Jet Bussemaker is satisfied. For the next few years, there will be little whining about the subsidies under her regime. She states this in her letter this weekend. After all, the basis of the system is fixed: there are great museums, symphony orchestras, opera and theatre clubs whose subsidies are cast in concrete. Or rather carved from classical marble, because money gets you
Ever since the establishment of the NJO Summer Academy in 2001, one composer takes centre stage every year, in the current edition it is Steve Reich (1936). During the NJO Music Summer, two hundred music students from fifteen countries will play a good number of compositions by the American grandmaster.
Holland Festival
Six actors, four years in a bunker. One is dead. Those are the details we have to make do with in Tratando de hacer una obra que cambie el mundo. According to this title, the actors are trying to create a play that will change the world. The characters have locked themselves away in an underground bunker and receive occasional provisions via a packet.
Thirty-eight singing Slovenian girls. We might expect something with colourful costumes against a backdrop of a sunny village scene. Instead
We spoke briefly at Writers Unlimited 2013 with the woman who has been giving workshops in poetry to schoolchildren for a few years now. And we wondered again if rap wasn't enough for them, those kids. No. So it turns out. And she explains it clearly.
There it is: the coalition agreement of the new cabinet of the man who previously managed to associate the terms 'subisidy slave' and 'empty halls' with the fine arts. The tone is different now, and we owe that to the input of the PvdA, just as earlier we apparently owed the sneering tone to Martin Bosma's PVV.
Theatre-maker Anouk de Bruijn (32) has been to Guatemala seven times since 1999. For the Treaty of Utrecht, she entered into an exchange project with the Guatemalan group Caja Lúdica. Together, they are committed to giving people a positive experience through art. Their project 'Hidden War' is about the lives of young people in Guatemala.
Documentary filmmaker Femke Stroomer and Sanne Sprenger will make two films in the coming year with two classes of the International Switching Class (ISK) entitled I am here. Part two of a report on this Treaty of Utrecht Community Arts Project.
Documentary filmmakers Femke Stroomer and Sanne Sprenger will make two films in the coming year with two classes of the International Switching Class (ISK) entitled Me am here.
The culture card has been saved. This is wonderful news, so soon after the rock-hard slap in the face of the schoolgoing youth of the Netherlands that the now outgoing cabinet dealt in 2011. On improper grounds, as the Court of Audit revealed, the negotiators of PVV, CDA and VVD already scrapped during the formation this opportunity for schoolchildren to gain knowledge at steeply discounted...
Young people from Guatemala, nightingales from Northern Ireland and theatre-makers from the interior of Peru. Just some of the guests at the Community Arts Festival to be held in Utrecht in June 2013. Music, film and theatre with ordinary people behind and in front of the scenes, accompanied by professional artists. What else do they have in common?
No festival without a debate, and on Sunday 22 April it was. In English and led by Dodo reporter Daniel Bertina, it was about festival themes and marketing, and audiences. We have listed some highlights for you.
Nearly thirteen million The Gelderland Orchestra (HGO) asked for the province of Gelderland. It got three-and-a-half. Just enough to absorb the reduction in the state subsidy for the next two years and to work towards a new organisational structure and a new revenue model, as described in a very ambitious business plan, which...... wait for it. We have already written about this, haven't we?
He barely showed his face in recent months, rarely engaging in debate with artists or the public. Now that the mega budget cut on culture is law, and nothing can be changed about it until 2016, we can follow Halbe Zijlstra's victory lap again. Also on twitter.
The cut-away Metropole Orchestra is getting some air from the minister. She is willing to use the necessary friction costs to support the transition over the next four years from the Media Budget, provided it stays there. That is, the orchestra may use its own severance payments to be independently 'on the market' from 2017. As much as it shows...
An alternative scene for classical events outside the ice palaces of classical music is growing. Last month, you could 'classical clubbing' at the Yellow Lounge at the Westergasfabriek venue. The club was sold out, indeed with a large
Tropenmuseum a bit exotic due to international contacts (...) "The Tropenmuseum still seems to be an issue for political The Hague, but I don't hear anything about the library service and the theatre." There seems to be no question of transfer to subsidy by the Ministry of OCW. Heemskerk also wonders whether state secretary Knapen has sufficient insight into the importance of the library. "The library service...
Amsterdam - Mayor finds cuts to Rijksakademie "beyond comprehension" During the official opening of RijksakademieOPEN 2011, Mayor of Amsterdam Eberhard van der Laan expressed his concerns about the government's severe cuts to the Rijksakademie van beeldende kunsten. "Cutbacks are necessary. Capitulating is not necessary. There are limits." The mayor stressed that a healthy art climate is important for...
Arnhem - Scepticism over success of cultural heart Rijnboog Arnhem city council has many doubts about the financial feasibility of the Rijnboog arts cluster. (...) [Alderman] assumes 16 million subsidy from the province and another 4 million in contributions from sponsors for the new arts centre containing the Museum of Modern Art Arnhem, the Schouwburg and Focus Filmtheater....
A bit alienating it is. Watching at IDFA the eventful account of Egypt's February Tahrir 2011 revolution while at the same time, in Tahrir Square, the second phase of resistance against the dictatorship is in full swing. A kind of 'back to the future' feeling. Tahrir 2011 is a relatively unpolished, but with a sense of urgency in...
Far more people waved at the Queen on Princes Day than stood on Malieveld a day earlier to protest against austerity. Why are we unable to revolt? And what can we learn from the Tahrir Square uprising. These were some of the questions that came up during 'Lessons in revolt', the debate...
Actors wearing sort of harem trousers and bamboo sticks on a nondescript playing surface. Some of you may think back nostalgically or with trepidation to the days when there were 'Akademies voor Ekspressie' in the Netherlands. Summits of socio-art. Sometime deep in the 1970s, that is. Maladype Theatre, from Hungary, fits seamlessly into that picture, which...
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