Cultural journalist since 1996. Worked as theatre critic, columnist and reporter for Algemeen Dagblad, Utrechts Nieuwsblad, Rotterdams Dagblad, Parool and regional newspapers through Associated Press Services. Interviews for TheaterMaker, Theatererkrant Magazine, Ons Erfdeel, Boekman. Podcast maker, likes to experiment with new media. Culture Press is called the brainchild I gave birth to in 2009. Life partner of Suzanne Brink roommate of Edje, Fonzie and Rufus. Search and find me on Mastodon.
"The corona crisis exposes some weaknesses of the cultural and creative sector. In this most flexibilised sector of the economy, the flexible shell proved to be an easy austerity option during the corona crisis. As a result, self-employed workers have partly had to seek refuge outside the cultural and creative sector and may not return." What we already heard, saw and knew...
The dome of Artis Planetarium is made for stars; it is not a shiny Imax canvas. That the images in Coral: Rekindling Venus by Lynette Wallworth therefore do not splash off the screen is to be expected. Wallworth, a close friend and colleague of ANOHNI, is prominent at this year's Holland Festival and made Coral, Rekindling Venus exclusively...
That he prefers not to hear news about the weather, but that there were once people alive who he knew, and what the weather was like then, Ed Atkins cannot talk about that often enough. So he repeats that phrase endlessly. A 'loop', then, as we know it from music and video art. But performed live. Is...
"The easiest gain is then to produce less. Because high production implies a lot of energy and material use, travel movements and other forms of impact." Last week, the Council for Culture's long-awaited opinion on sustainability was released, and sooner than I could click 'open', all was set. Came all because of the above sentence, which, mentioned in...
The picture is immediate. Vast glaciated vistas, patches of fog and the twilight of a land where the sun rises only once a year. Something like that. And then that soaring music that in one long tone makes all air traffic redundant for at least a month. Beneath it the rumble of shifting earth plates. For the first time in 10 years, Sigur Rós made another...
Even though they are not yet members at ITA, let me pass on this press release. Because of its (inter)national importance. Coming: Ivo van Hove (1958) will end his role as artistic director of ITA on 1 September 2023. This means that he will then hand over his position as statutory director and artistic director. The Supervisory Board (BoS) intends to appoint Eline...
Input from members: that's what drives this club. Just watch. Yesterday I wrote this piece: Jerome Bel is quite something. The man who identifies himself as a choreographer has banned himself from flying for sustainability reasons, which is why he could not come to Amsterdam from Paris to read his own autobiography. However noble the non-flying...
A TED Talk, but not 15 minutes as prescribed by that scattershot ideas organisation, but an hour and a half. In How To Live (After You Die), the monumental artist Lynette Walworth takes you through a story-with-light images about the temptations of sectarian faith, which, via the Amazon and the Outback, over Donald Trump and along the steppes of Mongolia, ends in the caves...
The first half of the Holland Festival is pretty much over, so time for Team Culture Press to take a look at what that first half has brought us. A lot, according to Helen Westerik and Wijbrand Schaap, and also many real highlights. 'Perhaps the best edition in years.' Among other things, we discuss the intimate installation 'Evolution of Fearlessness', look back...
I can't resist mentioning it, because I think they were doing it for a reason, the dancers in the musical Wuthering Heights making really visible big rounds with their arms one time: this was a half-second reference to Kate Bush's world-changing 'windmill swings' in the music video to her legendary 1978 pop song. A subtle nod as in my...
What if 200 of the greatest thinkers and poets this planet has known in recent centuries were just one of us? An ordinary stranger on a bus, or your taxi driver, or a skater? Or a singing tiger in a supermarket? Julian Rosefeldt makes that thought audible, tactile and almost tangible in the mega-installation 'Euphoria' at the...
A word says more than a thousand images. This may seem strange in a world that thrives on visual culture, but it is a truism. If you have yet to see cows of all shapes and sizes, let the Holland Festival convince you. Yesterday, I saw the opening performance 'Drive Your Plough Over The Bones Of The Dead' and...
