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Bianchi's 'Brotherhood' is a brilliant undressing of male self-aggrandisement

Deze editie van het Holland Festival bevat minstens 1 voorstelling waarvan je je als man uiterst ongemakkelijk gaat voelen. Toch daag ik de mannenbroeders die dit lezen, uit om te gaan kijken. Ik heb het ook gedaan, ben ervoor helemaal naar Brussel gegaan en heb er breinvoer voor de komende jaren voor terug gekregen. Dat komt omdat de maker een… 

Die terloopse ontsporing. Waarom Families Like Ours zo onweerstaanbaar goed is.

We zitten hier thuis al een paar dagen op het puntje van de stoel van Thomas Vinterbergs laatste televisiedrama. In Families Like Ours beschrijft de maker van Festen en Jagten hoe Denemarken wegens klimaatverandering wordt opgeheven. Hij gebruikt daarvoor geen enkel spectaculair special effect, geen CGI van vloedgolven, geen enorme massascènes. De wereld die in Families Like Ours ten onder… 

Bestaanszekerheid voor zzp’ers: waarom minimumtarieven per sector nodig zijn

De overheid moet zorgen dat iedereen voldoende kan verdienen – maar faalt daar in veel sectoren. Ondertussen wordt gesproken over verplichte opbouw van een pensioen en een verplichte verzekering voor arbeidsongeschiktheid (AOV) voor zzp’ers. Concurrentie drukt tarieven in bepaalde sectoren onder een leefbaar niveau en dat kan ten koste gaan van een pensioen en AOV. Wat voor mogelijkheden kunnen we… 

Bruins Brievenbus

Het lobbyseizoen is begonnen. Vandaag twee brieven aan onze zwijgzame cultuurminister, die zo zijn best doet het tijdens deze voortslepende kabinetsperiode vooral níet over kunst te hebben. Danssector Brief 1 is van de Nederlandse danssector die vraagt om meer rust in de tent, en meer aandacht voor de specifieke problemen van de danswereld. Mooi is de aandacht die ze vragen… 

Erik Akkermans: ‘Mensen zonder empathie hebben het makkelijker’

Wat zijn de valkuilen en kansen voor een bestuurder in de cultuursector? Erik Akkermans deelt 48 jaar ervaring. Luister op Substack Luister naar deze podcast over leiderschap. Erik Akkermans heeft er 48 jaar ervaring mee. ‘Mensen zonder empathie hebben het makkelijker’ by Cultureel Persbureau Wat zijn de valkuilen en kansen voor een bestuurder in de cultuursector? Erik Akkermans deelt 48… 

Fair payment for self-employed in culture impossible without solid research on billable hours

A starting rate of €27 an hour without proper research into billable hours within the AV/Film sector is not Fair Pay. It leads to a net annual income below the minimum wage and is not sustainable, not fair and certainly not future-proof.
The creative sector has a right to a fee system based on the reality of freelance work: with varying assignments, unpaid time, and little economic security.
As long as we do not set a standard for realistic calculations in the Netherlands, Fair Pay in name can be unfair in practice. Serious steps are needed for a sustainable creative sector: independent research on billable hours, clear enforcement and real involvement of freelancers in policy making.

The ball is in the court: the VAT increase on culture, art and reading will definitely not happen!

Today is a day of joy and relief. A burden increase of over €900 million on our sector is permanently off the table. Raising the VAT rate would not only make culture, art and reading more inaccessible; it would also hit the earning capacity of thousands of creators. This result really did not happen by itself. Over the past year, an awful lot of hard work has gone into the... 

An actor, a text, a conviction. That's all you need, shows Alum

There is nothing wrong with just being really good at what you do. Nothing more beautiful than a single artist on an empty floor with nothing but their music, body and voice. The top three of my legendary art moments: All old-school stuff, I admit, but that's it with top moments: once established, it's... 

Queering Puppets' bus still has room

When your evening starts with a stripping festival director and ends with pole dancing, you know you are not in a regular theatre. True, I was at the opening of the Queering Puppets Festival at Amsterdam's Plein Theater and it was a party. The Plein Theatre largely owes that to that stripping director Berith Danse, who was in... 

Spread is only half the story about the region. There is also embedding.

That the Dutch performing arts, especially in relation to our neighbouring countries, are in a spread, may seem like a lame pun, but it is true nonetheless. Yesterday we presented a rather alarming calculation example on the consequences of the emphasis on spreading in the assessment of grant applications by the Performing Arts Fund. Today, a follow-up response from the same fund reveals that... 

