#IFFR Tigercheck (1): Mythical tales and charming doubts
With the revamped, more compact Tiger competition, IFFR aims to show what the festival stands for. Nurturing new talent with a voice of its own. Is the Tiger roaring again?
Festival
45th #IFFR: Restyling Rotterdam festival seems mostly cosmetic.
45th Film Festival Rotterdam, the first under new director Bero Beyer, gets off to a strong start with Beyond Sleep, after W.F. Hermans's Nooit meer slapen.
Singing Gustav Mahler and stammering Beat Furrer touch the soul
Mahler on a programme by Asko|Schönberg - the face of avant-garde atonality, is that possible? For regular guest conductor Etienne Siebens, this is no question: in his programmes, he likes to explore the boundaries between beloved classics and composers still alive. On Thursday, 4 February, he places the ensemble version of Mahler's romantically singing Fourth Symphony - performed with...
Krzysztof Penderecki: 'In chamber music you can't gloss over anything'
In 1961, Krzysztof Penderecki (Dębica, 1933) put his name on the map in one fell swoop with Lament for the Victims of Hiroshima. This avant-garde, expressionist piece for string orchestra flogs the ears with heavily dissonant harmonies full of microtones. With this uncompromising orgy of sound, the Pole struck the mental and physical inferno caused by the atomic bomb on the Japanese city in 1945 in the...
The Access. Winternachten chief guest Susan Neiman on David Bowie (among others) #wn16
The last bit is always the most exciting. After a nice conversation with festival presenter Francis Broekhuizen, chief guest Susan Neiman suddenly joined us. It was nearing twelve, quite a bit of wine had actually already been poured into presenter and guest, but still. Suddenly you find yourself talking to a great philosopher and writer about David Bowie. This was the last session at Winternachten....
A Saturday night with Connie Palmen, Adriaan van Dis and Socrates. #wu16, #wn16
Next time, there will be 10 people queuing for a hotseat, 100 online viewers and dozens of live spectators in the foyer. At least I hope so, because only then will experimenting with new forms, apps and devices make sense, of course. At the second Winternachten night, Saturday 16 January at the Theater aan het Spui, we had slightly fewer viewers than...
Queues to the door for Knausgård at Winternachten #wu16 #wn16
Lots of audience and wonderful stories made the Saturday of the literary festival Winternachten a party. For the visit of Norwegian writer Karl Ove Knausgård in the afternoon, queues stretched from the auditorium to the front door of the Theater aan het Spui. The festival's evening programming was also well attended. While American-German philosopher Susan Neiman spoke in...
Storioni Festival: champagne bottle whose cork almost pops off
Thursday 21 January sees the start of the ninth edition of the Storioni Festival, dedicated to the five-hundredth anniversary of Hieronymus Bosch's death. Free after his famous triptych Garden of Earthly Delights, the musicians of the Storioni Trio and Frank Veenstra, artistic manager of Muziekgebouw Eindhoven, chose the theme 'Dreams and Demons'. Composer in residence is Poland's Krzysztof Penderecki, who became famous...
Forget Jinek. The conversation about art can go to a new dimension: blab.im at #wu16
On Friday 15 January, we conducted a first experiment with the platform 'blab.im'. During festival Winternachten, we reported live, via the internet. We did so in English, because most of the viewers we had were English-speaking. We could see that. That is already the most striking difference between something like Blab.im, and ordinary television. Blab.im in the Netherlands is still...
Winternachten: a fascinating and amusing evening of talking about Evil #wu16
Literature is not a means to bring about political change, but to change people. That is exactly what he aims for with his books, Egyptian writer Alaa al Aswani said yesterday at Winternachten, where his new novel The Automobile Club of Cairo was presented. That is probably how visitors to the literary festival at the end of the evening also came to...
On the sofa with The Signature Hunter, The Translator and Abdelkader Benali
Three and a half hours of streaming video from a seating area at The Hague's Winternachten festival. I won't blame you if you didn't follow everything. I wasn't quite there myself at the end. Still, it was a success. If only because it hasn't been done here in the country before. Blab is so new that...
Winternachten is about something
Hello Darkness is the theme of the international literary festival Winternachten, this coming weekend in The Hague. It takes guts, in a time when everything has to be fun and cosy and we prefer not to spend our free time dealing with misery or 'heavy topics'. That is why we love Winternachten, because that festival really goes...
