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Wijbrand Schaap

Cultural journalist since 1996. Worked as theatre critic, columnist and reporter for Algemeen Dagblad, Utrechts Nieuwsblad, Rotterdams Dagblad, Parool and regional newspapers through Associated Press Services. Interviews for TheaterMaker, Theatererkrant Magazine, Ons Erfdeel, Boekman. Podcast maker, likes to experiment with new media. Culture Press is called the brainchild I gave birth to in 2009. Life partner of Suzanne Brink roommate of Edje, Fonzie and Rufus. Search and find me on Mastodon.

Nerd podcast s2a3: Guy Weizman talks to Wijbrand Schaap and Marijn Lems about The State of Theatre.

'We thought it would be a good idea, after a year and a half of misery, not to start immediately with the most critical perspective, but rather to emphasise how good it was to be together again.' In this podcast, Marijn Lems and Wijbrand Schaap look back with Guy Weizman at his 'State of the Theatre', the traditional opening of the... 

Anne Lise Kjaer, futurologist, special guest at The Dutch Theatre Festival: 'If everyone stays in their bubble nothing will happen.'

If you want to navigate in unfamiliar waters, it is good to take a map with you. My father was a fisherman, he hardly read, but that's what he told me. Now that I come to Amsterdam, that is also the first thing I do: make a map. What museums are there, is there a cool restaurant, is there new architecture? 

Nerd podcast with Jan Veldman, Marijn Lems and Wijbrand Schaap on theatre refusers and cabaret.

We're talking about the non-attending theatre. Because it was all about it last week at Theatre Festival Boulevard and then on social media following this post. One who spoke out very strongly about it was theatre and screenwriter Jan Veldman (a.o. Theatre Group Jan Vos). 'I think thinking theatre is an elitist idea, and at least... 

Daan Roosegaarde falls through. But what about Zara?

There is a bit of a buzz about Daan Roosegaarde. Again, we might say, because Daan Roosegaarde, it turns out, cannot be described as a creator of original work, but as someone with a rather remarkably sensitive antenna for other people's ideas. Which he then presents as his own work. From the article in the Volkskrant on this, one and... 

Theatre Festival Boulevard provided a stage for the stories we hear too little. #tfboulevard

According to Linde van Schuppen, philosopher and linguist, medics do not really listen to people with psychosis. At least, they do listen to someone suffering from obvious delusions, but that is to establish that the person is indeed off the track. 'But, how then?" is the question a psychiatrist or neurologist is not trained to answer, she argues. That is why she is doing her PhD. 

'You don't know where you stand.' Non-visitors of theatre make it clear where art goes wrong

The vast majority of Dutch adults never go to the theatre. Interestingly enough, the question among theatre people is never really about why people don't go to the theatre. After all, our arts sector is a supply market. At an art school, you are not trained to please the public, but to express your most individual emotion. And then preferably... 

For comfort in these dark times, you need John Buijsman. And Kees. #tfboulevard

Bosses start to look like their dogs. Or vice versa. Or owners like dogs who look like them. Or vice versa. Either way. If you want proof of this statement, hurry to Theatre Festival Boulevard where John Buijsman plays the gem 'Cosmic Cowboy', assisted by Kees, a labradoodle. Or something that should pass for that. John Buijsman is one of the... 

Nerd podcast #s2e1: On the necessary lightness of something heavy. A conversation about reviews and witches with Club Gewalt #tfboulevard

There is a huge amount happening in theatre, this summer, as many summer festivals have special corona editions where they show a lot of what was made in attic rooms last year during the forced closure of theatres. One such show was Die Hexe, by Club Gewalt, a fresh point theatre band/theatre collective that is/was showing at Theatre Festival Boulevard this summer. Nerd... 

Why laughter is best left to us more often: Joseph Toonga teaches theatre rage #tfboulevard

Think Pussy Riot, think Rammstein, maybe think Nina Hagen before she found Jesus and mix that up nice and fierce. Then you get something that is basically an insane festival act. Raging female punk in a beer- and smoke-soaked nightclub, ferocious moshpits full of people who really have something to dance out of their souls. It's all in there... 

Spielberg, #metoo and corona: Ivo van Hove's West Side Story does not survive crisis

It was supposed to be Ivo van Hove's big break on Broadway. And it was meant to be, but fate decided otherwise. It was announced today via US show news Variety that West Side Story, in Ivo van Hove's modern, raucous version, will not be revived. Despite a jubilant reception and virtually sold-out theatres,... 

Better listening, watching, feeling, smelling and tasting thanks to Theatre Festival Boulevard #tfboulevard

We don't look upward enough. Maybe we do a quick glance at the horizon to see if that shower is really going to ruin our terrace afternoon, but that's not looking for the sake of looking. And I was able to do that thanks to the people of BLOOS. In Bossche Zuiderpark, they have a... 

PODCAST - Guilherme Miotto: the wait is always for it to start flowing. #tfboulevard

Guilherme Miotto is artistic director of Corpo Maquina, an extraordinary dance company based in Breda and Tilburg. This year, among other things, he is at Festival Boulevard in Den Bosch with the performance Tak. A performance, stemming from an earlier project in an urban district of Den Bosch. Six women he worked with there now form an ensemble with whom he... 

