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Eszter Salamon and Daniel Linehan gems of highly diverse Julidans

Holland Festival, Julidans, IT's, Over 't IJ. End-of-season theatre is always strewn across Amsterdam. Between April and September, international performance offerings migrate from Utrecht (Springdance and Festival aan de Werf) via Amsterdam to Rotterdam (Internationale Keuze). If you want to experience something of contemporary, international dance, Springdance, HF and Julidans are the places to be. [For... 

#HF11: They're going to make another big cut to the Russians at Toneelgroep Amsterdam

Cologne and Paris may not have been built in a day, but it took less than three days to fly to the moon. A warped comparison to say that a show that rattles three days before its premiere can turn out to be an unimaginable hit on the premiere itself. So something like that could happen with The Russians, the latest show 

Week two of the Holland Festival (#HF11) brings a nice mix of highlights and questionable choices.

Photo: Ruth Walz That the Off Broadway musical Fela! was a success, we could actually expect. For The Dodo, we therefore did not send anyone there either: there are already enough newspapers and other bloggers eager to have a front-row seat to the New York audience favourite. That they had a good time, you can read elsewhere on this site,... 

#HF11: As grand, as extreme and as haunting as Schlingensief's 'Mea Culpa' you rarely see theatre

Dying young turns out to be advantageous not only for skywalkers like Buddy Holly, Sam Cooke or Jesus. Even in a rather elitist world like that of German theatre, you can achieve star status through an early death. At least that happened to Christoph Schlingensief, the man who died of lung cancer in 2010. The man had already achieved stardom throughout the German-speaking world,... 

Die Jahreszeiten, in OT's version, fits perfectly into the Flemish-Dutch Opera Days

Photo: Ben van Duin In the Netherlands, the view of opera is mainly guided by concert practice. As such, the Dutch approach to this genre differs considerably from what is common in the rest of Euroa. This is evident from the fact that over the past century, investments have been made in concert halls that are among the best in the world. 

The Dodo revives for Holland Festival edition 2011 #HF11

This week the Holland Festival erupts and we are there. We are producing a Dodo Festival Day newspaper with a sizeable team of professional journalists, as we did before for Springdance and The International Choice of the Rotterdam Schouwburg, for example. We follow the festival closely to bring news as it happens. We go to see performances where others... 

Rascals and heroes battle for power at Utrecht Festival a/d Werf

There is no such thing as the perfect human being. We are all crooks. Or is there a way to get it right? Ilay den Boer and the actors of De Utrechtse Spelen / De Warme Winkel each explore in their own way at the 26th edition of Festival aan de Werf. Wasn't my grandfather just an asshole? That... 

Gergiev comes to Rotterdam with a top orchestra and top repertoire, but audiences are used to that from him

Russian conductor Valeri Gergjev was back in Rotterdam for a while, for one concert. He conducted his own orchestra, the London Symphony Orchestra (LSO), in de Doelen. The famous orchestra played repertoire that we in our country know inside out: Gustav Mahler's 1st symphony and Dmitri Shostakovich's 1st piano concerto. A now historic combination: because the Netherlands has become fused... 

Tomoko Mukaiyama sprinkles nuts and high heels

Although the announcement of 'sonic tapestry: Shoes, part V' by Tomoko Mukaiyama can be read as a variant of Sex and the City on classical music, Sarah Jessica Parker would forever look at her Manolo Blahniks differently after seeing Mukaiyama's performance. This very special piano recital was Saturday 7 May at LP2 (Room 2 of the Rotterdam... 

Sara Tavares understands better than anyone that you have to hang back in rhythm to make it work

About a decade ago, on the main stage of Rotterdam's De Doelen concert hall, there stood a frail and still searching young woman, a singer-songwriter in a language other than English. Sometimes in Portuguese but mostly in the criollo of the Cape Verde islands, this Sara Tavares presented, with minimal accompaniment, her CD 'Mi ma bô' that would later give her international... 

Fascinating canon with 24 dancers by Boris Charmatz as bouncer and finale of Springdance 2011

Boris Charmatz's dancers in ''Levée des conflits'' Photo Caroline Ablain.

Nothing is more uplifting than singing a canon together. French choreographer Boris Charmatz's Frère Jacques, on show as the bouncer on the final night of Springdance, is a special case, though. 'Levée des conflits' has no recurring refrain, but it does have no fewer than 25 stanzas, which are sung by each of the 24 dancers....

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Eugénie Rebetez shows the alienating contrast of a woman who wants to be more and is also at peace with who she is

Eugénie Rebetez in 'Gina'. Photo: Augustin Rebetez.

Her full thighs clatter together. She shakes her bare arms, grinning at the trembling skin on her upper arms. She stomps furiously across the Theatre Kikker's playing floor, while her hefty body - dressed in a small, nondiscreet black dress - emphatically bounces happily on all sides. You just have to dare. In h...

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Music echoes in the heads of Emanuel Gat Dance's dancers and hangs over the stage like a secret

When music sounds, almost everyone tends to move with it. Music leads to dance. That link is crystal clear. But in modern dance, that obviousness is broken. Watching 'Silent Ballet' by Emanuel Gat Dance, this becomes poignantly clear. Without a single sound being sent into the auditorium, the eight dancers swarm across the stage.... 

