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Wijbrand Schaap

Cultural journalist since 1996. Worked as theatre critic, columnist and reporter for Algemeen Dagblad, Utrechts Nieuwsblad, Rotterdams Dagblad, Parool and regional newspapers through Associated Press Services. Interviews for TheaterMaker, Theatererkrant Magazine, Ons Erfdeel, Boekman. Podcast maker, likes to experiment with new media. Culture Press is called the brainchild I gave birth to in 2009. Life partner of Suzanne Brink roommate of Edje, Fonzie and Rufus. Search and find me on Mastodon.

'Don't shoot the rapper!' - The 3 things I learnt from No Man's Land 2022 #nml22

1: The artificial distinction between pros and amateurs encourages exploitation. In the Netherlands, 115 writers can live off the sale of their books. The rest of the people who call themselves writers do so as a side income. In pop music, the figures won't be much different. Writers with a few euros earning on their Lira statement will not... 

Nerd podcast Live: Marijn Lems, Erik Snel and Bran Remie on the value of audience and the need for criticism

Culture Press' new series of geek podcasts is about how to make theatre connect with your audience, and what happens when professional viewers continue to watch in their own way. And it's about the ambitions of 'the region'. So we also talk to Bran Remie, author and creator of the successful Enschede theatre series 'Huize Enschede', elsewhere on... 

Rumours are true: theatre can tap new audiences through local roots. Head to Enschede to see it.

Before, when I used to write about theatre for a national morning paper, my travel schedule was partly determined by the reach the paper had in a particular region. So, if I necessarily wanted to write about a theatre performance in Enschede, about Enschedean states, my chief's question was: how many subscribers do we have in Twente? So usually it didn't get there 

How do we reclaim irony from extremists? 

Anyone who sees anything other than irony in the work of the painter Rein Dool, completely unknown to me until now (as the painter also described it in an item on TV), has not been paying close attention in literature and art history lectures. Rein Dool painted a portrait of the then Board of Governors of Leiden University in 1974. We see... 

Monday debate day. Follow our famous pointing updates live! (not just via the birther network) #tkculture

We grew up with it: live tweets from the heart of our democracy. Now, of course, debates on culture in recent years have been a bit different from what we expect now. There is no longer a need to fight over the reputation of the arts, as there was during all debates until a year ago. What is it about now? Energy, thinking... 

We are all fluid. Alum makes tangible in Metamorphoses II how comforting that is

Marietje d'Hane Scheltema, her name be praised. How corny I used to think she was with her neat little rhymes with which she managed to transform classical Greek and Roman drinking bouts into Kralings-judged bake sale parties. And how wrong I could be. Because how well her translation of Ovid's Metamorphoses works in the hands of the people at Alum. Yesterday was the premiere... 

FAQ in Den Bosch: An alchemists' festival full of niches, nerds and drones #novembermusic

Not everyone thinks music is also something to look at. Not a crazy idea, considering that some music is so layered and complex that you need all your attention for listening. So modern electronic music largely takes place in the dark, I experienced during two evenings of FAQ Festival in Den Bosch. There, I discovered that I... 

Harpist Remy van Kesteren sets out to surprise November Music: 'Above all, I hope people will really listen' #novembermusic

An orchestra of household appliances, a pop concert with singer Luwten, and a gospel choir accompanied by top Dutch music. Plus a DJ set with lots of Faithless. Those who might think of something sacred when they hear the term 'harp' can be surprised at November Music by Dutch harpist Remy van Kesteren. This 33-year-old genius has, since he was a 5-year-old, been... 

The cultural sector needs to be protected from itself. Maryam Hassouni makes that crystal clear in What the Fak!

Patronisation! Woke terror! These were some of the reactions from the film world when there were calls for the appointment of an intimacy coordinator at Dutch film productions. As if anyone could allow or display sexually transgressive behaviour in a studio with 40 other staff around it. Impossible! Yesterday, the book Wat de Fak! by award-winning actress Maryam Hassouni was published and in it, it states... 

4 Reasons why theatre performance Light in Leidsche Rijn is not all that nice by chance

Light is the name of the latest production by NUT, a theatre company with close ties to Utrecht's Leidsche Rijn district. It is theatre in a bubble in Utrecht's largest city park, and it starts with good food and drink. I went to see it, and again became even more of a fan than I already was. A few reasons, why that came about.

The attack on The Girl with the Pearl Earring is the provisional low point of Instagram madness.

A temperature record will be broken in the Netherlands on 28 October. Yet another, and it is indeed incomprehensible that on this day people still book a plane for a weekend in Barcelona. It is unfortunately also incomprehensible that on this 27th October 2022, a young man sticks his head next to the head of The Girl with the... 

