Voor Melle Daamen koester ik sympathie. En al lang: vanaf de keer dat hij als jonge VPRO bestuurder bij me op bezoek kwam op zijn ronde langs mensen uit de cultuurwereld. Hij kwam om advies vragen: hoe kon hij de sector binnenkomen? Want een baan in de cultuur was zijn ambitie. Zoveel jaar later passeerde hij me in de procedure…
It did not require a manifesto, nor a fist-thick art-critical treatise in which a learned committee arrives at an all-defining verdict. No, it was a slip of the tongue by an artist, this time defining a new art movement. Olaffur Eliasson, the architekt/artist rapidly gaining popularity in the world of design and architecture in recent years, says it in a...
Bart Rutten becomes the new artistic director of Utrecht's Centraal Museum Bart Who? Bart quite an important figure. Bart Rutten was the man behind some great blockbusters at Amsterdam's Stedelijk Museum. That he is going to Utrecht after Malevich and Matisse says a lot about the good work of his predecessor Edwin Jacobs. It says even more...
Always start with the good news. The Information Department of the Ministry of Education, Culture and Science did a very good job in 2014. They sent one jubilant press release after another into the world. While there was actually hardly any good news to report. About culture. But because there are a lot of lazy journalists, good news often goes in a...
Good going, over there in The Hague. After the company announced earlier this week that it would take a young creator into its artistic leadership before his death, today follows the announcement that Het Nationale Toneel wants to merge with the Koninklijke Schouwburg. This would mean that, for the first time in a long time in the Netherlands, the performer of a city theatre would again be...
What does the canalside have against Drenthe anyway? Now Marieke Heebink again. It started with Yvonne Kroonenberg who, after a visit to Assen, spoke of "Simple people with those classic Drenthe heads, but with expressionless eyes. I walked around there and tried to understand those people in the same way I try to immerse myself in the spiritual life of animals." Afterwards, Kroonenberg rushed to...
Wijbrand Schaap: 'Now on the role of cities. One of the reactions on our site is about the role of the randstad in cultural policy. Melle Daamen puts the primacy in the randstad, and goes further than the council in this.' Joop Daalmeijer: 'The council has no position yet.' Wijbrand Schaap: 'But there is something in the Culture Outlook. Cities form...
Joop Daalmeijer: 'I never authorise. I find that such nonsense. A journalist should just do his job properly.' Wijbrand Schaap: 'We agree on that then. We write up everything in full, but because conversations about everything tend to be endless, I want to hang it on the Culture Exploration. That's the most concrete piece and the most topical, and it...
"Art is about personal development. It's not that Friday afternoon fiddling". Barbara Visser, artist and board member of the new Academy of Arts had an argument that was factual, and can be summarised briefly. We can attribute all sorts of things to art, but let's especially not. Learning about and experimenting with taste and creativity...
I published two articles in NRC Handelsblad last year. The first (6 July 2013) was critical of government policy. There was little reaction to this. The second article (7 December 2013) was critical of the arts sector: it needs to make its own sharp choices. That did cause a stir, although I am convinced that many colleagues largely agree with the content...
Update: Meanwhile, the Culture Council has picked up the gauntlet. Melle Daamen posted his pieces on Culture Press, and Joop Daalmeijer has agreed to give a comprehensive interview. More news soon, then. 'Melle is a member of the Supervisory Board. You have nothing to do with that. So that's why NRC anyway?' Dixit Joop Daalmeijer, the man who since he became chairman there...
There is a world outside Amsterdam. There is culture there too. High-quality even. And of course, Amsterdammers know that too. After all, that whole world comes to Amsterdam every year for the Holland Festival, and if it were up to the director of the Amsterdam Stadsschouwburg Melle Daamen, a lot more would come from abroad. Ballet, for example. Our national...
No, the company is not afraid of competition. Nor of cooperation, as evidenced by the jubilantly received Fairy queen with Veenfabriek and Combattimento, the orchestra led until recently by Jan Willem de Vriend.
The cuts to arts have prompted many people to stress that art should be socially and politically relevant. For Samuel Wuersten, artistic director of the Holland Dance Festival, social and political relevance is a broad concept.
How can a usually very ordinary, amiable theatre director suddenly come out with the notice That a few orchestras can go away and the National Ballet should be outsourced? We wondered so and headed to the car park at the Concertgebouw yesterday.
There is an interesting 'drone' underneath, and that may strike someone as menacing. In any case, the video at the end of this article has more meaning than many culture lovers might think. The fact is that the sweeping cuts made by the UK government through their 'Arts Council' have met with hardly any protests in retrospect, while the disproportionality in the cut...
[View the story "Theatre sector versus Council for Culture" on Storify]
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