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TOBIAS KOKKELMANS NEW DIRECTOR/DIRECTOR NEDERLANDS THEATRE FESTIVAL AND AMSTERDAM FRINGE FESTIVAL

Today, the Supervisory Board announced that Tobias Kokkelmans has been appointed as the new director/manager of Stichting de Theaterdagen, organiser of the Nederlands Theater Festival, Amsterdam Fringe Festival, NTFJong and the in-depth platform for professionals NTF-Pro, as of 1 September. In doing so, he succeeds Jeffrey Meulman, who in May this year left the Foundation after sixteen years for the Verkadefabriek.... 

Culture Council: The Netherlands underestimates its own music theatre culture. (Why opera still seeks talent abroad)

The Performing Arts Fund is failing to professionalise and make the music theatre sector sustainable. So says the Council for Culture in an advice leaked yesterday on the future of music theatre in the Netherlands. The advice presented today to the rest of the Netherlands therefore wants to transfer more different music theatre makers and companies from the Performing Arts Fund to the Cultural Basic Infrastructure. This partly... 

Playwrights and cultural exploration (3): 'Contemporary musical, a new tradition among writers?'

On 25 January 2018, the Musical Awards were presented with, as we are used to, many translated reruns and calibrated repertoire. Also notable was the appreciation for new Dutch work. Many a writer will have been cheering on the sofa when 'Was Getekend, Annie M.G. Schmidt' won the awards. Does that bode well for the future? Can today's (small)... 

Dear Minister @ivanengelshoven, my dream is that the Dutch government would have a real cultural vision.

'What do you desire from Ingrid van Engelshoven, the Minister of Culture?" asked Culture Press in a newsletter to subscribers. Good question! Especially after that first nod she made by generously pledging an extra 10 million to the Performing Arts Fund for the well-performing but not yet receiving anything, 'because the money had run out'. Very nice that band-aid, but... 

Beatles tour bus (replica) Photo: Chris Samson CC.BY 2.0

You had one chance to sustainably improve arts subsidies

The decision will be official in mid-September, but behind the scenes it has already been made. The Netherlands will have a very small basic cultural infrastructure for the performing arts, and a very large fund that anyone who wants to make theatre, dance, mime or music must apply to. I asked around a bit recently, and so that's what it's going to be. That way, politicians can't... 

Stefan de Walle and Joris Smit (Kurt van der Elst photo)

The reviewer, for anyone whose flesh is occasionally weak

Anyone who wants to credibly transfer a historical play to the present had better be radical, director Theu Boermans must have thought. And anyone who sees his adaptation of Nikolaj Gogol's The Revisor at the Nationale Toneel cannot help but agree with him. With references to asylum seekers, cubicle snoopers, data espionage and subsidy fraud, the play seems written yesterday. Yet Boermans remains... 

The figures are in. And they don't say anything at all.

We had already announced it. This period is all about positive framing by the arts sector. Good news has to be spread, although people don't really know why. After all, there are no shareholders to be kept happy, only concerned art lovers. Enfin. On Wednesday 9 September, NRC journalist Daan van Lent presented the result of an investigation into the... 

The Hague takes the lead in rejuvenating theatre landscape: De Vroedt not going to Rotterdam

Eric de Vroedt will succeed Theu Boermans at the Nationale Toneel in The Hague in 2018. The company announced this in a press release today. This puts an end to speculation surrounding the future of theatre-maker De Vroedt. Indeed, he had long been mentioned as Alize Zandwijk's successor at the ro Theater in Rotterdam,... 

Johan Simons to Ruhr, Rotterdam, Den Bosch, Vienna, Ghent. And Varik.

He is the greatest director in the Netherlands. But also the least honourable theatre-maker we know: Johan Simons. The man whose star has been rising since the 1980s is now in Munich. But he is not staying there. After putting the local company Kammerspiele even more firmly on the map internationally, he is looking for new challenges. Den Bosch earlier reported... 

Five things we learned from opera amuse Sweeney Todd

What: A preview of the 'musical thriller' Sweeney Todd

Location: the biggest rehearsal room of the Dutch Travel Opera

Present: almost the entire cast, one hundred and fifty guests

Menu: bread, pastry, a dessert as pretty as it is tasty

Drinks: water, red/white wine ánd Bloody Mary's, complete with celery as a stirrer, Worcestershire sauce, Tabasco, pepper (and salt, nowhere to go), lemon (should have been lime), prepare it yourself

 
(1) How m...

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Nederlandse Reisopera with a musical. With Sanne Wallis de Vries. In Royal Theatre Carré.

No, the company is not afraid of competition. Nor of cooperation, as witness the jubilantly received Fairy queen with Veenfabriek and Combattimento, the orchestra led until recently by Jan Willem de Vriend.

Combattimento? That orchestra was supposed to quit, wasn't it?

Indeed, it looked like that for a while when Jan Willem de Vriend announced his intention to retire from the Netherlands Symphony Orchestra, but without its founder, the orchestra made a successful relaunch. Like the Reisope

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4 old cows in eternal Amsterdam theatre war cause Daamens oekaze?

How can a usually very ordinary, amiable theatre director suddenly come out with the announcement that a few orchestras can go and the National Ballet has to be outsourced? We wondered so and headed to the Concertgebouw car park yesterday. Because at the Concertgebouw there was a get-together due to the celebration of a new grade, and where there are get-togethers, there are loose lips. Especially in car parks. And there, among all the pulmonary emphysema complaints, we heard some news: Melle Daa...

You can now log in to continue reading!

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Theatre photography in the limelight at small Amsterdam gallery

Theatre photographs are a profession in their own right. From an already staged subject, the professional photographer chooses the catchiest image. There are those who look down on them for that reason, there are those who admire the theatre photographer for that very reason. We are naturally more inclined towards the latter. But the profession is under pressure. From smartphones, from buyers who have no space and no money... 

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