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Wijbrand Schaap

Cultural journalist since 1996. Worked as theatre critic, columnist and reporter for Algemeen Dagblad, Utrechts Nieuwsblad, Rotterdams Dagblad, Parool and regional newspapers through Associated Press Services. Interviews for TheaterMaker, Theatererkrant Magazine, Ons Erfdeel, Boekman. Podcast maker, likes to experiment with new media. Culture Press is called the brainchild I gave birth to in 2009. Life partner of Suzanne Brink roommate of Edje, Fonzie and Rufus. Search and find me on Mastodon.

The Council for Culture has a sense of purpose. And it's about time.

'To strengthen the position of self-employed workers, a regulation could be revisited that would make it easier to enter into several short-term contracts throughout the year with interim retention of benefits.' There is a lot of useful stuff in the Culture Council's advice published today, but this sentence made me the happiest. Not so happy yet... 

At Giselle Vienne's L'Etang, I feel again what I have been missing all this time.

England is closed. The culture minister happily reports that artists can tour Europe again, as long as they do not go outside Norway, Iceland and Liechtenstein. We've always taken an ambitious approach in negotiations on touring artists, including in my meeting with @AbidRaja last month. Delighted that our new trade deal with Norway, Iceland and Liechtenstein will allow musicians, performers... 

After a year and a half at home, Boogaerdt/VanderSchoot's Fremdkörper with testing access is pretty tough

There are reasons not to live in Belgium, but yesterday I was intensely longing for an evening with my southern neighbours. After all, they have 'testing for admission' in the cultural sector just a little better regulated than here. When I attended a 'testing for access' performance in Antwerp, there was a tent in front of the theatre entrance where I walked in, with a time appointment, a... 

Nerd podcast #13: Emily Ansenk (Holland Festival) is all set: 'Until a week and a half ago, we didn't know if it could go ahead.'

'Are we ready? Yes. Is everything ready? No, far from it, because it is all very complex. But in the end the jubilation now prevails, because until a week and a half ago we didn't even know if we were allowed.' In this Nerd podcast, Emily Ansenk, director of the Holland Festival for the second year, tells Marijn Lems and Wijbrand 

The 74th edition of the Holland Festival kicks off on 3 June

The Holland Festival kicks off on 3 June with Rudi Stephan's performance Die ersten Menschen by De Nationale Opera, a stream of async at the Park Avenue Armory by Ryuichi Sakamoto and Stephen Nomura Schible, and the first episode of the podcast Soft Valkyrie by David Kanaga. State government permission Last week, the Holland Festival received permission from... 

You only really experience the magic of an actor when you are there live. 

Sometime in 2022, if you can again, please go to a theatre where you can see 'Sadness is the thing with feathers'. There you can watch and listen to Jesse Mensah's phenomenal talent - if he hasn't won the Song Contest before then - and experience the magic that sticks to Jacob Derwig. Forget, before then... 

waarschuwing

Arts '92: 'Give the public access to museums immediately.'

Arts '92 means business. The umbrella of all umbrella organisations in the arts sector, which kept on poldering when everyone had long since gone into business for themselves, is angry. And rightly so. Enough has happened this week to break down the last shred of trust between the art world and the government. To the point where there was even note-busting over whether the opening up of sex work and... 

Nerd podcast #12: Jeroen Bartelse of the Covid Taskforce Creative and Cultural Sector: It remains to be seen how quickly people can return, and how many people return.

Jeroen Bartelse is not only director of TivoliVredenburg in Utrecht, the former director of the Council for Culture is also a prominent member of the Taskforce that lobbies for the cultural and creative sector to support culture in times of Corona. Marijn Lems and Wijbrand Schaap look back with him on the first corona year, summarised in... 

Support among the test society is falling away.

Today, both Koninklijke Horeca Nederland and the Cultural and Creative Sector Taskforce announced that testing to enter somewhere is controversial as far as they are concerned. The Taskforce wants to enforce testing for entry only in extreme cases, and not for cultural attractions that are already demonstrably safe. In fact, the hospitality industry finds testing completely unmentionable,... 

Writers writing. That's what Moped at Sea is about, and that's ok. 

Many avid readers will dream of their favourite author sitting at their table one day, talking about her work. Perhaps just as many avid readers will take their dream author on a stroll, want to drink lamb on a café terrace or take them to a darkroom. Or to a classical concert at the Concertgebouw. All can be done. Some will even just... 

The first year of the corona crisis is described, and it makes for a wonderful book.

TivoliVredenburg is a building like a festival. countless stages, bars, a café and a restaurant, hundreds of people at work, thousands inside on a night. I always came there too little. But when I did get there, it was a party. A building run by and attended by super-motivated people with only one goal: as much music as possible for as many people as possible. Until... 

Holland Festival presents scalable programme: It's about time.  

A night walk where, for once, it is not about talking to each other, or exercising the muscles, but about being very aware of where you are. Mindfulness as a theatre experience, then, and if all the coronagraph remains against us, the only part of the Holland Festival that can go on live because of sufficient distance and outside. It needs to be that bad... 

