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What to do with the VVD?

Those working in the cultural sector should not expect much from the VVD. Lately, however, the party has been trying to show a different face. Indeed, only recently, the new culture spokesperson of the right-wing liberals tabled a motion in which the VVD actually gave back 10 million of the more than 250 million the national government took from the arts.... 

Violinist Daniel Rowland: 'One spontaneous action can change the world'

The healing power of music, some firmly believe in it - in 2013, it was even the premise of the City of London Festival. Believing that music can connect people and have a healing effect on conflictual societies, festival director Ian Ritchie asked the Brodsky Quartet to commission a composition around this theme. Thus was born the by... 

Greeks at Rijksmuseum of Antiquities, photo Mike Bink

Mere masterpieces at reopened National Museum of Antiquities

The Rijksmuseum van Oudheden (RMO) in Leiden reopens on Tuesday 15 December after a major renovation and asbestos remediation. The museum immediately unpacks with a completely revamped Classics department: Greeks, Romans and Etruscans. There are also three small temporary exhibitions. Anyone entering the hall of the museum will not immediately notice any difference: fortunately, the Egyptian Taffeta temple is still just standing on... 

Pierre Boulez turns 90 yet again

This year was a celebration of two composers from two seemingly completely different planets. The Estonian Arvo Pärt (b 1935) turned eighty, the Frenchman Pierre Boulez (b 1925) ninety. One is unparalleled among a wide audience for his eloquent 'tintinnabulist style', the other is applauded by a select group of insiders for his avant-garde compositions, which the general public, however, experiences as incomprehensible... 

Theatre sector: "Municipalities, stop building theatres!"

Always nice when someone sets up a committee to solve all the problems. The Dutch theatre sector did just that a few months ago. Led by former minister Guusje Ter Horst, Rinda den Besten (former Utrecht alderman), Sadik Harchaoui (Forum) and Ryclef Rienstra (VandenEnde Foundation) examined what could be better in the relationship between theatre and the... 

'Give the people a say in arts policy'

Since the financial crisis and subsequent cuts, the cultural sector has been forced to legitimise itself. Scientific research has to demonstrate the social outcome of art and culture. To assist the cultural sector in this, the National Knowledge Institute for Cultural Education and Amateur Art (LKCA) therefore started the so-called 'fact factory', a numerical overview of key data and developments in the... 

The disaster surrounding the eastern orchestras only intensifies. A reconstruction

A damning report by organisational consultancy Berenschot, the voluntary or involuntary departure of director Harm Mannak, repeated bickering in the State Assembly and panting reports of high salaries for directors and artistic directors, all the way to the national newspapers. It marks the chaos at HET Symfonieorkest and the lack of any form of direction, not only at the orchestra itself,... 

In the theatre, all fear disappears

I hesitated for a while whether to report on the theatre workshop offered to Syrian refugees by Koon Theatre on Monday 9 November, as part of Dancing on the Edge. During the workshop, the refugees prepared a short presentation to be shown in Stadsschouwburg Utrecht on Friday 13 November, prior to the theatre performance Above Zero. The reason... 

Dancing on the Edge festival started with a sense of urgency.

At Amsterdam's Brakke Grond, the Dancing on the Edge festival (DOTE) opened yesterday with an evening that immediately showed what the span is all about. The first performance, Blank, engaged directly with the audience. The second, and official opening performance, Plastic, was more about the dynamic between the performers themselves and with the soundscape. With her opening speech 

New: a Blab with playwright Nassim Soleimanpour.

Next week sees the start of festival Dancing on the Edge. Unlike its name suggests, this festival, with performances in The Hague, Amsterdam, Utrecht and Rotterdam, is not only about dance, but also about film, theatre and politics. The 'Edge' it is about, the festival looks for in its theme: an urgent artistic dialogue with the Middle East. More needed now than... 

Loïc Perela and Jan Martens: As a spectator, you are finally faced with a question again

As I wrote in my earlier article about the Nederlandse Dansdagen, choreographer Loïc Perela won this year's Nederlandse Dansdagen Maastricht Prize. It earned him 12,000 euros to put into his new project HASHTAG. The award has helped some previous winners on their way (Monique Duurvoort, Joost Vrouenraets, Erik Kaiel, Muhanad Rasheed, Joeri Dubbe,... 

