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Speed and humour in Reisopera's Don Giovanni

When the Commendatore suddenly rises from his bier in the mortuary, Leporello recoils violently. He smacks painfully against the back wall, as if struck by a gust of hurricane-force wind. This cartoonish image is just one of many hilarious moments in Don Giovanni by the Nederlandse Reisopera. This production was performed after its premiere Saturday 4 March in the... 

Beef heart ragout and handshake. Cultural capital reinvents church service

Maybe God is dead, but His church is alive. At least in Denmark. This has to do with what you might call the Danish paradox of faith: a highly secularised society with a Lutheran Folkekirke (=Volkskerk) supported by a large majority of the population [hints]The American sociologist Phil Zuckerman has commented on this aspect of Denmark (and also a little... 

How I found love for opera in Sexyland. (And how you can too) #0FF17

A prelaunch of the Opera Forward Festival OFF [hints]From 18 to 31 March at De Nationale Opera (formerly the Muziektheater/Stopera)[/hints], among other venues, was organised last night at Amsterdam's new society Sexyland. I was impressed. Pretty surprising. Opera Nopera Disclaimer: the author of this one is not an opera director. The last two operas I saw were both by Philip Glass (the true... 

Only mythical stories fascinate at art gallery KAdE

Why did I find the mythical stories about being an artist more interesting than the artworks I saw? I wondered this after visiting the exhibition GOED GEMAAKT (ode to the making process) at the Amersfoort art gallery KAdE. Only a single work of art touched me, while the stories about Daedelus, Pygmalion and the daughter of Butades fascinated me immensely.... 

Geert Viaene: 'Poetry is like a drug, I can't live without it'

He was belatedly gripped by poetry, but how: for Flemish poet and street musician Geert Viaene (1963), poetry has now become a condition of life. 'A chord has been struck that still can't stop vibrating.' From this late bloomer, who published on digital forum Het Gezeefde Gedicht (The Sifted Poem), the debut collection Eistijden was recently published. Viaene understands the art of being outspoken in... 

Are we still capable of having a real opinion?

I read the biography of Jacob Israel De Haan, Onrust, by Jan Fontijn. Writer and director Gerardjan Rijnders based Salaam Jerusalem on this biography. It is this play, performed by De Nieuw Amsterdam, that really makes me realise how urgent it is to let such an almost forgotten figure as De Haan speak. Jacob Israel De Haan overturned taboos, fought... 

When you lose a sibling. On the grief of 'forgotten grief'

My father died in 1997. He came from a family of 10 children, five of whom have since died. My aunt Minke wrote a book about it: Broederziel alleen? The book stirred up a lot of emotions and had eight reprints in a short time. Grief for a deceased sibling turned out to be forgotten grief. In English, mourners are forgotten... 

A witty little book about suicide (8 uncomfortable questions to Jente Posthuma and Bas Uterwijk)

Writer Jente Posthuma (1974) and photographer Bas Uterwijk (1968) teamed up to create a booklet about the carefully planned suicide of Uterwijk's father, Henk. Try to think a little good of me is an intimate, searching, resigned and at times hilarious portrait of a loved one who has fallen away. Bas and I met on the Brazilian Jiu Jitsu mat sometime in 2005. We were trying to... 

Prince Igor at The National Opera: unfulfilled expectations

'Unleashing war is the best way to escape from yourself,' we read on the gauze screen in front of the Stopera stage. Then the Rotterdam Philharmonic Orchestra begins Alexander Borodin's Prince Igor. A catchy one-liner, but it raises expectations that are not met. Musically, too, this co-production of De Nationale Opera and the New... 

Hymn to St. Cecilia by Britten: state dangerous (c)ode?

On Friday 10 February in Utrecht, the Nederlands Kamerkoor will kick off its concert series Sacred and Profane, based on Benjamin Britten's choral work of the same name. The programme also includes his popular cycle Hymn to St Cecilia, which he composed during World War II. The score was confiscated by the US Customs Service in 1942 because it allegedly contained codes that were dangerous to the state. The American fear of a... 

Pauline Slot: 'People who write have very high expectations.'

Pauline Slot debuted very successfully in 1999 with the novel Zuiderkruis, this book became the best-selling debut that year. Death of a Thriller is her seventh novel. She also writes non-fiction and teaches creative writing. The narrator in Death of a thriller writer Selma Hoogstins is an author and writing coach. She welcomes in the summer at her paradise estate... 

