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PODIUM ART

Anything for which people enter a stage.

The Britten Youth String Orchestra is 10 years old. Conductor Loes Visser: 'I'm still learning every day'

Already during her studies, Loes Visser (1959) formed the Alpha Chamber Orchestra. In 1990, she initiated the Adamello Ensemble and, seventeen years later, she founded the Britten Youth String Orchestra, with which she is now celebrating its second anniversary. What drives her and what are her best experiences? Chamber orchestra "I founded the Alpha Chamber Orchestra because there was a need",... 

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Opera The New Prince: pretentious bombast

It is not easy to visit an opera presented as a stunning piece of contemporary social criticism without fear. Especially when it evokes such totally different reactions. Some call The New Prince 'an opera on the vein of our own time' (Mischa Spel, NRC), while others give it 'a fat fail' (Erik Voermans, Het Parool). Another needs more... 

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Bach's St John Passion as musical theatre: it can be done

Initiated by Pierre Audi in 2016, the Opera Forward Festival questions the future of musical theatre. The 13-day festival offers (young) creators and singers a chance to explore new avenues. For the second edition, Audi himself directed And You Must Suffer, a music-theatrical version of Bach's St John Passion. This production by Muziektheater Transparant and the early music ensemble B'Roque experienced its Tuesday 28 March... 

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The Passion - not for idle followers

Boring, all those films, commercials and youtube videos that always use the same (background) music. In a hushed scene or pathetic documentary, the viewer is served Pärt. Exciting sounds like this, and when disaster strikes you hear this. Ordinary people Ah, even film-docu-& TV-makers are like ordinary people and like to reach for the same thing. Dommage! Because there is so much more... 

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Adventure in The Hague: 5 reasons to go to Rewire (sultry madness is 1 of them)

Rewire is once again just around the corner. From 31 March to 2 April, the festival takes place in the city centre of The Hague. The young festival does so with a choice of colours and flavours, (just) outside the mainstream. So: where adventure and the great unknown are actually perks - diametrically opposed to Guus Meeuwis on the main stage.... 

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Warlikowski's direction of Wozzeck is impressive, but does not grab you by the throat

We have to perform, from an early age. If you don't go along with that, you will be left out. It is the thrust of Alban Berg's opera Wozzeck, now to be seen at De Nationale Opera directed by Krzystof Warlikowski. The Polish theatre innovator has turned one of the most dramatic operas in music history into a fascinating musical... 

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Composer Moritz Eggert: 'Caliban turns from victim to perpetrator'

'Many opera productions still assume a nineteenth-century vision of the world,' says German composer Moritz Eggert (1965) in the podcast below. 'But art must be relevant to our own times; the answers of then are not the answers of now. Our current problems are largely rooted in our colonial past, in our exploitation of other countries ... 

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Composer Brechtje: 'The musicians are the core of the universe'

'Thanks to a radio presenter, my grandfather found an entrance to classical music. With my new piece, I, in turn, am paving a path to him.' On Thursday 30 March, Elements by Brechtje (1993) will have its world premiere in the fifth episode of An Evening of Today at the Muziekgebouw aan 't IJ. In this series by the Nieuw Ensemble, conservatory students are given ample opportunity.... 

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Joop Oonk turns her neighbourhood into a stage

Joop Oonk (27) creates dance performances with the Misiconi Dance Company, but not of a standard kind. She also calls it inclusion dance. Dancing with wheelchairs, for example, and then doing it in public spaces. Time for a chat with this extraordinary choreographer. Fortunately, you don't have to be an art barbarian not to know the word inclusion dance. Joop Oonk choreographer, artistic director... 

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Director Krzysztov Warlikowski: 'I look at Wozzeck through his son's eyes'

'The smaller the community the narrower the mind,' says Krzysztof Warlikowski. The Polish director makes his debut at De Nationale Opera this month with Alban Berg's Wozzeck. It is the second time he has taken on this iconic work of the 20th century. To this end, he draws on his own experiences during his childhood in Stettin. It is exceptionally... 

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How fuss in theatre can lead to intercultural dialogue

A dance performance for youth (6+) recently caused a stir. Pupils from groups 5 to 8 of the Islamic Aboe Daoedschool in Utrecht visited IJspaleis (6+) by dance theatre group plan d-. At a dance of two penguins in love, one of the teachers requested that the performance be stopped. This scene was not considered suitable for the pupils, the explanation said. It... 

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What happens when you take someone's head off? (not what you think)

What happens when you take someone's head off? Little, you will say, since the accompanying body dies. But then you are wrong. Because at the first GRIP evening at Utrecht's Theater Kikker, Steven Michel showed that the rest of the body then just takes over. Fascinating to notice how you go from a bare back to... 

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Modern dance only allowed with clothes on Facebook now

The first bare female breast I consciously observed in my life was the happily swishing boob of the girl in the Fa advertisement. It must have been sometime deep in the 1970s. The same time the Pacifisties Socialistiese Partij also did something similar with a cow in the background. Now, a good forty years later, the... 