Free producers have been saved, but some more than others; self-employed people seem especially solidary.

Is the government generous and generous for once, it's no good again. You could say that after I received questions from various quarters about the corona grant for free productions announced by the Performing Arts Fund last week. The amount in question is €27 million, for a total of 251 producers, so an average of a tonne per application. With that... 

Support for rapid test society pilots proves extremely shaky

'The task force is critical of the costs and the course of events surrounding the assignment to the Open Netherlands Foundation. Parliamentary questions have now been asked about this; we await the minister's answers to these.' So it is somewhere at the bottom of Kunsten'92's weekly update, but it is clear. That whole pilot with quick tests evokes rather mixed feelings. The interest group... 

Follow The Money confirms suspicion: VNO-NCW oversteps boundaries in setting up cultural sector pilots

Last Friday, we reported on the rather mysterious and lacking in transparency surrounding the pilots to reopen theatres and museums. The questions we asked in that article have now been partly answered thanks to the efforts of 3 contributors to Follow The Money (FTM), and the answers they found are not reassuring. Just a recap:... 

Jeffrey Meulman from Theatre Festival to Verkadefabriek: 'We need to develop an alternative circuit again'

When Jeffrey Meulman (52) took office as director of the Theatre Festival in 2005, it needed to become more audience-friendly. Instead of a presentation of 'the most important theatre', the board that appointed him wanted to make a celebration of the most beautiful theatre. Meulman went to work, successfully, but the most important thing he did was to establish a 'fringe': an alternative... 

Commercial interest in test events hurts confidence. That test result is already in.

Rather unexpectedly, it was announced this week that cultural and entertainment venues will be test sites for reopening society next month. It came rather out of the blue, as everyone was still working on petitions and other pleas to reopen cultural buildings. After all, they have their corona protocols in place there better than the Albert Heijn on my corner.... 

Janice Deul on 'translationgate': 'Surely you can expect people in the literary world to be able to read?' Nerd podcast #10

Stage poetry is usually held in lower esteem than written poetry. While stage poets can touch so powerfully. Only during the Night of Poetry, every year in Utrecht, do we honour the performers among the poets. Then it's back to the 'jokers' who can rhyme, as was recently written about Ingmar Heytze in a podcast announcement. Spoken Word, the... 

Platform BK: Deferred work means deferred money. The artist cannot buy food from that.

What we feared at the beginning of the coronasteun appears to have become reality. The generous support money for culture should also reach the small self-employed in the arts via the institutions, but that is now happening too little. Of course, there are fine examples, such as the large subsidised arts institutions in Groningen and festivals like Boulevard and Holland Festival that support self-employed... 

Nerd podcast 9: How Wijbrand almost turned into an angry white man and Marijn underwent an exciting experiment.

Do we need a new language, and are we at the mercy of the thought police of the Diversity and Inclusion Code? Or is that no thought police, and is Wijbrand in danger of turning into an old angry white man? It remains exciting. So in this podcast, we talk about the 'Guide to inclusive language for the cultural sector' drafted by Mounir Samuel.... 

Wijbrand says sorry to Lot Vekemans (Nerd podcast #8 with Marijn Lems on how personal the arts journalist can be)

Can anything general be said about a work of art? Do we see the same thing, and isn't a journalist giving a meaning also an act of exclusion for those who think differently? Questions that you actually have to deal with every day in the art journalism profession. Marijn Lems (NRC/Theaterkrant) and Wijbrand Schaap... 

Netherlands third in world with Coronasteun for arts sector

The United States of America has spent $18 billion (€15 billion) on coronasteun for the arts. That is more than any other country in the world and quite remarkable for a country not famous for arts funding. France is second, with an aid package worth $8.3 billion (€6.9 billion). hefty sums, where the 1.8... 

Nerd podcast #7: Wijbrand and Marijn on cultural politics and losing elections. Special Guest: Melody Deldjou Fard

The party may be the biggest loser in the parliamentary elections, but Melody Deldjou Fard is not sitting back. Now that is a bit the standard response of politicians when they face defeat, but Melody's enthusiasm is convincing. We invited her to the podcast, as she was a contributor to Culture Press before she turned... 

You don't forget tap, but tap dancing does. Why it is bad that art is not mentioned

Everyone balks. Let's put that first. And a lot of people are badly affected. Hospitality, retail, schoolchildren and especially students: everything that is not necessary for survival balks. So does the arts. Not all art, of course, especially larger institutions are coming through the corona crisis reasonably well so far. Quiet and closed, but not bankrupt. We can't take that from... 

Laura van Dolron plays in front of 2 people and that's pretty ok. Nerd podcast #6 with Marijn Lems, Wijbrand Schaap and special guest Laura van Dolron

Marijn (NRC/Theaterkrant) and Wijbrand (Culture Press) disagree quite often, prompting another solid podcast about how to look at theatre professionally. This time, Wijbrand had got excited about the fact that stand-up philosopher Laura van Dolron performed a play for two invited guests each time, professionals mostly, and that they then wrote entire newspaper pages full of... 

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