Not much happens in Angela (A Strange Loop) by Susanne Kennedy. That is not a bad thing; there is more art in which little happens. Beckett, for instance, was a master of it. Just as he caused confusion in the 1950s with pieces like Waiting for Godot, viewers and critics alike get a bit thrown off by Susanne...
Dancing, from super amateur to world-class professional, involves boundary crossing, abuse of power, physical assaults and sexual misconduct perpetuated by a stubborn culture of silence. The long-awaited investigation by Marjan Olfers, 'Shadow Dancing', into boundary crossing in the dance world, had even more shocking results than anyone feared beforehand. The figures are now well enough known: a majority of dancers have shown transgressive behaviour to...
'Sometimes people come to me crying to tell their stories, things they have experienced.' Theatre-maker, author, director Lisaboa Houbrechts has stirred things up with Vake Poes, the theatrical family epic she created with the Flemish company La Geste. The intense performance, in its lyricism fitting into the oeuvre of Alain Platel's Les Ballets C de la B...
News from the Culture Council: 'The four teams developed several building blocks, which they further concretised. In addition, the teams tested and enriched each other's ideas. At the end of the day, using visualisations, they presented their building blocks to members of the council.' This quote, titled 'Last meeting design teams new cultural system' is from the...
'Simplicity is the problem of our time. Simplicity is labelling. It should be about fluidity and confusion.' Greek opera-maker Elli Papakonstantinou, whose star has risen rapidly in recent years, is performing a contemporary version of Euripides' classic tragedy 'Bacchantes' at this year's Holland Festival. In that 405 BC play, wine god Dionysus (also known...
In the world of culture inside, but also outside Utrecht, you cannot ignore Anna van Kooij. I got to know her early this century as an always attentive, but never intrusive photographer, who could look sharp and gave all her portrayed subjects an empathetic glow. Anna has been ill for some time, and recently it became clear that she will not recover....
'People who consider themselves traditionally on the left don't want to criticise woke because they are afraid they are aiding and abetting the right, and they certainly don't want that. And yet they feel that there is something wrong, something that is not really left-wing about woke discourse. That's what I'm trying to untangle....
About 30 men in American police uniforms on stage, the kind we know from TV. But in Romeo Castellucci's show Bros, to be seen at the Holland Festival in June, you don't get to see chases and interrogations, but brutal violence. The show is about the anonymity offered by a uniform, in this case especially...
This weekend, Mariëtte Hamer came out with a strong recommendation for the hotline mores.online. The club where cross-border behaviour within the arts and media world can be reported had itself become discredited. For example, the chairman, as partner of the discredited Tom Egbers at NOS Sport, had not reacted skilfully to the fuss. It did not contribute to the trust...
In mid-March, I went to see the Toneelmakerij's Hamlet, a performance specially made in and for Amsterdam-West. I had some questions about that performance, I wrote in the review, and we would discuss those questions in a podcast with Abdelkader Benali, the adaptor of the text, and Paul Knieriem, the director. An hour and a half before the recording...
We have a huge need for magic and a miracle in our time. Some people think you lose that when you grow up and/or have children, but nothing could be further from the truth, of course. And in case you had any doubts, I would wish that more theatre makers for adults would revisit the magic that you still had in your childhood...
When the difference between the performer during the performance and afterwards is at least a thick metre, you know you are dealing with a great artist. Australian dancer Olympia Kotopoulos is a great artist, because on stage she fills the space, while in real life she barely counts one and a half metres. Art is, literally, larger than life....
I had to think for a while before I wrote something about the Hamlet performance that is now showing to an audience of mostly high school students in Amsterdam West. That was because I was sitting in the auditorium, on a legendarily uncomfortable stand in a fine fringe breeding ground, among a schoolchildren's audience that sat watching in full attention for almost two hours, while at...
English (UK) 
Nederlands 
Français