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Sofia Gubaidoelina: 'Only in the West could I set myself large-scale goals and realise them'

Sofia Gubaidoelina has become a true audience favourite in our country. She is also a welcome guest in broadcasting series. The AVROTROS Friday Concert, for instance, brought the Dutch premieres of Glorious Percussion (2011) and O Komm, Heiliger Geist (2016). Friday 23 March will see the first Dutch performance of her Triple Concerto for bayan, violin and cello. The piece is dedicated to... 

Between nappy and dishes - the (in)visibility of female composers

Amsterdam, 8 March 2018. Today is Women's Day, no one can fail to notice. The media are brimming with articles about women's unequal pay and their still limited representation in prestigious positions. Whether in politics, business, academia or the arts. Perhaps the most conservative is the classical music world. There, the female composer has yet to... 

Ingo Metzmacher conducts Das Floss Der Medusa: 'Death is a very seductive woman'

On Tuesday 13 March, the Opera Forward Festival opens with Hans Werner Henze's Das Floss der Medusa. This 1968 oratorio fits seamlessly with the third edition's theme of Fate and Conscience. It was inspired by a true story from 1816, when the French frigate Méduse ran aground on the African coast. Those on board were left to their fate;... 

Remko van der Drift devised the Failure Festival: 'We think success is mainly 'not failing'. That's not true at all. Failure, like success, is part of life.

The Faal Festival at Utrecht's festival palace TivoliVredenburg, taking place on 3 March, is unique in many ways. Never before have so many famous people been willing to come and talk about their failures. Apparently, there is a big audience for it, in these times when quick success is actually mandatory. In the run-up to the festival, I spoke to Remko van der... 

Nuance! VVD The Hague won't cut 50 million from culture budget for 'political abuse' after all

This post has been updated following a response from VVD The Hague. Yesterday I wrote: But so that was misunderstood. Today the VVD called. A transcript of the conversation can be found below: With Frans Schuyt fraction chairman The Hague VVD. I think two things have been mixed up. You have the programme in the budget, Culture and Library, of 102 million,... 

Culture Council wants review of system, but cautious 'Theatre Sector Opinion' is licence for arbitrariness by House of Representatives

Today, the Culture Council comes out with one of the weaker advices in its existence. The Netherlands' highest cultural advisory body showed vision, leadership and boldness earlier this season with the 'Verkenning' and the 'Sectoradvies Muziek'. The exploration called for a reversal of subsidy flows, with urban regions taking the initiative. In the advice for the music sector, it broke... 

Playwrights and cultural exploration (3): 'Contemporary musical, a new tradition among writers?'

On 25 January 2018, the Musical Awards were presented with, as we are used to, many translated reruns and calibrated repertoire. Also notable was the appreciation for new Dutch work. Many a writer will have been cheering on the sofa when 'Was Getekend, Annie M.G. Schmidt' won the awards. Does that bode well for the future? Can today's (small)... 

Publiciteitsbeeld Gesualdo. Foto: Sofie Knijff

At the Holland Festival, Mackenzie is opening the doors to a new avant-garde among the audience.

The neat couple next to me, in the front row at the Holland Festival press conference, hadn't counted on it for a moment. Four members of the Nederlands Kamerkoor starting to undress one by one down to their pecker-sized nakie. A giggle, a small cough, but hey, this is the Holland Festival, they said to each other. So too... 

Playwrights and cultural exploration (2) Sophie Kassies: 'A pool of plays that don't find an audience is an erosion of the profession'

The previous cultural exploration among playwrights gives cause for further exploration. From the earlier article, we take away that further privatisation only partially captures public money and objectives. See also from elevation ideals to efficiency thinking. We also take away that a public as all-important leads to one-sided popular culture, entertainment and false competition with the free circuit. It all has very little... 

Keith Haring, Untitled (velum), 1986. Installatie 2017. Foto: Gert Jan van Rooij. Collectie Stedelijk Museum Amsterdam

I call on the cultural sector of the Netherlands: put 80% of your marketing budget into cultural education.

In my work, I entice people to come into contact with art. And especially art with a big K. The art that is often marketed as 'difficult' or, in an attempt to get rid of its negative image, as 'vulnerable'. Liberal politicians would perhaps say art that 'doesn't act normal'. It is the kind of... 

Silvia Colasanti: 'My string quartet is about the beauty and nostalgia of Rome'

Whether flowing melodies, driving rhythms or dense clouds of sound, the music of Silvia Colasanti (Rome, 1975) is always lyrical. On Monday 29 January, Quartetto di Cremona will perform the world premiere of her string quartet Ogni cosa ad ogni cosa addio at Muziekgebouw aan' t IJ Amsterdam. The concert is part of the String Quartet Biennale, which takes place from 27 January... 

