It was a moving moment when director Cherry Duyns drove a frail Misha Mengelberg onto the stage on Tuesday 9 June, after the premiere of his opera Koeien (Cows). Dressed in a bright orange windbreaker and wearing a cap with an oversized visor, the recently turned eighty improviser and rudderless disruptor looked around uncomfortably: is this applause for me? Yet he visibly enjoyed himself and...
Emio Greco and Pieter Scholten rehearse their new performance Extremalism in Marseille. The two dance companies under their direction, ICKamsterdam and Ballet National de Marseille, have merged for this occasion: 30 dancers on stage, six authors and designers in the auditorium, and the crew of technicians is also made up of Amsterdamers and Marseillais. They are working together on the biggest production that Greco and...
For the sixth time in its history, the Tour de France will start in the Netherlands: on Saturday 4 July, the cyclists will start their three-week war of attrition under the Dom in Utrecht . A day earlier, the Britten Youth String Orchestra kicks off its own Tour de France, in home town Zwolle. In one week, the young musicians will give seven concerts in La...
Topicality is back in the Dutch acting scene for a while, and that is quite nice. De Verleiders, once started as a one-off play about fraudulent bosses by George van Houts, is now growing into a voluminous series. On TV, we have the series De Fractie, which manages to recreate the news of the day every episode in...
In early March, The Great War Machine, the new play by director Joachim Robbrecht, premiered at Theater Frascati. A week earlier, at the Rotterdam Schouwburg Swamp Club to be seen, by French director Philippe Quesne. Both performances address the current political climate. Whereas Swamp Club is explicitly silent about the world it calls into question, The Great War Machine is instead a rhetorical spectacle, constructed from quotes from TEDtalks. Both performances make mechanisms felt, rather than pointing out culprits. Voluntarily withdrawing or being shut out, the neoliberal order does not seem to allow much more choice. There is no question of resistance.
Ukraine, Boko Haram, IS, the economic crisis. The world resembles a borderline patient, as Ricardo Semler states. Dance festival CaDance also likes to hold a mirror up to politicians and power. With Exhausting Space by Spanish choreographer Iván Pérez succeeds just fine.
Thijs Borsten blurs boundaries. Under the slogan 'The Challenge', he puts completely different artists on stage together. After years of struggling, the concept is now being embraced by media and audiences. Thijs has a chance of winning his 6 minutes of fame in DWDD in the near future. Bringing artists from different cultures together and labelling such a thing as a 'challenge';...
Ingres, Cimabue, Memling, Tiepolo, Goya, Van Eyck, Constable. Pure top names in art history and many of them hardly ever hang in Dutch museums. But now they do. The Mauritshuis in The Hague is showing no fewer than 36 works from the famous Frick Collection in New York from 5 February. And that museum has never before lent so many art treasures. Therefore, the Mauritshuis has...
More than 10,000 lines of verse comprise Englishman John Milton's poem Paradise Lost (1667). It cannot be easy to capture that in an hour-long dance performance and yet that is what choreographer Samir Calixto set out to do. Earlier, the young Brazilian cut his teeth on Schubert's Winterreise and Vivaldi's Four Seasons. On Friday, he opened with Paradise Lost the...
'With a little help form my friends' may be his biggest hit. My eternal favourite Joe Cocker song is and remains The Letter. Not Cocker's vocal acrobatics here, turning the rather side-splitting Beatles song into a screaming victim's plea. In The Letter, the man who did mostly brilliant covers actually changes bitterly little to...
5:Echo, choreographer Nicole Beutler's most recent production, is a curious show. All focus is on two famous pioneers of Dutch dance in the 60s and 70s: Ellen Edinoff and Bianca van Dillen. Yet Echo mainly shows how impossible (and perhaps undesirable) it is to want to revive past glories. Dancer Kelly...
You could wait for it. Meppelgate. Marieke Heebink, top actress with Toneelgroep Amsterdam, had the audacity to say in the newspaper that she is happy to be in a sold-out 'Angels in America' in New York. "Thank God I don't have to go to Meppel" she says. Aj. Aj. How dare she! That is guaranteed to generate angry reactions. And not just from Meppel....