Boulevard makes you feel what white balls cause #tfboulevard

White balls are quite in the news, lately. For instance, they molest compatriots as a holiday pastime. Or they shout 'Snollebollekes' at a black champion. So the fact that white balls can also be fine is news. You can experience it at Festival Boulevard, where in a small, narrow tent, thousands of white Styrofoam balls, driven by huge fans, give you a fine massage shower,... 

Unaccustomedness was to be expected at this rare summer festival #TFBoulevard

For a year and a half, there was hardly any playing, festival tents remained in mothballs and artists were busy doing living room concerts or attic sessions on Zoom. Now everything is allowed out again and the discharge is just barely there. Unaccustomedness characterises the fresh start of Theatre Festival Boulevard, which has moved to a park south of downtown Bossche for the next few years,... 

PODCAST: Joseph Toonga at Theatre Festival Boulevard: 'My daughters help me bring empathy to Hiphop' (English)

This podcast is recorded in English. For those who do not speak the language, or who do not have time to listen to the full podcast, here are some quotes. 'Originally I didn't have a title. Someone came up with 'Born to' and then I thought it would be nice to put 'manifesto' after it. After all, it is about appearing,... 

'Vanished talent and manpower will break up culture sector as it relaunches in September'

The uncertainty of the events sector and cultural institutions, after 17 months of lockdowns and one-and-a-half-month openings, is not only disastrous for the mood of directors, artists and spectators. According to the Creative Sector Taskforce, much more is being lost. In fact, a 'Marshall Plan' is needed to get the cultural and creative sector back on its feet,... 

PODCAST - Naomi Velissariou's permanent quest: 'I wonder if I should do interpretation or connection as an artist.'

Naomi Velissariou (1984) was actually supposed to be at the Bossche Festival Boulevard 2021 with more performances. This year, her entire trilogy 'Permanent Destruction' would be performed in a setting like club rave. Fierce musical theatre, based on playwrights Sarah Kane and Heiner Müller, and concluded with the more subdued work 'Pain against Fear'. All parts have received rave reviews from audiences and press, but... 

Boulevard experiences second Corona edition: 'It's organising a festival in the middle of a natural disaster. Nothing is business as usual'

Theatre festival Boulevard is going ahead this summer, just like last year. Everything is adapted to 'corona': safe at one-and-a-half metres, placarded, with registration for catering, but still just about a hundred performances. In this podcast, I speak to Nina Aalders and Tessa Smeulers, responsible for Boulevard's programming. They remained at the helm after the much-loved and... 

'Minister bans art!' - How dangerous propaganda gets a chance in cucumber time

Down to the union, the message was shared: outgoing culture minister Ingrid van Engelshoven had allegedly gone overboard with her diversity policy and now wants to ban non-diverse art from universities. It was big in the Telegraaf and former cabaret artist Hans Teeuwen got a few hundred thousand likes with it on Instagram. Meanwhile, it has also reached the columns of Het Parool thanks to 'artist' 

The NUT delivers splendour with Never Work Again.

On the day that Mark Zuckerberg, CEO of the world's Facebook, announced his launch to the 'Metaversum', in order to trounce his collegatechies Bezos, Musk and Branson, who had only had a little sniff of the Universe, I attended the performance 'Never work again' by the Nieuw Utrechts Toneel in Utrecht Leidsche Rijn. In these times of lockdown and... 

Nerd podcast #15 with Dick Zijp: 'Humour usually follows power, and is more effective in it than serious expressions.'

With his opinion piece in the Volkskrant, he drew the ire of gein manufacturers like Bert Brussen and Hans Teeuwen. In no uncertain personal attacks, 'Suck My Dick Zijp' was accused of having a 'gender-neutral rotten head', which showed that 'woke' people had no humour. Reason for the woke nerds, Marijn Lems and I, aka the... 

Dear Hans Teeuwen, art has nothing to fear from boring men.

It is a great thing that there are comedians who keep a finger on the pulse of society. Hans Teeuwen, for instance, has once again made himself angry. He has joined the small chorus of (mostly) men who see the end of the world coming because of a rebuttal. That is the rebuttal that now comes via social media 

Ilay den Boer pushes boundary between theatre and journalism with 'Solomon's Judgement'

Je Maintiendrai. Holland's motto of arms ('Ik zal handhaven') adorns the beautiful hall of Utrecht's old Post Office, now Library. The motto also watched over the premiere of the performance 'Solomon's Judgement' with which Ilay den Boer now returns to the public. After all, he was not here for a while. He worked for just under a year at the IND, the Immigration and Naturalisation Service,... 

Nerd podcast 14: These two reviewers remarkably agree on Catholic theatre, the Holland Festival, ITA and the upcoming summer

We once started this series because we disagree horribly about some things, but in practice things turn out differently. In episode 14 of this fascinating series of insider conversations about theatre and whatnot, we talk about a few Holland Festival performances and look ahead to the festival summer. As it turns out, the... 

Rijksmuseum puts names to our slavery past and the effect is stunning

It is very easy not to dwell on things. For instance, I learned at school that we sailed to the East to get nutmeg and pepper. Stuff that just rolled off the trees into the boats there and that we could sell very expensively here. Sugar, another thing. That came to us from plantations just like that,... 

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