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Thursday 15 September saw the kick-off of arts festival Musica Sacra in Maastricht. While I was in a traffic jam, Bobby Mitchell played the eighth and final movement of Frederik Rzewski's piano cycle The Road, who himself was present. It also marked the conclusion of last year's festival, which was dedicated to 'the road', the journey made by pilgrims ...
With an average of two novels a year, the Flemish writer has built up a huge and unique body of work in over thirty-five years - he turns 63 this week, but the number of books he has written far exceeds that number. Interview with the man who writes faster than his shadow, in ten quiz questions. 'Well, I don't appear to be a connoisseur of my own work, do I?'
Her book The Sexual Life of Catherine M. took the world by surprise and made her world-famous overnight. Since then, Catherine Millet has been one of France's most widely read writers. In her most recent novel A Dream Life, she returns to her childhood in Bois-Colombes. A Quattro Mani went with her to the seeds of her authorship. Back to...
Recently, Lidy Blijdorp (* 1986) took over the cello of well-known cellist Anner Bijlsma (* 1934). It was his wish for the instrument to be played by her from now on. Via the Netherlands Music Instruments Fund (NMF), the instrument came to her. The maker of this cello is not known. However, it is certain that it originated from...
The summer period is a fine time for catch-up reading - books from recent times that you still wanted to read but didn't get around to before - but we also got a glimpse of a few upcoming titles. That made for a fine, varied crop this month. Eifel adventures Since The Detour, there hasn't been a new novel...
It has been eagerly awaited for weeks: the Night of Poetry. For the thirty-fourth time next month, poets and audience gather around the stage for a night of verses and music. Regular presenter Piet Piryns, now fused with the event, looks back and ahead. "There's too much dying going on," thinks Piet
I experienced by far one of the most impressive theatre experiences of my life on Friday 5 August 2016. I was a guest at 'Zvizdal - Chernobyl so far, so close' by the Flemish company Berlin, in co-production with Het Zuidelijk Toneel. I saw this 'documentary installation' in an empty factory hall in Den Bosch, where the work is a beautiful resting point in...
An opera about multiple personality syndrome, is it possible? Polish-Dutch composer Hanna Kulenty (b. 1961) and Canadian librettist Paul Goodman (b. 1955) dared to do so and won critical acclaim with The Mother of Black-Winged Dreams. This opera will have its Dutch premiere next Saturday, 6 August, during the NJO Muziekzomer, in a co-production with Dutch National Opera Academy. Delusional heroines, mainstream opera literature teems...
It is a new and important trend within the programming of international dance and performance festivals in the Netherlands: not only showing relevant work by international choreographers, but also paying explicit attention to dance makers connected to Dutch dance practice. Spring Utrecht opened in May with Nicole Beutler and closed with Jan Martens, while during Julidans Pere Faura was allowed to kick off with sin baile no hay paraíso (no dance, no paradise).
A major retrospective of the work of Fernando Botero (1932) is on show at the Kunsthal in Rotterdam, entitled Botero: Celebrate Life! The rush of opening such an exhibition takes energy out of him, but strangely enough painting never exhausts him, he says in his studio in Monaco. 'I have never experienced anything more fulfilling than painting or sculpting. Painting takes you out of everyday reality. You forget your body - even your existence. It's intense, but while painting I don't feel any fatigue, even after working for seven or eight hours. Whereas at a cocktail party I'm exhausted after only half an hour.'
Holidays are just around the corner, so it's time to pack your bags. Travel writers Carolijn Visser and Iris Hannema prefer to be on the road all year round. 'The Netherlands is lovely, but after a few months at home it already starts itching again: travelling turns everything upside down; your ideas about the world, the ideas you have about yourself.'
It is good that the Holland Festival dares to stick its neck out, by making Olga Neuwirth (1968), unknown here, its focus composer this year. On reflection, by the way, I would have preferred to hear her high-profile opera Bählamms Fest in a staged version once, rather than Le Encantadas. This piece composed last year did not quite manage to live up to the high expectations...
It came anything but naturally, writing his collection of short stories The Pier Collapses. Mark Haddon, made famous with The Miraculous Incident with the Dog in the Night, novels come a lot easier. 'I've been trying to write short stories for a long time, and I knew I should be capable of it, but I never succeeded. It was like a...
This way from row nine, it is like being knee-deep in carnations yourself. The heads of the audience in front of me merge silently into a forest of stems crowned with pink, through which dancers carefully step back and forth like leggy chickens.
The find is great: Nelken by Pina Bausch depicts paradise as a place where you have to be careful or things will go wrong. The carnations force the dancers to be careful. As a spectator, you go along with them, without all the underlying thoughts immediately coming through to you.
Austrian politician Jörg Haider labelled its work Weltkatzenmusik. When his far-right Freiheitliche Partei Österreichs joined the government in 2000, it led to mass protests. At one such rally, Olga Neuwirth (Graz, 1968), under the title 'Ich lass mich nicht wegjodeln', denounced his anti-intellectual and anti-cultural agenda. The rest is history: Haider drove himself to pieces in 2008, Neuwirth...
Over four hours long Ça ira (1) Fin de Louis, a performance by French director Joël Pommerat, to be seen this weekend at the Holland Festival. He reconstructed events in France between 1789 and 1794, better known as The French Revolution. What begins as a sometimes hard-to-follow, animated history lesson culminates in an impressive 'whodunnit', balancing between re-enactment and live television.
The Encounter, a large-scale solo performance by British multi-talent Simon McBurney, had its Dutch premiere at the Holland Festival on Thursday. The Encounter combines the dramatic power of a Hollywood blockbuster with the polished simplicity of 20th-century, stripped-down, edited - call it Brechtian - theatre.
On Thursday 9 June 2016, Marieke Rijneveld received the Netherlands' highest poetry prize: the C. Buddingh Prize.
Is the language of poetry still free from ideology and manipulation? Or is it nonsense to think that poetic language escapes framing, the ideological loading of words? That is the main theme of this year's Poetry International poetry festival, which kicks off on Tuesday 7 June.
The show Sketches/Notebook (2013), which has its Dutch premiere at the Holland Festival on 6 June, is virtuosic, radical and extremely gentle. Choreographer Meg Stuart loves small scale, even when she occupies the biggest stages with partners like the Volksbühne (Berlin), Théâtre de la Ville (Paris) or the Münchner Kammerspiele. Details win out over big lines and often play a leading role in pieces that scrutinise human behaviour incredulously.
Sketches/Notebook stands out
It must have been down to my indestructible mood, and the deep need to finally deliver some good news about the cultural sector, but I was so wrong. Tuesday I reported that the performing arts were recovering after Halbe Zijlstra's draconian cuts, but that is so not the case. As much as the sector itself would like it to do well, the figures contradict it time and again.
Surely the Association of Theatre and Concert Hall Directors has taken us all for a ride again. With a real infographic still do. But, as it goes with infographics: you can put in all the bright colours and shouts, and even shout 'Bravo!' and 'Applause!'at the bottom, the numbers themselves don't lie, even if you present them slightly differently than last year.
Choreographer Jan Martens' new performance, The Common People, is on show in Utrecht this weekend during Spring. Dozens of volunteer performers have a blind date on the stage of the Stadsschouwburg's main auditorium. The audience can walk in and out between performances, drink a beer for the duration of one or more duets or browse on the back stage and...
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