Recently, you can also become a supporter of Culture Press. For 60 euros a year, you support our work, with no further obligations. That's a great way to further advance a unique news medium! 1: Culture Press is a readers' cooperative. Unlike, say, your favourite newspaper, with us you are not the product, with which we lure advertisers in. At...
The dissolution of the Performing Arts Promotion Office continues to stir minds. So another piece, although we are actually supposed to be walking around the Uitmarkt to expensive advertising leaflets to sell.
Enfin.
Developing new models on the internet takes time. We have found that out with the Cultural Press Agency by now. With more than 7,500 followers on Twitter and 400 visitors a day to our website, we have now become a factor of importance in cultural journalism. But we are also very happy that four years after the first plans took shape and one year after the start-up subsidy from the Ministry of Education, Culture and Science ended, our first publication can be read on the sites of De Persgroep, publisher of Trouw, Volkskrant and Parool.
Two opposites had emerged. Would the VPRO IDFA Award for best feature-length documentary go to a personally coloured auteur's film, or to a thoughtful account of a major issue? To Alan Berliner's remarkable portrait of Alzheimer's-affected poet Edwin Honig, or to Dror Moreh's fascinating insight into the Israeli secret service?
What Rabobank can do, we can do too, thought the journalists of the Cultural Press Agency: working together in a cooperative association. In June, the new form for the news agency will become a reality. This will increase our clout and boost our innovative capacity. The Cultural Press Agency Foundation received time and money from the Ministry of Education, Culture and Science in 2010 and 2011 to...
It may be a crisis and the cultural winds may also be blowing from the wrong right corner, but that doesn't stop The Dodo from flying. The festival day newspaper we launched two years ago as a new commercial product is ready for another 10 days of Springdance. We're going to review a lot of performances, and compare even more. And we're going to make a journal. It...
At the request of Amsterdam debate centre De Balie, Parool and Groene Amsterdammer columnist Theodor Holman wrote a play about a conversation between Anders Breivik and Geert Wilders. In an interview with Joost Niemöller of the opinion blog 'De Dagelijkse Standaard', the presenter and writer explained that he admires Breivik's analysis of the situation in Europe, which he also believes...
According to the Volkskrant, Rick van der Ploeg was state secretary of culture in the early 1990s (in reality, he was at the end of those years), and in Het Parool columnist Gerard Mulder claims that the fact that he "thankfully knows nothing about art subsidies" need not deter him from some wild speculations...
Helon Habila His voice is low, and when he talks, he does so calmly and thoughtfully. He regards his humour - very British - as a side effect that is more accidental, than intended. This makes Helon Habila a perfect guest for the opening night of Writers Unlimited, the Hague literature festival better known as 'Winternachten'. The Nigerian can...
That frightens us quite a bit ourselves. We knew that the Cultural Press Agency was doing pretty well, but we didn't really think a reach of more than 100,000 people was possible. After all, we had done nothing in the way of marketing. Just posting content and not giving away free tickets. And only once something with a bare female breast in it. Enfin....
Image via Wikipedia Let's start again with yet another sloppiness of the Rutte government: that wretched VAT measure on the arts, which are the only ones to be bounced to the 'normal' rate of 19%. VVD doesn't like it, CDA isn't happy about it, but because tolerance specialist Martin Bosma once had to play a red mushroom in the school play...
Interesting things are happening these days. The digital revolution is beginning to have traces of a real revolution. No one has yet set themselves on fire, as in Tunisia, but more and more people are taking to the virtual streets to overthrow the old powers: after the record companies, which let themselves be overwhelmed by people downloading, and the newspapers, which let themselves be overwhelmed by people searching freely for information, it now seems to be the turn of book publishers.
Bloody and hard to burn out of your memory are the police photographs Walter Stokman has incorporated into Scena del crimine about Naples and the mafia. What makes those images so unforgettable is not only the gruesomeness, but also the unreality that clings to them. Razor-sharp, brightly lit, as if it was all staged. As if that girl in that immaculate...
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