Things we do for members and partners.
To perhaps the most beautiful music written by Strauss, Arabella descends the stairs and hands Mandryka a glass of water. Their engagement is thus sealed. Behind the loving couple, however, an inky black space opens up into which both disappear.
The noble art of cable pulling is one of the most profitable activities in Dutch media land. This was evident on Tuesday 15 April in the Amsterdam court. There, Dutch writers, represented by Lira, versus the major cable companies and producers, represented by some very expensive lawyers, from the office towers on Amsterdam's nearby Zuidas.
Just think ahead for a short while and you are where Google wants you to be. All the art, accessible anywhere in the world through your screen, your tablet. Even the obscure art. Or stronger: to be experienced in your google glass or your Oculus VR glasses. You can already viewing art in museums, but without a tour guide telling you what to see. And as much as we do not appreciate that in daily life, sometimes it is quite nice to walk through unknown territory with a guide. Without spending your holiday money on it.
'Harry Partch knew exactly what he was doing. He chose very specific bourbon bottles to fill in those 43 steps in the octave. So he made music that is very accessible, but also very elusive. And that's what good art should do.'
Update: performance The Freudjes has been postponed for now, until probably later this year.
'I think it's theatre. Psychoanalysis is theatrical.' Lineke Rijxman is fascinated by psychiatrists. Not because she walks through their doors herself, but because psychiatry is a rewarding subject for someone who makes theatre. That is why it had to happen: a play about Freud. But not about Sigmund himself, or his family. The play "The Freuds (No Family)' is about three sisters in today's busy life overflowing with pills and abbreviations. 'We talk about depression so easily. You already say you get depressed when you run out of chicken satay at the butcher's.'
Just imagine being a screenwriter. Or a journalist for a documentary programme. So you won't get a penny for your work in the Netherlands. Really. The broadcasters are already not generous. But then. Indeed, all the money that cable companies earn from the television viewers of the Netherlands disappears into the pockets of a few US companieswho in turn share it with a few broadcasting bosses, producers and some other big earners. All those bosses have nothing to spare for the people who think up and write all that. This makes it very easy to make a profit.
It's still kind of a secret, but the website is already online. Without reference to the people behind it, but then again, we know that. So we can break the news: it CPNB (that book week club) collaborates with the booksellers and publishers on a revolutionary platform for ebooks. This project, titled 'Leesid' should put an end to the chaos of DRM-shit, lots of different readers and tablets and bizarre ownership rules the Dutch electronic book reader still has to live with.
Film tip for this week: Spies & Glistrup, a Danish shell comedy with a dark edge about the heyday of an illustrious anarchist duo from the 1970s. Even for the broad-minded Denmark of the time, they were extreme. According to director Christoffer Boe, they left a lasting mark on Danish society.
Because yes, the good Danes had not experienced anything like this before. Simon Spies, made stone-faced with a holiday travel empire and always surrounded by pretty girls,
As a museum, if you want to participate a little, you have to lead the audience through the presentation interactively. You should be able to do the same with dance, choreographer Amos Ben-Tal must have thought with his project OFFline. He shows 5 ways. In a performance.
It is the kind of publicity even literary agency Sebes and Van Gelderen dreams of. An argument between biographer and subject that makes it into all the national newspapers. Especially when it is not a biography of, say, an ex-soccer player who squandered his fortune, but one of wayward composer and conductor Reinbert de Leeuw.
It was big news. One orchestra confiscates the instruments of another. Only it doesn't add up. Just as much does not appear to be right in conductor Jan Willem de Vriend's letter in last Thursday's Volkskrant.
Today, Leporello Publishers in Amstelveen published my long-awaited biography Reinbert de Leeuw: man or melody, on which I worked for more than seven years. The book is on sale at several bookstores in Amsterdam and can be ordered through any bookstore in the Netherlands. When I attended a concert conducted by Reinbert de Leeuw in early 2005, I discussed with a number of...
Seizure of the instruments of the former Netherlands Symphony Orchestra is imminent. The orchestra, which, since a lost legal battle with Netherlands Philharmonic Orchestra is no longer allowed to use the word 'Dutch', so is not allowed to sell instruments or take them abroad. Pending a countermove from the former Orchestra of the East, they changed the name there to ***** Symphony Orchestra.
It used to be gays he found scary, but since that was no longer allowed, René van der Gijp started looking for a new target audience for his spot. Book week turned out to provide the perfect opportunity.
The Netherlands has added a new award for young choreographic talent. The BNG Culture Fund, in collaboration with Korzo in The Hague, has established the BNG Bank Excellent Talent Dance Award
Over 60 million has disappeared from the coffers of the Netherlands' amateur artists in recent years. That money from your daughter's dance class, the brass band and your son's hip-hop class has been spent by municipalities, which had to compensate for cuts elsewhere, and provinces that suddenly saw no point in amateurs. That the national government additionally took 200 million from professional arts institutions is added to that.
"The only one who still dares to go for the elite". On the way to the car park under the Passengers Terminal Amsterdam, the retired newspaper reviewer who once had a page on music sighed at the feeling of his part of society. It was after the press conference where the programme of Holland Festival 2014 was presented. He was talking, as we sank deeper and deeper, about Pierre Audi, the artistic director of that Holland Festival, who this year announced his last - and most glorious - programme ever.
Minister Bussemaker thinks it is far too early to sound the alarm about the cuts municipalities are yet to make on culture. Research firm Berenschot had earlier this year calculated that many percent would still come off the local culture budget. Our own resources told that Berenschot was still on the sunny side. According to the minister, however, the study is too limited: only 65 municipalities were checked, and besides, it is still far too early.
Five-star Symphony Orchestra. This is how the Dutch Symphony Orchestra will be called next season. The former Orkest van het Oosten tried to become 'Dutch' but faced a lawsuit from the Philharmonic Orchestra, which was already 'Dutch'. 'Politics should get involved in the legal process. Because it can't go on like this. This is costing tons of money.' Says Harm Mannak.
Minister Filipetti has given the green light. Emio Greco and Pieter Scholten will be indeed the new artistic directors of CNN Ballet National de Marseille. A company with 30 dancers, 60 employees in total, in a building with 9 studios and a theatre. Who in the Netherlands still gets that done?
No, the company is not afraid of competition. Nor of cooperation, as evidenced by the jubilantly received Fairy queen with Veenfabriek and Combattimento, the orchestra led until recently by Jan Willem de Vriend.
The winners of the Dans Publieksprijs 2013 have been announced. On Friday 14 February, the prizes, divided into seven categories, will be awarded at The Hague's Theater aan het Spui. Besides winners Pascal Schut (Introdans) and Davide Cocchiara (The Red Piece), they are choreographers Conny Jansen Danst for the performance 'How Long is Now' and Isabelle Beernaert for the performance 'Red, Yellow & Blue'.
Contrary to what some expected a few years ago, 3D in artistic film is still a rarity. So then, when something pops up in this corner again, it immediately makes one curious. And so I don't mean Cathedrals of Culture, the 3D film project by Wim Wenders and five other filmmakers starring buildings. That Wenders is a 3D believer we already knew.
I mean that other 3D premiere at the Berlin festival: Above Us All of the Dutch
Imagine an old-fashioned sophisticated comedy, but filmed with modern speed, in the colourful and baroque style of a richly detailed comic strip full of plots and escapes, rounded off with a perfume of melancholy. Then you come close to The Grand Budapest Hotel, the new film by
Regional newspapers hardly do any real cultural journalism anymore. We know this, because it was the reason why we Culture Press once founded have. How bad things are now, five years later, with art in the region and the way the newspaper handles it, was evident this month in Tilburg.
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