Jens van Daele: 'The power of women is greater than that of men'

'I admire the strength of women. I experience it as greater than that of men. Women's strength lies in the dedication with which they can deal with things. The courage to push boundaries.' Jens van Daele, in his latest theatre show 'Nighthexen 1: Jeanne', pays tribute to the strength of women and highlights their heroism from... 

Winternachten 2018 ended up being a beautiful ode to anger. #wu18

She is 14, heavily veiled and bespectacled, with a voice that can be heard in the farthest corners of The Hague. She wants to be a surgeon but first she wins the preliminary round of the school competition for young poets at Winternachten. What anger there is in that person. What maturity sounds from her cry... 

Marieke Nijkamp wrote an American bestseller, and her next book is also going like a rocket: 'Young people shy away from not much'

This young writer from Hengelo - she turns 32 in January - sold over a quarter of a million copies of her debut novel This Is Where It Ends in the United States. It spent 64 weeks on The New York Times bestseller list. So Hengelo-based Young Adult writer Marieke Nijkamp did feel slight pressure while writing her second book, Before I... 

Our readers' list. What we should all never forget from 2017.

Well, we're not big on hypes and traditions here, but still. The dark days around Christmas are very dark this year, so why not something with lists. This year, no list of toppers from the editors, but random entries from random readers, in random, if slightly alphabetical order. Motto of the readers' question was: which things... 

Jouman Fattal, on TV next year, already seen in Frog's 'Winter Collection'

Called The Winter Collection, it is a five-day mini-festival full of surprises. Utrecht-based Theatre Kikker has now made it a tradition to provide some real surprises every year around Sinterklaas. 10 performances by young creators, from video art, to rowdy dance performance, from a silent monologue to post-dramatic cyberpunk, enough to give any theatre lover a wake-up call.... 

At last: a piece with real vision from the Culture Council

'Successive interventions have stripped, juridified and amended the BIS and the state funds. But more importantly than that, trends and developments in and around cultural life are making new demands on the cultural system. It is out of date in several respects.' So says the Council for Culture in its 'reconnaissance' published today. In it, the contours of the future... 

IDFA 2017: digital pioneer Jonathan Harris switches to analogue

With a 500-million-year-old pebble, Jonathan Harris began his lecture. IDFA presents the first international retrospective of this artist. As IDFA's chief guest, Harris gave the 'Master Talk' on Friday, about his life and work. His remarkably analogue vision was also the common thread during Sunday's well-attended DocLab conference. Fundamentally analogue Harris, who once started out in computer science... 

Dear Minister @ivanengelshoven, my dream is that the Dutch government would have a real cultural vision.

'What do you desire from Ingrid van Engelshoven, the Minister of Culture?" asked Culture Press in a newsletter to subscribers. Good question! Especially after that first nod she made by generously pledging an extra 10 million to the Performing Arts Fund for the well-performing but not yet receiving anything, 'because the money had run out'. Very nice that band-aid, but... 

Public broadcasting is salvageable. (Why football should go to commercial)

Our public broadcasting system is unique in the world. Unfortunately, it is not something to be particularly proud of. The system and the thinking behind it are virtually incomprehensible. Or, as NTR director Paul Römer put it less diplomatically in August: we have 'a backward system that cannot be explained to anyone (anymore)'. It was a sideline in his interview with... 

Sadettin Kırmızıyüz. Foto: Joost de Haast

Dutch version of The Wire moves from Rotterdam to The Hague

Nationale Toneel Theatre is working on its mission to bring society to the stage. The Nation, that insane marathon with Romana Vrede about a disappearance in the Schilderswijk neighbourhood, and Mark Rietman, will be ready this autumn. Anyone who thought it was time for another slice of tedious retro hag comedy after that is wrong. We do have a classic coming up in... 

The theatre world is divided, but not diverse. A call to authors.

This week, two things already became clear about the Dutch theatre world. One: the topic of diversity is finally really on the map and two: the theatre world, however small, is hopelessly divided. During Het Theaterfestival, there were two debates/ meetings/ symposiums on the lack of diversity in theatre. One on Monday, the other on Thursday. Bit much in one... 

Witte Corneliszoon De With. Schilderij van Abraham van Westerveld

Why it makes sense for Witte de With to be renamed

Good timing always remains tricky. Just as the middle class is getting ready for the Sinterklaas season, the Supervisory Board of Kunstencentrum Witte de With announces that the name is going to change. That name came up for discussion in the wave of public agitation over appropriation, unionist images and reparations for the Netherlands' slavery past. Initially, it seemed to... 

Until the Night of Poetry: can we do something with the hashtag #poezieverbindt?

Art has been utterly politicised. It has been creeping, and faster than I thought. Artists now make political speeches, conduct rounds of public participation in the service of lobbying organisations. They discuss identity instead of telling the stories that take us beyond the delusion of the day. That cultural funds are now gently starting to talk about social connection too,... 

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