Pure contact improvisation and martial arts in confrontational performance by Japanese dance group contact Gonzo

Contact Gonzo

 

With their name, the five Japanese of contact Gonzo refer to the gonzo journalism of the late Hunter S. Thompson. Raw, harsh and subjective. Thomspon also showed how he worked in his pieces. Contact Gonzo warms up during the show, taking snapshots of each other with disposable cameras and passing the water bottle. Gonzo style: what you see is what you get.

Contact Gonzo adheres to ...

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Yasmeen Godder lets contrast between frightened individual and roaring group animal linger too much in dancers' minds

Dancers by Yasmeen Godder - photo Itzik Giuli

She is on her knees. Shaking and trembling, she jerks backwards. With clawed fingers that seem to grasp at the void. Like a frightened cat. Shuffling, the dancer moves backwards in a semicircle on the white stage floor of Theatre Frog. One by one, the five others step onto the empty open stage, while the first dancer anxiously faces the audience ...

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"What's wrong with 'dark'?" Margrét Sara Gudjónsdóttir makes you aware of the dark side of being a spectator

Margret Sara Gudjonsdottir explores the unequal power relationship between spectators and dancer. And goes very far in doing so. Uncomfortable' is still the mildest description for the work 'Soft Target'. Which in turn is not at all true for a conversation in private. ... You can now log in to continue reading! Welcome to the Culture Press archive! As a member, you have... 

Introducing: the Dodo team for Springdance

We gathered the cream of Dutch dance journalism for these ten days of dance innovation. Fransien van de Putt, well known in Belgium and the Netherlands, Maarten Baanders, well known in the wide surroundings of Leiden and Daniël Bertina, well known in the wide surroundings of Het Parool were ij the opening of Springdance and were actually happy with what they got to see. ... 

Springdance opens with Botelho's Sideways Rain: fascinating intensity of dance, but lack of consistency


Scene from Sideways Rain by Botelho. Photo by Jean-Yves Genoud

From left to right, single people move across the stage, unceasingly and in droves sometimes, for an hour. It is addictive, this locomotion in Sideways Rain, the endless forward motion in one and the same direction of what appear to be ever-new people. Through subtle costume changes, a dark lighting scheme and Murcof's dramatic drones, it is in h...

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'I want to make the perpetrator relive the death of his victim.' Jens van Daele makes dance out of cruelly disturbed art project

Photo: Judith Zwikker Jens van Daele concludes his series of choreographies on the seven deadly sins with the performance Brides for Peace. The piece is based on the art performance Brides on Tour by Italian artists Pippa Bacca and Silvia Moro. Hitchhiking and dressed in wedding dresses, with a text 'Peace' on their chests, they travelled from Milan to Jerusalem in 2008.... 

So up close, and so small occupied as at La Petite Bande, Bach's St John Passion comes in in a very distinctive way.

Gerlinde Sämann I am not a connoisseur of the performance practice of Bach's Johannes Passion and know that other piece, the Mattaheus Passion, mainly from a few TV excerpts and far-flung arrangements like the one at Platel's Pitié. So don't expect me to pass judgment on how good the version was, which was seen and heard at the Concertgebouw on 5 April 2011,... 

Current 93 survives music industry malaise on a diet of lots of love and dog-eared fans

Reports of the collapsing music industry have been rife. Apparently, as a musician, you no longer survive on the basis of record sales (alone). In niche genres, however, it is easy to survive. So proves the band Current 93, which performed in Stadtgarten, Cologne, last week. Playing live a lot and selling merchandise seems to be the golden rule for... 

Death Horse puts on bold shoes and waves goodbye to Shakespeare in 'Bye Bye'

Photo: Sanne Peper The Amsterdam company Dood Paard itself translated Shakespeare's 'Othello' and waves goodbye to the bard with 'Bye Bye'. The quirky collective brings a one-and-a-half-hour contemporary comedy of morals and soul mirror, in which pointing at 'The Other' is central. Shakespeare's plays are quite often performed quite reverently. . The adored 'bard' from Stratford-upon-Avon has the Angel... You can log in now... 

Superior played-in recordings are no guarantee of delivering a reference CD

The Rotterdam Philharmonic Orchestra currently has an unprecedented luxury: it is releasing CDs on two labels at the same time. How is that possible? The orchestra signed under its own name with BIS Records, the label with which the eccentric owner Von Bahr releases one extraordinary recording after another, while chief conductor Yannick Néze-Séguin is old-fashionedly under contract as maestro with EMI.... 

Yannick spurs his orchestra to a memorable and historic performance of Prokofiev's fifth symphony

The Rotterdam Philharmonic Orchestra is rated differently by conductors. Either you can get along with it and then it's a party, or it never becomes anything and then it stays at the occasional conducting session. Moreover, the musicians' enormous reaction time is feared. With other orchestras, you can still freewheel - an orchestra like the Royal Concertgebouw Orchestra (KCO) plays on anyway - but with the RPhO, a small gesture can already cause a huge hurricane. What j...

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With the best actors of their generation, Oostpool makes beautiful theatre of J.D. Salinger's America

Things become more fascinating when you look back on them 30 years or so later. Three decades make the life you were once in the middle of history, and that is happening to my generation (40-somethings) now with the second half of the last century. Hence the success of Jonathan Frantzen's masterpieces Freedom and The Corrections, and hence the success of a DVD series like Mad Men.... 

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