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thibaud delpeut

'Actually, the romantic relic Platonov has been snowed in for about a hundred years. And now he comes back, and he walked into the wrong room'

Platonov, Theater Utrecht's latest show, premiered on 2 March and is an instant hit: rave reviews in all major newspapers. Artistic director and director Thibaud Delpeut bases his version of this archetypal Chekhov play on the translation made by actor Jacob Derwig in 2000 for 't Barre Land. This equally legendary play fitted... 

City of the Blind is ethical research and sensory experience in one

An old man strolls into the infirmary with a transistor radio. 'Where did you go blind?' the already present blind ask the newcomer. 'In a museum,' he replies. A moving conversation then unfolds about what was the last painting he saw, and the possibilities are projected onto the wafer-thin canvas that separates the audience from the sick room. This tot... 

DUS is now called Theatre Utrecht. Not to be confused with Stadsschouwburg Utrecht

Toneelgroep Centrum, Utrechtse Theater Inititatieven, Jeugdtheaterplatform Utrecht, Theaterplatform Utrecht, De Paardenkathedraal, De Nieuwe Paardenkathedraal, De Utrechtse Spelen. The ostentatious names for Utrecht theatre companies had run out of steam over the past 30 years. Not entirely unexpected, then, that the city theatre company of the Netherlands' fourth city opts for sobriety and clarity. Since Sunday 11 January, 5pm, De Utrechtse Spelen has been called... 

Matthias Mooij (1976-2014): a career that should have been there.

He could have become an important director, but was at the wrong time, in the wrong place. In the end, his illness fatally bothered Matthias Mooij. Yesterday, this still young theatre-maker died of lung cancer, more than a year and a half after the premiere of his first large-venue production: Mogadishu. With that production, of a play written by the English writer Vivienne Franzmann, Mooij set a new tone in theatre: no longer did he seize back in theatre ...

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Selection Theatre Festival 2013 marked by audience-friendly performances

De Verleiders, last season's big theatre hit, tops the jury selection of The Theatre Festival 2013. Conceived and created by a group of actors and cabaret artists, including Pierre Bokma and George van Houts, the show about real estate fraud was a tremendous success in theatres. So it is also rightly included in the festival, which since 1987 has annually showcased a selection of theatre performances from the previous season. Another hit that also received great media attention is the ...

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Theatres take matters into their own hands

As the government has killed the entire circuit of production houses and further education, seven theatres have jumped into the gap. They are joining forces to enable a number of 'young' makers to still develop their work. By buying a number of performances in advance and making a small development budget available, the seven of them can put two makers to work per season.

It involves The Rotterdam Theatre, Frascati in Amsterdam

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DUS retains grant, leadership leaves

The Netherlands' most striking company when it comes to handling subsidy money has been saved. De Theaterkrant reports that the government has agreed to the new, adjusted budget, which had to be drawn up after a loss of over 2 million euros earlier this year. So the company will keep the one and a half million euros and artistic director Jos Thie and his business partner Jelle Snijder will be chased out of the city with pitch and feathers, where they can join the Supervisory Board di...

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5-hour marathon Roman Tragedies favourite with spectators Toneelgroep Amsterdam

Photo: jan Versweyveld We were somewhat mildly ironic about it, but hats off, meanwhile, to Toneelgroep Amsterdam's PR department and the audience, who responded remarkably well to the 'choose the reprise' campaign the company launched a few weeks back. We have the hard numbers we feared we would never see. And they are credible. We quote the press release:.... 

Top or flop: audience picks repertoire first theatre company in the Netherlands

We got another press release, and wondered: top or flop? How does idiosyncratic artistry rhyme with audience-determined repertoire choice? Andne: do all those people who chose the winning piece also get a free-or at least discounted-ticket to the performance of their choice? Andne: who checks the results, as there is no notary. Enne:. 

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