More performing arts to the region? Then possibly less performing arts to the region.

There has been quite a fuss about subsidies in recent months, especially for the performing arts. A few beloved middle groups with a fine track record were no longer getting subsidies, in favour of newcomers. The reasons for the shift were many. The anger over it was mainly about the emphasis on Diversity and Inclusion and regional distribution in the assessment by Fonds Podiumkunsten ... 

Stage grant award: €26.8 million for programming and audience connection

Fonds Podiumkunsten awards a total of €26.8 million in grants to 136 venues for the period 2025-2029. With the podium scheme, the Fund supports the presentation of professional performing arts offerings across the country. The production grant enables 51 stages to (co)produce and invest in talent development. Stages in the Netherlands and the Caribbean part of the Kingdom The stages that from 1... 

"Nowadays, animation can react very quickly." - Kaboom 2025 brings rebellious women and provocation

From 21 to 30 March, the Kaboom Animation Festival takes place in Utrecht, Amsterdam and online. Provocation is the main theme this year, with films about rebellious women and work in free-spirited animation styles. There are competitions for long and short films, Japanese animator Masaaki Yuasa is artist in focus, and there is a special focus on Belgian animation.

TivoliVredenburg during construction. Photo: Wijbrand Schaap

Jazz venues make U-turn. Jazzenzo may write what it wants again.

It is delightful when big newspapers clumsily overwrite small media, and that they do it for free? Oh well, they struggle too. For instance, the small niche weblog Jazzenzo has been rehabilitated after more than a year thanks to an article the Volkskrant's art chief had copied from this site last year. What was it about? The reviewer and columnist of the... 

The Chekhov moment you hadn't counted on.

The picture was a bit Da Vinci. At a long table they sat in beautiful light and it was about melancholy and menace. This was the scene of Last Supper at Amsterdam's De Balie debate centre on 1 February 2025. To crucify: some theatre groups I grew up with. 't Barre Land fraternally next to De Warme Winkel, Orkater next to... 

Slogging through the mud: on lust, the body and imaging

The female body has been the subject of scrutiny and imaging for centuries. From art to Hollywood, from myths to modern feminist statements-how is the female body seen, and how does that influence our ideas about sexuality and self-determination? This essay explores how lust, imagination and social expectations come together in films, books and the real world. How much freedom does a woman really have over her own body-and her own story?

IN PERSPECTIVE #24: A MEN'S CHOIR IN THE BIM HOUSE

In the series In Perspective, Erik Akkermans looks back and ahead at developments in cultural policy and practice. Today: what is really needed for cultural dissemination? In the Glass City In one of the large rooms of the Naaldwijk auction complex, the Westlands Mannenkoor rehearsed under the direction of conductor Piet Struijk. The choir, consisting of more than a hundred market gardeners, drivers, middlemen and... 

At the Bookfield's New Year party, it was about what not to say

The book industry, or should we say the book field, will have shrunk at least 2 per cent by 2024. You just don't read that in the press releases about the industry's annual figures, which the CPNB director ance now tells us to call 'field'. Something about flowers. The ability to present all the news, including the bad, as something beautiful, good and cheerful.... 

A day of talking about impact mostly produces uncertainty.

VMBO schoolchildren in Flevopolder gained confidence from their teachers. They were allowed to figure out for themselves how to make a guided tour of world heritage site Schokland more fun and educational. So the third-year students set to work on a project to offer the second-year students something more fun than the pre-chewed programme they had been following. They did so through the rules 

VPRO Books, 10 years of Podium Klassiek and Groenteman in Amersfoort: cultural TV Sunday nights bravely hold their own

Floris Kortie has come of age. The classical-music industry's merriest curmudgeon has proved in 2024 that he can carry Podium Klassiek on his own. That he managed to get the continuation of Podium Witteman, where he was allowed to freewheel as the insightful nephew, through a deep crisis is to his credit. After the departure of Mike Boddé, who he says is more... 

Dramaturges out the door at ITA. Trend or vulgar industrial dispute?

Is a dramaturge more valuable than a public relations officer? Not according to Eline Arbo, since this year artistic director of the badly battered Internationaal Theater Amsterdam. She talks about "the long lines of the company" just as readily with communications staff. After all, people who put their lives at the service of studying the repertoire, the psychology of the director and the zeitgeist know... 

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