Just over a month earlier than usual, the Holland Festival is presenting its new programme this season. There is every reason for this. With the arrival of Ruth Mackenzie as artistic director, a fresh wind is blowing through the festival. Annet Lekkerkerker talks about the changes in the video below. The presentation of the brochure - finally readable thanks to a new design - shows...
Nii Ayikwei Parks wants to write a book describing bad places in Africa as ideal, so that people who use his books as travel guides will be mugged and robbed and thus will learn what fiction is. With this humorous statement, the British-born and British-based writer, who spent his childhood with his Ghanaian parents in Ghana, brings some air into the evening...
The Holland Festival got a completely unknown new director in the person of Britain's Ruth Mackenzie. At least, to us. The flamboyant, artistically exceptional opera director Pierre Audi makes way for a woman who has presented herself mainly as a manager of festivals and cultural institutions, but whose ideas are anyone's guess. When she was presented, none of the...
Wijbrand Schaap: 'Just one more point. Then we're almost through.' Joop Daalmeijer: 'Continue quietly, we have until half past five.' Wijbrand Schaap: 'We have a problem with real estate. A lot of inner cities are empty. Shop premises are empty, downtown office buildings are unrentable. What do the municipalities say? Put artists in them. Cost nothing, because for free rent they do...
In various studios around the country, for almost a year, many boys took dance classes at the Billy Elliot sCOOL to qualify for one of the most coveted roles on the dance stage: Billy Elliot. Eventually, these participants were brought together for lessons at Stage Entertainment's beautiful new building at Zuidas in Amsterdam. Under the watchful eye of admirer Joop van den Ende, six young dancers were eventually selected by professionals from England, among others. Vanafrom 4 November in Scheveningen in the compelling ballet musical Billy Elliot with music by Elton John.
The 300-strong audience stood up as one after Leonard Bernstein's infectious performance of Candide at the Hilton Hotel in Amsterdam last night. The performance of this 'pocket version' of Bernstein's cheerful musical/opera about the incorrigible optimist Candide, produced by the Nationale Reisopera, took place indoors, in the hotel's ballroom, due to the weather conditions. After all, the Grachtenfestival has to be...
We are talking about the summer of 2015. Then Benedict Cumberbatch will play the title role in Hamlet, to be seen at the Barbican Centre in London. For the show, which plays for 12 weeks, 214% more tickets have already been sold in the first few hours after ticket sales opened yesterday than for Jay Z and Beyoncé's tour, which is on the same...
After partially or even completely failed productions of Falstaff The National Opera now does everything right. Twenty years after the previous attempt in the Holland Festival, Verdi's last opera gets a dream performance that could only just become audience favourite of the entire festival.
It was big news. One orchestra confiscates the instruments of another. Only it doesn't add up. Just as much does not appear to be right in conductor Jan Willem de Vriend's letter in last Thursday's Volkskrant.
A joint press conference by two companies. In the post-Zijlstra era, that often does not bode well. A merger then seems obvious, especially when it involves the two largest opera companies in our country: De Nederlandse Opera and the Nationale Reisopera. Only now we have to turn that around: the Netherlands Opera will become the National Opera. And the building will be called National Opera and Ballet.
The Dutch film world has a new club. Dutch filmmakers can join the Dutch Academy For Film (DAFF). With the aim, in short, of raising the profile of Dutch cinema. The DAFF was founded on 24 June this year following the example of similar academies in, for example, England, Sweden, Denmark and Germany. A press conference at the Netherlands Film Festival
Tonight and tomorrow night, the Royal Concertgebouw Orchestra kicks off the fourth season of the AAA series, with film music under the title 'Suspense'. But not everyone will immediately associate composers like Bartók, Lutyens and Schoenberg with cinema.
There are those who spend nights queuing for a ticket. After all, the Berliner Ensemble is mythologically big. As big as the Royal Shakespeare Company in England, or La Comédie Française in France. Monuments to cultural history, dedicated to one writer, like Brecht or Shakespeare, or to an entire history, as the French are used to. We Dutch have
The Cry for Culture with which the Dutch cultural world launched its opposition to the scrapping of art subsidies in 2010 was, in retrospect, a publicity disaster. Perhaps not yet as unfortunate as
What does a dissertation on a forgotten Victorian novelist have in common with a rushrelease from multinational Sony?
Lots of bobbing on boards. That's what drama on television is mostly. And actors with weird reverberations in intimate scenes. That too. It is easy to shoot at attempts to bring successful performances to the TV or cinema screen. They almost always make viewers feel that their medium is shooting back 80 years in development. This is also why every attempt by the Dutch Public Broadcasting Corporation to make our fairly highly regarded stage art attractive to a wider audience via TV fails. Theatre or opera on screen is especially suitable for
A national arts education plan, guaranteed permanent extra money for arts education and a cultural passport for all children, which also records their cultural experience: a few recommendations from the Henley study, commissioned by the UK Department for Culture, Media and Sport. While Dutch MPs are still struggling with the reorganisation of arts education, Britain is giving...
It saves Liverpool's GGD millions on dispensing antidepressants. And it only costs them a tonne and a half. They spend that much hiring Royal Liverpool Philharmonic Orchestra musicians for workshops in addiction clinics. So, no idealistic preaching, as in the countless columns and reactions to Halbes culture cut, but hard pecunia and proven effects. In England,...
His voice is low, and when he talks, he does so calmly and thoughtfully. He regards his humour - very British - as a side effect that is more accidental than intended. This makes Helon Habila a perfect guest for the opening night of Writers Unlimited, the Hague literature festival better known as 'Winternachten'. The Nigerian can tell stories, but...
Tropenmuseum a bit exotic due to international contacts (...) "The Tropenmuseum still seems to be an issue for political The Hague, but I don't hear anything about the library service and the theatre." There seems to be no question of transfer to subsidy by the Ministry of OCW. Heemskerk also wonders whether state secretary Knapen has sufficient insight into the importance of the library. "The library service...
"I can fire anyone here. Except the actors." Sam Walters, artistic director of London production house the Orange Tree Theatre does not mince words. "Everyone in the office could leave. The directors too. But without actors no performance." The actor is unequivocally central to this theatre. As a director, you only prove yourself here when you get top performances out of your...
Photo: Pierre Nydegger To conclude. The 2011 Holland Festival could well be historic. Not only was it the festival that attracted the most audiences for years, it was also the festival that took place while a minority government of populists, nationalists and materialists proclaimed the end of art subsidies. We therefore look back on a festival in which we were able to meet with...
In conclusion. The 2011 Holland Festival could well be historic. Not only was it the festival that attracted the most audiences for years, it was also the festival that took place while a minority government of populists, nationalists and materialists proclaimed the end of art subsidies. We therefore look back on a festival in which we had a great time with our new...
With the battle between Titans and gods on Mount Olympus, Xenakis opens 1234, a mini-festival in the great Holland Festival. In four concerts, spread over two days, it features Iannis Xenakis central. There is also an extensive exhibition dedicated to the Greek composer, who was a mathematician and architect by birth.
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