Susan Neiman chief guest at Winternachten 2016: Why the atomic bomb really fell on Hiroshima
Propaganda is not just something that occurs in, say, Russia, but also in the West - more so than we ourselves realise. For example, is it widely believed today that the atomic bombs were dropped on Hiroshima and Nagasaki to force Japan to capitulate and thus end World War II, nothing could be further from the truth. In that respect, Germany goes...
Violinist Daniel Rowland: 'One spontaneous action can change the world'
The healing power of music, some firmly believe in it - in 2013, it was even the premise of the City of London Festival. Believing that music can connect people and have a healing effect on conflictual societies, festival director Ian Ritchie asked the Brodsky Quartet to commission a composition around this theme. Thus was born the by...
Pierre Boulez turns 90 yet again
This year was a celebration of two composers from two seemingly completely different planets. The Estonian Arvo Pärt (b 1935) turned eighty, the Frenchman Pierre Boulez (b 1925) ninety. One is unparalleled among a wide audience for his eloquent 'tintinnabulist style', the other is applauded by a select group of insiders for his avant-garde compositions, which the general public, however, experiences as incomprehensible...
Mantra for 2 pianos by Stockhausen: iconic masterpiece
By 1970, Karlheinz Stockhausen (1928-2007) had run out of 'intuitive' compositions in which the performer had to choose his or her own path from a series of written instructions. Like Intensity, for example, whose score consists of this text: Play the individual notes with such dedication until you feel the warmth radiating from you. Play on and keep them on as long as you can....
One last IDFA Award: Afghan rap star Sonita steals audience's hearts
A young Afghan who dreams of a career as a rapper turns out to be the ideal protagonist for an appealing documentary. Sonita is winner of the IDFA audience award.
The IDFA is almost over. Time to take stock.
With one day to go, it's time to look at what stood out about the International Documentary Festival Amsterdam. The picture of the whole festival is diffuse, as befits a fest whose programme booklet is almost three hundred pages thick. There was, as always, a sea of films about abuses and current political issues, but there were...
Idfa viewing tip 27 November: Perhaps the weirdest and fiercest film of the festival
It doesn't often happen to me that just under 30 years after seeing a film, I still remember in what state I left the theatre. Supreme confusion it was. Was all this real? As a filmmaker, were you allowed to hit your interviewees? Was it staged? It was too horrifying to imagine everything really happening
IDFA viewing tip for Monday 23 November
Today's IDFA viewing tip is for a special film about a special man, Sun Mu. That's not his real name, it means 'without borders'. And that is very appropriate for this artist. For years, he was a successful propaganda artist for the regime in North Korea. Until he ventured the great crossing. He swam (literally!) to freedom and has been living since the...
IDFA viewing tip for Saturday 21 November
I didn't have to think long about today's tip. Chantal Akerman's latest film runs this afternoon at 13:15. No Home Movie is about her mother, who survived Auschwitz, and her final days. And about the difficult relationship Akerman had with her mother. She tells in an interview that they were in Mexico together once
'Without extra money, even successful festivals will fall over'
The Lower House caused serious problems for culture in the Netherlands a few weeks back. In a noble attempt to save a few festivals and a youth theatre, SP, D66, CDA and PvdA caused chaos. They passed a motion instructing our culture minister to still set aside money for a few festivals and an extra...
Arvo Pärt's music: not always a warm bath
What titles come to mind when you hear the name Arvo Pärt? Sonatina opus 1; Symphony no. 1; Perpetuum mobile, or Fratres; Für Alina; Spiegel im Spiegel? My guess is the second set, because it was with pieces like these that Pärt conquered the world in the late 20th century. Audiences flocked in droves to immerse themselves in his sonorous sound world, but...
IDFA special (1): 28th International Documentary Film Festival Amsterdam opens with intriguing family history
IDFA 2015 opens strongly with intriguing family history A Family Affair, but the main programme feature is Benjamin Barber: Jihad vs. McWorld.
Rotterdam under the sign of Arab film
Arab Camera film festival in Rotterdam opens on a light-hearted note from an unknown film country. In From A to B, three rich kids from the Emirates learn to stand on their own two feet.
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