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Jan Martens in Utrecht: bravado, unintended honesty and unabashed desire

While Jan Martens' latest work, The Common People (2016), was at Amsterdam's Stadschouwburg last weekend, Utrecht's Theater Kikker is showing two older hits this week: Sweat Baby Sweat (2011) and The dog days are over (2014). Sweat and Dogdays are blockbusters and have already toured the world. At Kikker, they can now be seen as part of a... 

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Speed and humour in Reisopera's Don Giovanni

When the Commendatore suddenly rises from his bier in the mortuary, Leporello recoils violently. He smacks painfully against the back wall, as if struck by a gust of hurricane-force wind. This cartoonish image is just one of many hilarious moments in Don Giovanni by the Nederlandse Reisopera. This production was performed after its premiere Saturday 4 March in the... 

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Finds inside (Misha Mengelberg 1935 - 2017)

There is sound; a notion of impotence; a programme without a head or tail; there is power, chatter, compassion; there is nothing but also a vista, blurred image full of action and opposition. Moreover, the language seems a bit overwrought here and there. Of course, incoherent drivel can be cosy, or moving. Under circumstances, meaningfulness may be possible, but it will not... 

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Joris Smit in Tasso, foto Kurt van der Elst

Joris Smit on Tasso and Joan of Arc: no theatre that puts the audience to bed

The National Theatre plays Jeanne d'Arc by Friedrich Schiller and simultaneously retakes Johann Goethe's Tasso. Joris Smit plays in both plays, even the title role in Tasso. We talk to him about German romantics, Sallie Harmsen, the new-fangled National Theatre and the importance of going down on your face. Tasso and Jeanne, Goethe and Schiller. Is German romance... 

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Concertgebouw Orchestra & Concertgebouw 2017-18: searching for connection

Both the Royal Concertgebouw Orchestra and the also Royal Concertgebouw seem to be focusing on connection next season. Between young and old, between east and west, between left and right, between culture and press. 'Great that you all came,' says Jan Raes after the presentation of the 2017-18 season. 'The press is under pressure, as is culture,' continues 

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Beef heart ragout and handshake. Cultural capital reinvents church service

Maybe God is dead, but His church is alive. At least in Denmark. This has to do with what you might call the Danish paradox of faith: a highly secularised society with a Lutheran Folkekirke (=Volkskerk) supported by a large majority of the population [hints]The American sociologist Phil Zuckerman has commented on this aspect of Denmark (and also a little... 

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At the South Pole, it is better to be a penguin than a human being

The South Pole does not score high with holidaymakers. But maybe that will change, if at least many children see Ice Palace (6+) by youth dance group plan d-. Renamed 'd-travels' for the occasion, plan d- proposes an adventurous trip. It takes the dancer/tour leader with his billboard some effort to get people excited about it, but already... 

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How I found love for opera in Sexyland. (And how you can too) #0FF17

A prelaunch of the Opera Forward Festival OFF [hints]From 18 to 31 March at De Nationale Opera (formerly the Muziektheater/Stopera)[/hints], among other venues, was organised last night at Amsterdam's new society Sexyland. I was impressed. Pretty surprising. Opera Nopera Disclaimer: the author of this one is not an opera director. The last two operas I saw were both by Philip Glass (the true... 

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No cause for gloating at the end of the North Sea Jazz Club

It was announced today that the North Sea Jazz Club at Amsterdam's Westergasfabriek grounds is bankrupt. This is never good news, for anyone. Not even for those sourpusses who like to complain about North Sea Jazz, the club's namesake. Five years ago, it was big news: the Rotterdam-based North Sea Jazz Festival was going to open a club in Amsterdam. That was... 

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Spirit of Trump haunts press presentation National Opera & Ballet

'Before we start the actual presentation, let me give you some facts & figures,' says Els van der Plas, general director of the National Opera & Ballet. 'No, not the alternative facts,' she adds wittily. The ghost of the US president will be through the Stopera more often this afternoon. Van der Plas recalls the successes that... 

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Are we still capable of having a real opinion?

I read the biography of Jacob Israel De Haan, Onrust, by Jan Fontijn. Writer and director Gerardjan Rijnders based Salaam Jerusalem on this biography. It is this play, performed by De Nieuw Amsterdam, that really makes me realise how urgent it is to let such an almost forgotten figure as De Haan speak. Jacob Israel De Haan overturned taboos, fought... 

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Why I love the Hildegard von Bingen & Galina Ustvolskaya combo

Almost a millennium separates nun Hildegard von Bingen (1098-1179) from Russian composer Galina Ustvolskaya (1919-2006). The former created heavenly chants, the latter hammered on a coffin. Yet on Thursday 23 February, they are together at a concert by the Flemish ensembles Het Collectief and Psallentes at the Muziekgebouw aan 't IJ. Two reasons why I think that is a wonderful combo... 

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