and programmer of dance at the theatre and production house in The Hague is calling it a day, because "in the Netherlands, commercialisation pushes away the voice of artists: procedures and formats are... 

Does anyone know what Hollywood did to his balls?

Before I started studying, I had oceans of time to read. Besides high literature like The World of Sofie by Jostein Gaarder, I also read books from the Bruna Top Ten. This included Dan Brown's Angels & Demons series, the fourth part of which was recently filmed. Director Ron Howard, however, addressed the ethical issue with which the book ends... 

Astrid Lindgren always remained that girl from Näs

During her lifetime, Astrid Lindgren received almost seventy-five thousand letters from fans all over the world. The creator of headstrong characters such as Pippi Longstocking, the Lionheart Brothers and Ronja the Robber's Daughter was at least as headstrong herself. This is clear from the voluminous biography This Day, One Life. Back to Näs, where Astrid Lindgren grew up and still lives on. Playing, playing, playing... 

Ronald Wintjens. Foto: Tycho Merijn Roest

Ronald Wintjens: 'More face for youth dance and performance art at Dance Days'

'Not only work has disappeared, but also knowledge and craft - the whole perspective is disappearing. While the Netherlands as a dance country was renowned in the world precisely because it had the luxury to research, to build, to stimulate.' Ronald Wintjes, the brand-new director of De Nederlandse Dansdagen, worries. What about the future of dance?.... 

Screenshot van Nieuwsuur Geert Wilders,

Oy. @geertwilderspvv sets Richard III as an example to the Netherlands

Finally, it was not quite literal, but he was clearly referring to it: Richard III. Geert Wilders, himself not too culturally savvy, quotes Shakespeare in his umpteenth plea to get the Netherlands out of the EU with pot-covered borders. In the second chamber. I saw it on Nieuwsuur, and you can watch it back. At 39′:49″ minutes into the broadcast he is in debate with his great friend, the VVD's Halbe Zijlstra.

Ça Ira: political theatre with the allure of House of Cards #HF16

Over four hours long Ça ira (1) Fin de Louis, a performance by French director Joël Pommerat, to be seen this weekend at the Holland Festival. He reconstructed events in France between 1789 and 1794, better known as The French Revolution. What begins as a sometimes hard-to-follow, animated history lesson culminates in an impressive 'whodunnit', balancing between re-enactment and live television.

Education, education, education. But with an ideological basis.

No, the culture debate on 8 June in the province of Overijssel was not uplifting. The Cultuurnota 2017-2020 was adopted unanimously, except for two votes from the SGP. No fireworks about, for instance, the forced cooperation between the Orkest van het Oosten and Het Gelders Orkest. No hefty investments to fix national and provincial cuts. All spokespersons came up with predictable monologues, comparisons were made with other regions and, above all, they looked enviously at the Randstad, but there was no debate. The Christian parties are worried about empty churches, and the PVV, which is of course actually against subsidies, made some obligatory remarks about safeguarding the Overijsselian identity.

Which identity?

Guaranteeing: the new way of subsidising.

The Orchestra of the East is allowed half a million in red. That is the outcome of the 'Urban Commission' in Enschede. In a fortnight, the city council will formally take the decision, but with the commitment of a large majority, any debate will be wasted time then and the proposal would be better added to the list of hammer pieces immediately. That would have been a month... 

José Eduardo Agualusa: 'I will not be silenced'

Writing cost him his marriage, he is being shadowed by the secret service and risks being arrested in Angola. But José Eduardo Agualusa, who has a chance of winning the 2016 Man Booker International Prize with his new novel A General Theory of Forgetting, does not hesitate to put down his pen. 'I won't let myself... 

Winternachten gives audience a bigger voice

International literary festival Winternachten wants to involve the public more in its programmes next year. 'Audiences increasingly want to have a say,' says director Ton van de Langkruis. 'That can be done in all kinds of ways, we are now brooding on that.' Winternachten attracted some 7300 visitors this year, equalling last year's attendance. Last edition's theme was 'Hello Darkness', and... 

It's time for a 'slave-free art' seal of approval #tegendebakker

Making art is too much fun and too unnecessary. People really like making art, and really want to show it off. So much so, that they are the only ones doing their contribution to an art event for free. While all other contributors are simply paid. Thus, the art world, including the subsidised one, is one of the places in the Netherlands where slavery is still common. It... 

winternachten op blab

On the sofa with The Signature Hunter, The Translator and Abdelkader Benali

Three and a half hours of streaming video from a seating area at The Hague's Winternachten festival. I won't blame you if you didn't follow everything. I wasn't quite there myself at the end. Still, it was a success. If only because it hasn't been done here in the country before. Blab is so new that... 

