We are now a good month after the start of the intelligent lockdown. Slowly, a new normal is beginning to emerge, where we are no longer exclusively fanatically following all the tweets about corona. The concerns are still there and certainly where the cultural sector is concerned. The entire sector, nationally and internationally, is engaged in the titanic task of keeping the public...
Dance pioneer Lucinda Childs is actually the reason I went to Modern Girls. I am a lover of that. Of her work. But as a bonus, I got Regina van Berkel. With Frozen Echo. Why is it important for Introdans to bring a programme of work by female choreographers only? Huh? That's the feeling I got. With Van Berkel's Frozen Echo. Right from...
Choreographer Anne Teresa De Keersmaeker sends out an alarming press release. Following the decision by the Brussels theatre De Munt/La Monnaie to stop programming dance, she wonders whether Rosas is still welcome in Brussels. "The news that the management of La Monnaie is scrapping all dance fills me with disbelief. Historically, ...
It seems like a statement, opening the latest Holland Festival under Pierre Audi's direction with 'Vortex Temporum'. The collaboration between the two top Belgian ensembles Rosas and Ictus does everything that is scarce in the present day.
Fransien van der Putt, together with choreographer and dance film-maker Angelika Oei, saw five new Dutch dance films during Cinedans. Some of the results were promising. The films all transcended the level of visual gimmick. In its place is a struggle with fiction and physical credibility.
Thanks to Ingrid van Frankenhuyzen, who posted this message on facebook. Dance is also thought of, despite the fact that the VVD sees dance as a branch of sport. Well: in America, they know all about sport, and therefore sporting behaviour. Up to a point. Because what did Beyoncé do in her latest clip? Right: a choreographed...
Text Maarten Baanders (photo Herman Sorgeloos) After sensory work had already been reduced to a minimum in Keeping Still - Part I and The Song, dance philosopher Anne Teresa de Keersmaeker confronts the most extreme reduction possible in life in the final part of the trilogy, 3Abschied: death. Her choice of music strikes again Der...
By Maarten Baanders (photo by Herman Sorgeloos) Where were we? In the previous performance, Keeping Still, Anne Teresa de Keersmaeker gave us an empty space as the final image. Now we walk into the hall of the Muziektheater for part 2 of the triptych, The Song and once again an explicitly bare stage stretches before us. The hall light is still on...
Curlew River Photo: Bertrand Stofleth For every independent journalist in the Netherlands, there are about 15 information officers. It is therefore obvious that these spokespeople largely determine the image in the media. Could that be why in the newspapers and television programmes surrounding the Holland Festival, the announcements are far more numerous than the critical reviews? A look at the...
By Maarten Baanders (photo by Herman Sorgeloos) Calmly we stand at the door of the venue. A bit like the Holland Festival is a drag. No one suspects that in a few minutes, existence will be reduced to almost nothing. It starts with darkness. Silence. For minutes. Softly, footsteps sound. The ears are tuned to it in detail. There is singing. Mahler's...
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