If all goes well, the 56th Thessaloniki International Film Festival will kick off on 6 November. Less well-known than Rotterdam, Berlin or Locarno, but the most important festival in southern Europe. And they have quirky and broad programming, where you can discover all kinds of new filmmakers. But is it going well? The first festival dated back to 1960 and was...
How can you write about a three-day conference, part of which took place behind closed doors, the closing night of which looks very neat on vimeo, but where the tension in the room was palpable? With a completely open mind and not much more background than an average newspaper reader, but with a firm belief in the power of the arts,...
What is already going on on a small scale in Groningen, Enschede, Zaltbommel, Amersfoort, Gorinchem and Vlaardingen, is threatening to happen nationwide as well: cultural institutions falling over while politicians look on helplessly. According to the Council for Culture, the situation is alarming: 'Institutions are draining their own funds, cultural funds are maintaining schemes by drawing on reserves. We therefore make the urgent...
82% cut in Overijssel's culture budget No, the VVD did not become the largest party in Overijssel in the last provincial elections, the PvdA attracted 1.6% more voters, but if there is a province where Halbe Zijlstra's nationally initiated policy had an effect, it was that province. Residents soon noticed this, but research by consultancy firm
Film-making used to be a man's business. Men made films about men watching women - something like that. In 1975, film scholar Laura Mulvey launched the famous notion of 'The Male Gaze'. Last year, it resurfaced in the heated debate surrounding La vie d'Adèle, that wonderful film by Abdellatif Kechiche (male) about a lesbian love affair. So how about before? This year, IDFA has...
I published two articles in NRC Handelsblad last year. The first (6 July 2013) was critical of government policy. There was little reaction to this. The second article (7 December 2013) was critical of the arts sector: it needs to make its own sharp choices. That did cause a stir, although I am convinced that many colleagues largely agree with the content...
One and a half million euros sounds quite a lot. So a cry of joy will be heard here and there now that Jet Bussemaker is allocating that extra amount to culture. After all, this is yet another make up after the almost 300 million her ministry took from the sector earlier. However, the conditions the culture minister attaches to the money tell a different story: the money is only for art that is demonstrably useful.
The UWV stated last Thursday that it has no idea how many people have actually been made unemployed by the culture cuts. From a rather ramshackle-looking research by NRC Handelsblad, which looked exclusively at jobs lost in Amsterdam and only at state-subsidised institutions, found that that category alone had generated 600 clients for the UWV. The rest are beyond the scope of the Amsterdam office.
Jet Bussemaker is satisfied. For the next few years, there will be little whining about the subsidies under her regime. She states this in her letter this weekend. After all, the basis of the system is fixed: there are great museums, symphony orchestras, opera and theatre clubs whose subsidies are cast in concrete. Or rather carved from classical marble, because money gets you
The last opportunities for grant applications for 2013 and beyond closed today. Numerous mergers have been announced, new collaborations, high-profile relocations (Amsterdam in particular is emptying out). Many arts media now also carry news about those plans. News that is often presented as fact, while in almost all cases these are wishes. Applications are even fewer than ever...
We received a letter on legs from Wim de Groot a while ago. Now we often get letters in paws, but here something seemed to be going on. Trouble of course because sorting it out takes time and money and that wasn't there for a while. (Look out for the donor campaign we are about to launch) But still. What's wrong with it? Wim de...
While 2010 was still the year of PVV positions on culture that were suddenly shared by other parties ("we are abolishing art subsidies"), the year 2011 fell under their implementation. What was striking was the ease with which regional and local administrators also wielded this same machete, as PVV spokesperson Bosma did not fail to testify. For instance, in the municipality of Almelo, 30 % went àff from...
Delightful news from the world of Christmas packages. 1/3 of interviewees said they did want to find a cultural experience in the Christmas package, as they visited a cultural actvity less often than they would like: 43% because of the crisis and 35% because of lack of time. Respondents said they would go more often if they got a discount. The proposed merger of...
Tax benefits to be gained this year (...) With effect from 2012, under the new Giving Act, there is an additional tax facility for donations (incidental or via periodic donations) to charitable institutions (non-profit organisations) designated as cultural institutions. Those cultural donations may be multiplied by a factor of 125 per cent for the gift deduction. This...
Amsterdam - Mayor finds cuts to Rijksakademie "beyond comprehension" During the official opening of RijksakademieOPEN 2011, Mayor of Amsterdam Eberhard van der Laan expressed his concerns about the government's severe cuts to the Rijksakademie van beeldende kunsten. "Cutbacks are necessary. Capitulating is not necessary. There are limits." The mayor stressed that a healthy art climate is important for...
'Philanthropists cannot absorb cuts' (...) "Funds are less and less willing to just write a cheque. Owners want to be involved, contribute their expertise and measure impacts. They ask about the applicant's objective, how they intend to achieve it and whether it is measurable. (...) "On average, a fund disburses 4 per cent of its assets annually. So.
Image via Wikipedia Let's start again with yet another sloppiness of the Rutte government: that wretched VAT measure on the arts, which are the only ones to be bounced to the 'normal' rate of 19%. VVD doesn't like it, CDA isn't happy about it, but because tolerance specialist Martin Bosma once had to play a red mushroom in the school play...
Bart de Liefde's tweet Arts organisations are subsidy-addicted and so we are withdrawing subsidies. The VVD's approach is clear. On the exact how, they appear to need to think longer about that, now that there is so much opposition from the country. Cold Turkey, the treatment proposed by tolerance partner (nice word in this context) PVV, could well...
Reports of the collapsing music industry have been rife. Apparently, as a musician, you no longer survive on the basis of record sales (alone). In niche genres, however, it is easy to survive. So proves the band Current 93, which performed in Stadtgarten, Cologne, last week. Playing live a lot and selling merchandise seems to be the golden rule for...
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