Winternachten is about something

Hello Darkness is the theme of the international literary festival Winternachten, this coming weekend in The Hague. It takes guts, in a time when everything has to be fun and cosy and we prefer not to spend our free time dealing with misery or 'heavy topics'. That is why we love Winternachten, because that festival really goes... 

Susan Neiman chief guest at Winternachten 2016: Why the atomic bomb really fell on Hiroshima

Propaganda is not just something that occurs in, say, Russia, but also in the West - more so than we ourselves realise. For example, is it widely believed today that the atomic bombs were dropped on Hiroshima and Nagasaki to force Japan to capitulate and thus end World War II, nothing could be further from the truth. In that respect, Germany goes... 

Firma Mes - BOT (foto Joris Jan Bos)

BOT by Firma MES: delightful theatre for laughers and thinkers

'KUT TONEEL' has been spray-painted over BOT's poster. Another features penises and a clown's nose. Does Firma MES' new show arouse so much aggression? In any case, the young theatre company from The Hague promises us a play about "unkind people". But that doesn't quite pan out. On the flat floor of Theater aan... 

Van Veen (vvd), Pechtold (d66) en Monasch (pvda) tijdens het begrotingsdebat cultuur

Culture budget anno 2015. Not: '13.5 million more', but: 'no 13.5 million off'.

Update 4-12-15: During the plenary discussion of the culture budget on 3 December, Messrs Monasch (PvdA) and Van Veen (VVD) withdrew the controversial amendment. Instead, an amendment was adopted in which a one-off 10 million was released from the additional proceeds of the tax on polluting companies. From this contribution, festivals will be supported, talent development facilitated and... 

'Without extra money, even successful festivals will fall over'

The Lower House caused serious problems for culture in the Netherlands a few weeks back. In a noble attempt to save a few festivals and a youth theatre, SP, D66, CDA and PvdA caused chaos. They passed a motion instructing our culture minister to still set aside money for a few festivals and an extra... 

In Memoriam: the Basic Cultural Infrastructure (2008-2015)

Apetrots they are, the MPs Jacques Monasch, Jasper van Dijk, Mona Keijzer and Alexander Pechtold. After all, they saved a youth theatre company and managed to add a few festivals to the basic cultural infrastructure of the Netherlands. In addition, they have also already earmarked an amount for some other festivals. Yesterday, the motions from the June debate were put to a vote. Almost... 

The figures are in. And they don't say anything at all.

We had already announced it. This period is all about positive framing by the arts sector. Good news has to be spread, although people don't really know why. After all, there are no shareholders to be kept happy, only concerned art lovers. Enfin. On Wednesday 9 September, NRC journalist Daan van Lent presented the result of an investigation into the... 

#Paradisode debate 2015: the tone has improved, now the content

Robbert Dijkgraaf, the exact scientist with the flux-de-bouche of a great orator, kicked off the traditional Paradiso debate on Sunday 30 August in an extremely cool Paradiso. The Amsterdam pop temple was packed with guests and press, and expectations were high: could the debate really become a conversation this time, instead of the now somewhat threadbare... 

Albania special (3): modern Albanian art you only see underground here

Olson Lamaj runs a gallery with three friends: from their own money and in their spare time. They have to because it is the only way to give young, contemporary Albanian artists a chance. Lamaj studied photography in Milan and fine art in Florence and now earns his money as a graphic designer. He speaks to me after working hours 

Vincent WJ Van Gerven Oei

Albania special (2). Vincent van Gerven Oei: 'This country is a better breeding ground than the Netherlands'

If anyone can give a good picture of cultural development in Albania, it is Vincent van Gerven Oei. This Dutch philosopher and artist has lived in the country for five years and, as an insider and outsider, therefore has a strong opinion. I meet him at café Bukowski in a hip entertainment district of Tirana. When the embassy told me about Van Gerven Oei... 

Chamber listens to culture sector. And hears nothing new.

Five hours of talks with more than 30 invited guests. That's what the Round Table discussion on the 'Principles of Cultural Policy 2017-2020' offered. There was hardly any debate. It consisted mainly of repeating one's own views, but very carefully so as not to offend anyone. The chairman mainly watched the clock. The debate in five quotes. "How do we do it? Very simple: about the... 

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