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Martijn Padding

Dutch focus on November Music 2020: Ticket sales start Thursday 10 September

This year, November Music awards 10 commissions to Dutch and two to foreign composers, including a choral work for Finnish composer Kaija Saariaho. Traditionally, November Music opens with the Bosch Requiem on Friday 6 November, which of course takes on an extra charge this year. Korean-Dutch composer Seung-Won Oh draws inspiration from the YeonDo death ritual that links Korean funeral traditions with the Catholic faith. After Kate Moore and Calliope Tsoupaki, she is the third female composer of the Bosch Requiem in a row.

Dutch focus on November Music 2020 

With a focus on the Dutch music scene, November Music aims to highlight the vitality and creativity of composers, creators and musicians during this 28th festival edition. Besides many new home-grown works, there are several concerts with leading roles for renowned foreign names. November Music 2020 takes place from 6 to 15 November at various locations in 's-Hertogenbosch with over 80 different concerts.... 

Musicians in plastic and a rock-hard snare drum - Forty years of orchestra de ereprijs celebrated with 4 new compositions - one for each decade

As an intro, the percussionist of orchestra the prize of honour played a cadenza of air beats. When he unexpectedly gave a cutting blow on his snare drum, everyone was startled. Thus, with Bewegung ohne Bewegung for cello and ensemble by Jan van de Putte, opened the anniversary concert of the ensemble founded in 1979 by Wim Boerman. Last year,... 

Sounding moths, ink drops and string mists in Cello Biennale

'He likes a joke,' says Fedor Teunisse of Slagwerk Den Haag, calling composer Brendan Faegre (1985) onto the Bimhuis stage. The young composer explains how the percussionists and the Biennale Cello Band should perform his Magical Quest for the Enchanted Armor. 'It's a game piece,' he says enthusiastically. 'The four percussionists and four cellists... 

Music building honours founder Jan Wolff with sound monument

Het heeft even geduurd, maar binnenkort krijgt Jan Wolff (1941-2012), oprichter van het Muziekgebouw aan ’t IJ dan toch zijn verdiende eerbetoon. Maandag 22 augustus – zijn sterfdag – besluit de concertzaal de viering van het tienjarig bestaan met de onthulling van de interactieve geluidsinstallatie Huil van de Wolff. Het werd ontworpen door de componist Martijn Padding en gerealiseerd door Johan… 

Dirigent Jurjen Hempel: ‘De studenten van Score Collective hebben een ongekend technisch vermogen.’

Muziekvakstudenten zijn over het algemeen conservatief. Toen ik in de jaren negentig muziekwetenschap studeerde konden we voor maar vijf gulden naar de concerten in nieuwe-muziektempel de IJsbreker. Gretig benutte ik deze mogelijkheid om voor een habbekrats de allernieuwste noten te horen van levende componisten als Pauline Oliveros en Sofia Goebaidoelina. Ik zag er nooit één medestudent. Nog altijd ben ik… 

Spotlight on Chopping Board and Psalms Pump

Cimbalom and harmonium are not the first instruments you immediately think of when you think of classical music. Yet, the ever-adventurous Ludwig collective puts precisely these mavericks at the centre of two concerts, on Saturday 26 September at the AVROTROS Vrijdagconcert in Utrecht and on Sunday 27-9 at Muziekgebouw aan 't IJ in Amsterdam. In 1915, Igor Stravinsky and a friend visited a... 

We can escape the world - but ourselves? - Lucas Wiegerink composes opera Ik Vertrek

Previously, he created the show Being Arthur for Kameroperahuis Zwolle, in which the famous knights of the round table travel across the country by coach. On Friday 4 September, during the Stadsfestival Zwolle, you will sail by boat to the premiere of his latest opera, Ik Vertrek. A love couple leaves the hectic world behind and returns to nature, where... 

What the papers say: the music is fine, as usual on #hf10

 Martijn Padding heeft iets bijzonders gedaan met Beethovens 10e. Hij maakte van het stuk dat de dove componist nooit echt helenmaal schreef een ervaring die je, zoals Volkskrantrecensent Frits van der Waa het uitdrukte, je deed voelen hoe het klonk tussen Beethovens oren. Volgens de NRC klonk het Indrukwekkend: de van alle heroïek ontdane scheppingssfeer, alsof je door twee eeuwen… 

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