Genevieve Murphy, composer and theatrical performer: 'I like music with rhythm, feeling and drive. Music that makes me dance.' #novembermusic

'I have a special relationship with my stuff. It has to do with certain emotional experiences in my life.' With "The Spot Where I Find Myself", Genevieve Murphy (Scotland, 1988) breaks new ground in exploring her potential as a composer, musician, but above all, a theatrical performer. Those who have been following Murphy for a few years have already noticed her versatility,... 

Why you wish every artist peace of Camiel Corneille #festivalcircolo

There he sits, at the top, enjoying the view. Camiel Corneille has just conquered his own work, a hellish instrument made of a four-by-four wooden plate that can turn in all directions except the right one. A moving balance beam that can also give you a big whack. Camiel Corneille designed it himself and tackles the thing... 

Identity and diversity in circus: not hype but fascinating innovation #festivalcircolo

Nick van der Heyden, queer circus performer, garnered approving laughter from a room full of circus students in Tilburg. He just explained that he had found a new lease of life by doing his performances as an acrobat from now on as a drag queen. 'They thought something of that here at school. There, the new circus was mainly a matter of making it as simple as possible... 

Jesse Huygh balances high level with cystic fibrosis #festivalcircolo

When, at the end of his performance, he stands on top of a five-metre high pole, struggling to keep his balance, the audience holds its breath. As does Jesse himself, but he does not do so voluntarily. We watched him struggle for a performance with oxygen hoses and blood meters, pausing regularly to get air again. What if... 

We need to handle our last days differently, that much is made clear by POW-WOW by Minou Bosua. 

We die too late. Most of the time. After all, nobody wants to spend the last years of life leaking in a nursing home, cared for by ever-changing staff who do their stinking best but are incapable of the love that children, or close friends for want of it, could give. Better a pill than dementia, we say, but then you have to say 'Yes! 

'I Say Sorry' masterfully makes tangible what a madness our slavery past is.  

Saying sorry seems to be difficult, if the songs about it are to be believed, and if we measure the time it takes Dutch governments to do it. But sorry is also very easy, if you consider how often you are not pushed aside in the queue for something or other, after the word 'sorry' has sounded behind you, or -... 

'Sprouting dance on a bed of grass and sedum' - Carefull Art puts Utrecht artists on a very special map

"Over the past two-and-a-half years, I have started making choices. Where ten years ago I thought of going into life as a dance teacher, now the question is: do I really want to? What makes me happy, what do I want to share with the people around me?" For Lotte Willemsma, the first two years of the Corona pandemic were... 

I was in Sander Schimmelpenninck's country and didn't just see fascists

Almelo has been on the map for a few years now thanks to theatre. I went to see Van Katoen en Water on Thursday, an open-air spectacle with well-timed downpour and a full-moon rise like you can only experience in the almost gentrified old-industrial heart of Twente's poorest city. Mashed potatoes were served beforehand, with a johmas salad. Wine flowed profusely. In... 

This bizarre labour dispute in Zeeland is just the tip of the iceberg

Alex Mallems, the artistic director who put Zeeland on the map in this century (since 2001), has left both the Zeeland Nazomer festival and its associated production house Zeelandia. This is the outcome of a protracted conflict with the business director appointed since last year, Sylvie Dees. According to a report in Theaterkrant, according to Dees, he would 'without permission make commitments... 

Disgusting image or boomer panic? Amsterdam Fringe Festival causes a stir with campaign image

Some things that used to be fun cannot be done now. Things like smoking in class, posters of David Hamilton in the dorm room, underpaying women, driving a car with a bottle of gin behind it, you name it. This week, an interesting riot was added. The Amsterdam Fringe Festival, the naughty sister of the Dutch Theatre Festival, chose a campaign image that, to... 

What I learned from Alida Dors and the Dutch Playwriting Prize

Of the 122 stage texts read by the jury of the Dutch Toneelschrijfprijs, just under 30 were written by female authors. In a field where the number of female workers is huge, this is striking. Because, the jury rightly stated, in written Dutch theatre, the male gaze is still dominant. While the theatre audience percentage-wise more women... 

Lessons from Weimar (2): how in Germany politics and art celebrate an uneasy marriage.

"The government is demanding that we only show artists from our own region. That would be a huge loss for us, as we are an international art space. But we have found a way around it. We now invite top international artists who live here, or we offer them a residency, so they live in the city temporarily. That way, ... 

A climate code for the arts? Ticks have a hard enough time as it is!

"We firmly believe that a well-developed and widely implemented Culture, Climate & Environment Code helps the worlds of art, culture and creation to take up their role within the most pressing issue of our time. That role is one of social innovation and creativity in the service of the arts, but also in the service of society and a liveable... 

Kunstfest Weimar opens with commemoration of Buchenwald concentration camp. Why this is important for us too

"That we find today's culture of memory uncomfortable finds its cause already in the concept of 'remembering'. After all, in the strict sense of the word, we can only remember something we have experienced ourselves. But what should 16-year-old schoolchildren remember when they visit the Buchenwald memorial site? Upon them comes the call to remember something that even... 

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