Holland Festival: 4 ways to look to the future
Metropolis at Holland Festival: 4 ways to look at the future.
Metropolis at Holland Festival: 4 ways to look at the future.
Visiting M.U.R.S. without the app on your smartphone is a challenge. The performance by the infamous Barcelona-based theatre collective is a commentary on how people are unwittingly becoming part of a SMART society run by international corporations via all sorts of gadgets. Are you in or out? Is there actually anything to choose? According to Jürgen Müller, one of the founders of...
Lately, the media has been flooding you with predictions about the increasing impact of artificial intelligence on our lives. Take for instance Nicholas Carr's book The Glass Cage, which analyses the revolutionary impact of new technology in the workplace. These are developments that have not passed Imagine programmers by. The 31st edition of the film festival, which...
Eindhoven is the mecca of experimental electronica for a while every two years with the STRP Biennial. In the Brabant city of lights, you can enjoy no less than nine days of leading dance acts. In addition, experimental performances explore the intersection between film, art and technology. Culture Press makes a preselection. Hypnotic dance swell The British Factory Floor has one foot in the past, but looks musically to the future. Their...
Actually, it is far too early for a review of Vulnicura. Björk's new album cannot be fathomed in a few days or listening sessions. But because you can immediately hear that something special is happening here, I will try to interpret this new development in Björk's artistry. Björk is an artist whose every album I listen to with above-average...
So I spent five minutes in singer-songwriter Patrick Watson's studio. He played a bit. Put his phone in the ashtray. Said something to his labrador. And I could look around quietly while he played. Behind me, in front of me. Below and above. Nothing like sitting at an artist's home while he plays. And he wasn't bothered...
"Everyone today has a computer in their pocket (smartphone or glass) that gives you considerable computing power and communication technology per person. You can use that computing power and technology, to add augmented elements to entertainment." Just a response to a question. From a theatre. Because that theatre wants to look ahead: What does the theatre of the future look like? That question...
Isn't avant garde dance too lofty? Is it still viable in these harsh cultural times? I Like To Watch Too aims to clear up this misunderstanding. The festival brings experimental dance closer to the public than ever.
What does a dissertation on a forgotten Victorian novelist have in common with a rushrelease from multinational Sony?
They can do quite a bit, at Fitzroy. Always fun to attend presentations, as the Amsterdam-based marketing agency showed at the Performing Arts Congress on 29 and 30 May 2012.
In the debate Burger King & Citizenship give Patrick van der Hijden, David van Reybrouck, Chris Keulemans and Samuel Vriezen Their views on the state of the citizen. Public may, but need not, participate. Below is the column State of Indulgence, recited by Patrick van der Hijden - as a kick-off to the debate.
"Our life was invented in the 18th century.
Members of the upper classes - the elite - had their own homes, often with gardens. They sent their children to school, which then started further education. They had free time and generally arrived at their appointments on time, due to the watches they wore and the train barges that left on time (they complained when delayed). Citizens who lived outside the city commuted - by carriage, that is. They drank coffee to stay awake. They visited restaurants with menus. They were vaccinated against smallpox and had pets. A great source on that life is the diary of Otto van Eck, who started it at the age of 10 under pressure from his Enlightenment-obsessed parents, in 1791. I borrow the above examples from that.
At the beginning of the twenty-first century, this life is not lived by a small minority, but by a large part of the Dutch population. These do have to do without staff. That, in fact, has been replaced by technology.
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