Maybe it is also just the wrong choice to see part three immediately after the first two parts. Maybe after a day of you or some settling down you will be able to appreciate Petry's text, on its own merits. Imagine a three-star dinner. A sensuous succession of small and medium-sized dishes, prepared with the...
"For me, opera is much more than just music," says Israeli director Sjaron Minailo. "It may sound a bit pompous, but my internet opera is completely in the tradition of Richard Wagner. Soul Seek is really a multimedia gesamtkunstwerk, in which fashion, web design and digital media, play, cinema, theatre, dance and experimental music merge into one. Without one element...
Young people from Guatemala, nightingales from Northern Ireland and theatre-makers from the interior of Peru. Just some of the guests at the Community Arts Festival to be held in Utrecht in June 2013. Music, film and theatre with ordinary people behind and in front of the scenes, accompanied by professional artists. What else do they have in common?
Summarising 34 years of Springdance festival is impossible. Nor can we actually evaluate. Mourning because this year was the last? Perhaps. The festival that sailed past lows and highs in its young adult life is merging into a new festival, and no one knows at this point, 28 April 2012, what that festival will be called, and what it will...
Springdance closes with a remarkable dance concert on 28 April. Visual artist and choreographer Tino Sehgal created a movement piece to music by composer Ari Benjamin Meyers, which will be performed among the listening audience. Tino Sehgal's work is a well-kept secret. In any case, hardly any recordings of it are known. During the interview, Meyers says the following about it
Kat Válastur claimed that it is almost impossible to describe the dynamics of her performance with words. She is right. It is rare skill how with only two dancers in one place, so much can be depicted and the audience is sucked into a maelstrom. In the small hall of Theatre Kikker, mechanical thuds sound and two giants appear in the middle of the stage. They turn out to be dancers:...
Every festival begs for volunteers, and in the early days of Springdance, there were not even any paid staff at all. That's also saying something. As Springdance merges with Festival aan de Werf after 30 years, the theme of this latest edition is 'scupltured bodies & body sculptures'. At SYLPHIDES, this aptly applies. "How people move doesn't interest me, I want...
"We've been working on some songs and dances," says visual artist Martin Creed, assisted by his five-piece band and five ballet dancers. In his fragmentary performance, Creed explores the relationships between the five basic positions from classical ballet, the bouncy off-beat rhythms of his post-rock band, and Creed's own video art. This is his first choreography and it shows. "Works No....
This Tuesday was all about daily acts that became art, or art that became daily acts. We are not quite there yet. Daniel Bertina, Fransien van der Putt and Maarten Baanders discuss Field Works: Office by Heine Avdal and Yukiko Shinozaki, A gesture that is nothing but a threat by Dias and Roriz,...
No festival without a debate, and on Sunday 22 April it was. In English and led by Dodo reporter Daniel Bertina, it was about festival themes and marketing, and audiences. We have listed some highlights for you.
Upon entering, Wild Life Take Away Station has been going on for four hours. Two performers - Diego Agulló and Ria Higler, a young man and an old woman - stroll through the Central Museum's project studio like drowsy zombies. They are pale and muscle-naked, except for their weird slippers and wigs. The two lie sprawled across the sofa,...
Our team agrees: Springdance really took off on Saturday. With Ibrahim Quraishi's installation 'Wildlife Take Away Station' for sure. Reviewer Daniel Bertina made his own recordings, which will appear in his review. And it was even more tasty for him at '(M)imosa. Twenty Looks or Paris is Burning at The Judson Church (M)....
"I love it when movement moves people," says British choreographer Russel Maliphant in this interview after the performance of The Rodin Project. In the Hekman foyer of Utrecht's Stadsschouwburg, our colleague from Danspubliek.nl put the creator ven the Rodin Project through his paces. It is interesting what Maliphant has to say about the first part of...
As a performer, Ivo Dimchev is so fast and ferocious in his shifts between blunt bravado, childish fun, erotic impertinence and cutting loneliness that as a spectator, you normally can't get between them. Once Dimchev has his audience in his clutches, they can only follow him in bewilderment. "I-on" is again a seemingly loose collection of actions. Everything takes place around a...
Experts in particular were upset with the official opening performance of Springdance 2012. "The Rodin Project" by Russel Maliphant was special for that reason alone. Rarely has there been so much talk about an opening performance, especially since it is also Springdance's last opening performance. The 30-year-old festival of innovative dance and performance is ceasing to exist. Partly due to pressure from subsidy cuts from...
It may be a crisis and the cultural winds may also be blowing from the wrong right corner, but that doesn't stop The Dodo from flying. The festival day newspaper we launched two years ago as a new commercial product is ready for another 10 days of Springdance. We're going to review a lot of performances, and compare even more. And we're going to make a journal. It...
"What the fuck should I do with this?" was choreographer and performance artist Ivo Dimchev's (1976) first thought when confronted with the artworks of Austrian artist Franz West. After Dimchev's solo performance Some Faves (2010) in Vienna, West, a multi-awarded creator of bizarre sculptures and objects, sought contact with the choreographer. He asked him to make an improvised video based on his...
She has been busy. Highly pregnant, Yasmeen Godder (Jerusalem, 1973) worked on her first choreography for Batsheva Dance Company. In a month, she stomped out her new show The Toxic Exotic Disappearance Act under the wings of Batsheva, and in between gave birth to a healthy daughter. For the third time, Israeli choreographer Yasmeen Godder presents her work...
Hein Janssen (Volkskrant) wrote a column in response to a couple of performances with BN stars in the subsidised circuit in which he argued that subsidy was not meant for that. The association for actors thought this was reason enough for a debate. We made a short film to go with it. We formatted it in storify, a feature that allows you to put tweets and other social media messages together and...
In fact, after 1 click, you're totally in. The latest project from Philadelphia-based New Paradise Laboratories (NPL) (USA) takes the internet experience to a new level. The creators don't just do anything with a website, but create a virtual existence, which they sustain for at least a year. In their latest project Extremely Public Displays of Privacy,...
The general public knows her as the rock-hard lawyer Claire from Gooise Vrouwen. Tone lovers have known her longer as that actress with the striking voice. A diplomat's daughter, born in Africa, later raised in Bussum. Tjitske Reidinga now dares to come forward:
He barely showed his face in recent months, rarely engaging in debate with artists or the public. Now that the mega budget cut on culture is law, and nothing can be changed about it until 2016, we can follow Halbe Zijlstra's victory lap again. Also on twitter.
For over a decade, Something Raw has been one of the few places in the Netherlands where the question of artistic and social urgency of the body is explored on stage, with all the fun and risk involved. Many performances struggled with the 'impasse of display': have people then become mere things to look at? Porn is the...
Exactly how Little Red Riding Hood was eaten by the wicked wolf, the fairy tale does not tell. Fairy-tale-telling parents limit themselves to the before and after. And that the evil wolf is cut open by the hunter, freed from Little Red Riding Hood and filled with stones eventually ends up in a well to die is part of the winding down of the happy ending. Enough...
It saves Liverpool's GGD millions on dispensing antidepressants. And it only costs them a tonne and a half. They spend that much hiring Royal Liverpool Philharmonic Orchestra musicians for workshops in addiction clinics. So, no idealistic preaching, as in the countless columns and reactions to Halbes culture cut, but hard pecunia and proven effects. In England,...
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