Two new records in one day? Thirty years after Purple Rain? That involuntarily evokes memories of the days of Guns 'n Roses and Bruce Springsteen in the early 1990s. Back then, Prince was still under contract to Warner, but his quarrels with that company were notorious. Four records in a single year went way too far for Warner at the time, as did triple albums....
The 300-strong audience stood up as one after Leonard Bernstein's infectious performance of Candide at the Hilton Hotel in Amsterdam last night. The performance of this 'pocket version' of Bernstein's cheerful musical/opera about the incorrigible optimist Candide, produced by the Nationale Reisopera, took place indoors, in the hotel's ballroom, due to the weather conditions. After all, the Grachtenfestival has to be...
We are talking about the summer of 2015. Then Benedict Cumberbatch will play the title role in Hamlet, to be seen at the Barbican Centre in London. For the show, which plays for 12 weeks, 214% more tickets have already been sold in the first few hours after ticket sales opened yesterday than for Jay Z and Beyoncé's tour, which is on the same...
Ivo van Hove has not only a play made based on Ayn Roland's novel of ideas The Fountainhead. In 2006, the artistic director of Toneelgroep Amsterdam even wanted to base a whole new design of the theatre system on it. Eight years later, we can see that only the negative aspects of Van Hove's vision have been realised.
Talent alone won't get you there. You also need a bit of luck. That luck happened to Alain Platel so often by now that you almost start to doubt your own wickedness. Still. Those who not only count a composer like Fabrizio Cassol among their friends, but who also gave singing prodigy Serge Kakudji a chance, deserve a bit of luck. What the trio has now achieved with 13 musicians from Kinshasa is downright revolutionary. And a death knell for those who believe that north and south can never really meet. I experienced it on Monday, 16 June. And it still echoes.
The main character of Bach's St John Passion? Jesus, of course. Wrong. It is the narrator, the evangelist, especially in Dale Duesing's wonderful staging, especially when interpreted by Robert Burt. Where in ordinary performances of the Johannes the evangelist's recitatives mainly interrupt the arias and choral passages, here they form the dramatic core. We truly see John's passion.
Some art needs a story. Then a canvas on the wall with the caption 'Untitled' is not enough. The performance 'Laaroussa' (Bride) by French-Tunisian brother and sister Selma and Soufiane Ouissi falls into that category. As extraordinary as their physical presence on a dark stage is, without explanations beforehand and a Q&A afterwards, it all says precious little.
Is that bad?
Seizure of the instruments of the former Netherlands Symphony Orchestra is imminent. The orchestra, which, since a lost legal battle with Netherlands Philharmonic Orchestra is no longer allowed to use the word 'Dutch', so is not allowed to sell instruments or take them abroad. Pending a countermove from the former Orchestra of the East, they changed the name there to ***** Symphony Orchestra.
The Netherlands has added a new award for young choreographic talent. The BNG Culture Fund, in collaboration with Korzo in The Hague, has established the BNG Bank Excellent Talent Dance Award
Minister Filipetti has given the green light. Emio Greco and Pieter Scholten will be indeed the new artistic directors of CNN Ballet National de Marseille. A company with 30 dancers, 60 employees in total, in a building with 9 studios and a theatre. Who in the Netherlands still gets that done?
How can a usually very ordinary, amiable theatre director suddenly come out with the notice That a few orchestras can go away and the National Ballet should be outsourced? We wondered so and headed to the car park at the Concertgebouw yesterday.
It is the turnout of the evening: riding around on a scooter, barber Figaro gets involved in a crazy adventure in which Count Almaviva wants to snatch the beautiful Rosina from the hands of her guardian Doctor Bartolo. Three Bertas, meanwhile, literally tear Basilio's clothes off in an ingenious dance in front of three sets in which the action moves at lightning speed from inside to outside and...
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