There was once a celebrity (pianist, composer and conductor Reinbert de Leeuw), a biographer (Thea Derks) and a riot. De Leeuw was against the publication of his biography Reinbert de Leeuw: man or melody and made no secret of it. In the TV programme Zomergasten (Summer guests), he even dismissed the dissertation-like standard work as an almost endearing puff piece. Meanwhile...
Festival Rumor 80, an irregular regular in Utrecht at three different locations each time, will show choreographer Marc Vanrunxt's new work Real, So Real this Friday at Theater Kikker. Starting point is Three Voices, a 1982 composition by Morton Feldman. A wonderful Flemish collaboration by Kunst/Werk and ChampdAction. Dancer Marie De Corte and singer Els Mondelaers shine in Real, So Real. The...
After years of concerts in the 'Red Box' on the A2, AVROTROS' De Vrijdag van Vredenburg on Radio 4 returned to the centre of Utrecht last summer. The new TivoliVredenburg was built entirely around Vredenburg's former Great Hall, renowned worldwide for its fabulous acoustics. Many a tear was shed at the reopening. To a new hall belongs...
Wijbrand Schaap: 'There has been much talk about the change in Council attitudes under your leadership. After the confrontation course under your predecessor Els Swaab, you seemed appointed by Halbe Zijlstra to act as a kind of applause machine.' Marathon interviewAfter the uproar surrounding Melle Daamen's opinion piece on arts policy, we were invited for a 'conversation about...
With a spot-on performance of Mendelssohn's Second Piano Trio, the Storioni Trio concluded last night's opening concert of the Storioni Festival at the Frits Philipszaal in Eindhoven. Spread across six different halls in five cities in Brabant, they will present an ambitious programme, featuring befriended musicians and composers.
Holland Festival
From the mild, everyday cacophony around the Muziekgebouw in the afternoon, on the terrace by the IJ, you'll get into the silence of the concert hall in a few steps. For three and a half hours (with over two hours of breaks in between), Asko|Schönberg, Slagwerk Den Haag and Capella Amsterdam will play and sing your ears off. Steven Schick (a.o. once Bang on a Can), not only conducts, but also takes charge of the middle part of the concert, at the Bimhuis, as a percussionist. Under his inspired direction, 'Nine Rivers' navigates between spectacle and purism: a battle between complex form and the simplicity of raw sound matter.
Thirty-eight singing Slovenian girls. We might expect something with colourful costumes against a backdrop of a sunny village scene. Instead
Popcorn wants to build bridges and dissolve borders; away with the differences between high and low culture. Covers of the band's favourite songs are interspersed with new compositions, thus blurring boundaries. Unfortunately, they do not succeed in this and the band sounds mostly academic and soulless. Popcorn is an experimental performance in which a composite band aims to bridge the gap between...
For the second time during Springdance, artists and audience share the stage of Utrecht's Stadsschouwburg. REDUX ORCHESTRA, conducted by composer Ari Benjamin Meyers, plays his Symphony X, a pulsating, up-beat (120 p/m) minimal work. Spectators, conductor and musicians - can you just call them musicians? - merge into one big, extremely subtle, participatory choreography of...
Thai and Vietnamese puppetry. Acrobats, Chinese shadow play and Japanese costumes. A Chinese conductor for a Dutch orchestra, a Canadian directing team and, as the main work, a scant 50-minute opera by a Russian composer, based on a fairy tale by a Danish writer who took his inspiration from China. Loosely.
That, and fifty thousand litres of water, are the ingredients for The Nightingale and Other Fables at Amsterdam's Muziektheater. A performance...
For another 15 years, the Delft Chamber Music Festival, so named to reflect its international character, has encompassed 15 years. Violinist Isabelle van Keulen handled the chamber music festival's programming for the first ten years, Lisa Ferschtmann - also a violinist - took over from her five years ago. But even this already successful festival fears the upcoming budget cuts. A pity, because what...
Photo: Ben van Duin In the Netherlands, the view of opera is mainly guided by concert practice. As such, the Dutch approach to this genre differs considerably from what is common in the rest of Euroa. This is evident from the fact that over the past century, investments have been made in concert halls that are among the best in the world.
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