'But everyone actually wants to die, don't they?'

Actress and cabaret performer Yora Rienstra (35) knows at first hand what depression can do to a person's life: her grandmother was manic-depressive. That is why she agreed when she was asked to perform in the solo show PAAZ, even though after seven years of cabaret she did not want to be on stage alone again. 'But I found Myrthe van der Meer's book... 

On getting older, love and loneliness: 6 Life Questions to Stefan Hertmans

His two internationally successful novels Oorlog en terpentijn (War and turpentine) and De bekeerlinge (The convert) take Stefan Hertmans around the world. But the social side of life it clashes with his desire for solitude. Six life questions to Flemish author Stefan Hertmans. 'When I am alone, I find myself.' 1. What is your recurring dream? 'For fifty years, I have had to... 

Seven shows you wish you had seen in 2016 (but don't give up hope)

In The Hague, they think it's a waste of money. Let them. Here are seven performances that were more than worth 'that sin'. Mona, Ariadne, Mariken, but also breathtaking circus theatre, a secret marriage, genre-transcending satire and the greatest set ever. Mona, NTJong (youth theatre/drama) 1. It is the biggest pitfall of the age indication in theatre performances. Put 6+ and you... 

My 2016, and why it scared me to death. (A list)

Five art experiences will always stick to this bizarre year for me. And one thing really scared me. Whether the worst is now behind us? At least the most extraordinary is still on view until 5 February 2017. A chronological overview of what was unbelievable, unthinkable, inconceivable, unbelievable and perhaps untrue. Much of it, by the way, will be in 2017... 

New chance for two magnificent stories that stood the test of time

Two of the finest stories in world literature have recently been reissued. The Dead (1914) by James Joyce and The Clerk Bartleby (1853) by Herman Melville have effortlessly stood the test of time. They are still wonderful reads. 'His soul slowly ebbed away as he heard it gently snowing through the universe and gently snowing in the... 

Marie Goeminne (Dansmakers) reconciles you with death in 'Have I been here before'

You instinctively flee from death, but in 'Have I been here before' choreographer Marie Goeminne actually brings death close. Not threatening, but close to your skin and hand in hand with life. She shows death and life in an intimate entanglement. Three dancers merge in a stream, concentrated and vulnerable, in which life arises,... 

Wilbur Smith: 'Everything I touch turns to gold and crystal'

More than 120 million books have sold bestselling author Wilbur Smith - two thousand Wembley stadiums full. His steady recipe - violence, magic, mystery, adventure, hunting and sex - has kept his readership enthralled for more than half a century. To keep his output high, he has recently started working with co-authors. Only the 'Egypt novels', which include his new book Pharaoh, he writes himself.... 

Artists: please don't teach me anything, I just want to enjoy myself.

The public takes no part in the ongoing debate about the role of art in society. Government and art-makers argue or engage constructively with each other. Visitors' opinions are not sought. Hence this contribution. Of course, my voice is just one of thousands. I can only give my own opinion. Last week, I attended the play... 

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In Leiden, ancient Egypt feels pretty close

As a boy, I loved visiting the Egyptian department of the National Museum of Antiquities in Leiden. Half in the twilight, the mysterious mummy coffins there stared at me. We are now several decades and exhibits further on. Since this week, the newest Egypt display has been open. Even in brilliant light, the collection appears to retain its fascinating power. At the same time, the museum tells in Queens... 

Meg Stuart throws very ordinary bodies into the fray

Meg Stuart's two-hour heroic epic Until Our Hearts Stop, showing at the Rotterdam Schouwburg this week, does not engage in dramatic construction according to the rules of Aristotle's Poetics. We don't know who those people are there on stage. Nor do they seem to have been given any special assignment, although they are clearly being... 

Ivo Pogorelich shocks Eindhoven and streams on Idagio

'It took me 18 years to make a new recording,' Croatian pianist Ivo Pogorelich (1958) says with a modest smile. 'Just as much time as it takes a baby to come of age.' It is Wednesday, November 2. A special moment, because on that day Pogorelich's CD-less new recording of Beethoven's Piano Sonatas No 22 and No 24 will go on... 

Compelling Jephta by Handel at The National Opera

To get straight to the point: the National Opera's new production of Handel's oratorio Jephta is superb. Decors, costumes, staging and performance: all top-notch. So after the premiere Wednesday 9 November, performers and production team received a well-deserved ovation from a sold-out Stopera. It is no mean feat the small dramatic... 

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