Berlin plays Tagfish, poetic documentary theatre about emptiness, and more emptiness

From today, the documentary performance Tagfish tours the Netherlands. The Belgian theatre collective Berlin has been making finely crafted theatre installations since 2004, playing on the border of documentary and fiction, television and theatre, current affairs and eternity. Tagfish is ostensibly about the perils surrounding the redevelopment of a piece of wasteland near Essen. Die Zeche Zollverein already had a monumental... 

Impressive Waterline Museum maintains mystery of Fort near Vechten

In a few thousand years, archaeologists will find a bizarre concrete sculpture in sediment layers at the bottom of the future European Sea. Round, organic shapes, a square box with ready-made chambers, pipes, and a relief in the soil. Totally different from the concrete boxes they found before. Unknowingly, they will rediscover the mystery of the Nieuwe Hollandse Waterlinie. The... 

Dutch Dance Days show artistic challenge only on fringes of programme

The first weekend of October saw the Netherlands Dance Days (NDD) take place in Maastricht. As Ruben Brugman reported, important prizes for the dance world are awarded there. But the Dance Days seem mainly meant to promote Dutch dance, more than to be a critical evaluation or artistic boost. At the Dance Days, no pithy speech on the State of Dance as... 

Utrecht post office big loser at 'recumbent concert' Canto Ostinato

Early this year, it still looked like the monumental and striking Main Post Office on Utrecht's Neude would stay closed for good. There was even talk of a sale to a private individual who would build luxury flats in it, thus permanently obscuring the hall of the people, where many a Utrechter once cashed her cash cheques... 

Flow is a matter of hard work and lots of practice

Het is nog maar een paar maanden tot Sinterklaas, dus je zou verwachten dat de rijmspieren van de Nederlandse bevolking wel weer op scherp staan. Maar niets blijkt minder waar. Tijdens het Drongo Festival, een manifestatie over meertaligheid in de Utrechtse Jaarbeurs, toonde MC Akwasi dat feilloos aan. Hij past met zijn Nederlandstalige raps goed in de huidige golf van… 

Spotlight on Chopping Board and Psalms Pump

Cimbalom and harmonium are not the first instruments you immediately think of when you think of classical music. Yet, the ever-adventurous Ludwig collective puts precisely these mavericks at the centre of two concerts, on Saturday 26 September at the AVROTROS Vrijdagconcert in Utrecht and on Sunday 27-9 at Muziekgebouw aan 't IJ in Amsterdam. In 1915, Igor Stravinsky and a friend visited a... 

Farewell and nostalgia define 33rd Night of Poetry

Listening to a short poem is sometimes hard work. This was evident during the Night of Poetry, held for the 33rd time on Saturday 19 September. At a poem that ends in brief toneless silence from the poet after four short sentences, the experts separate themselves from the amateurs in the audience. Clap quickly, before the next poem is over. Or. 

Trench warfare between the Castellums of Utrecht and Alphen?

Today we reported on the opening in Utrecht Leidsche Rijn of the cultural park Castellum Hoge Woerd. In that Castellum is a new theatre: Podium Hoge Woerd. Explicitly, the theatre is not called Castellum. After all, there is already a Theatre Castellum in Alphen aan de Rijn that has existed for 10 years. Doesn't that bite? Yes, they do bite. Because the first visitors for... 

Castellum culture park in Leidsche Rijn opens doors

It was world news in 1997. In one of the first building sites of Vinex district Leidsche Rijn, archaeologists found remains of a Roman boundary line, walls of forts, a cargo ship and all kinds of utensils. Digging it up and building houses was no longer an option. In 2007, it was decided to build a cultural park: a castellum. A modern version of a Roman fort bringing together various functions.... 

70,200 samples in 33″ - music of the future at Gaudeamus Music Week Academy

Just after the end of the Early Music Festival, the Gaudeamus Music Week, the Mecca of cutting-edge notes for seventy years, starts in Utrecht. Five nominated composers under 30 compete for the coveted Gaudeamus Award, previously won by now established composers such as Unsuk Chin, Yannis Kyriakides and Michel van der Aa. For the second year, the... 

The 5 concerts not to miss on @oudemuziek

Utrecht is fast overtaking Amsterdam as cultural capital. Centrally located and easily accessible by train, bus, car, bicycle or on foot, and blessed not only with a host of beautiful churches but also with the imposing TivoliVredenburg, it attracts more and more music lovers to its city centre. For over three decades, it has hosted the Festival of Early Music,... 

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