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News about events and festivals, backed by the industry but independent in content. Find out more: info@cultureelpersbureau.nl

Festival 'The International Choice' opens as it should: abrasive, confrontational and tad disturbing #thechoice

photo Abdelsalam Moussa Strange how quickly history detaches itself from your memory. We had gradually come to think here that the camping riot in Cairo's Tahrir Square was some kind of summer of love. That everyone there was cramming roses into cannon shells, singing together, and that the whole world was just for giving each other love and hugs. Time for a... 

Welcome to the human zoo is an exciting and sometimes oppressive game with real and unreal #DeBasis

Often, publicity texts conjure up an inappropriate image of the performance they refer to. "The air base as a no man's land: a military state wiped out and where nature has taken over the area," is one such. The text belongs to Welcome in the human zoo, an experiential theatre performance created by Suze Milius and Bram Jansen. Such a sentence evokes associations.... 

There is crying, screaming and dancing frenziedly in Helium by Davy Pieters on #debasis

  "You are my sunshine," sings a woman very softly. Meanwhile, the audience sits in pitch darkness. We are trapped. Banished to a shelter that, it seems, suddenly has no exit. It is a real shelter in which theatre-maker Davy Pieters holds her performance Helium. Shelter 313 at Soesterberg Air Base once served as a refuge for personnel. Via... 

An unfathomable well of sadness in Thousand Yard Stare at #DeBasis

Soesterberg Air Base is full of large hangars, sheds and other massive buildings. All dream locations for theatre-makers, it seems. Director Ilmer Rozendaal made a different choice for her performance Thousand Yard Stare. She placed the solo in a small, airy oak forest containing an old and dilapidated bunker. The timelessness of this place turns out to be ideal for her small and human... 

Wonderful combination of stillness and slowing makes one long for more of Daria Bukvic' ' Devastated' on #DeBasis

A clearing in the forest. It could be idyllic, but from the forest come suspicious noises. Men are singing and pulling tractors. The echoes of explosions echo. It's all just fake. It's just theatre - which nevertheless inspires fear. Daria Bukvic, a newly graduated director from the Maastricht Drama School, created a play about her mother. Who... 

Artists bring paradoxes of Soesterberg Air Base to light at Festival #DeBasis

Art at Soesterberg airbase is almost by definition a paradox. So is the natural site that was a military base. And that is why visual art finds a perfect home here. For festival De Basis, artists from five countries were asked to enter into a dialogue with this absurd, until recently forbidden terrain. This results in beautiful contrasts. First of all in... 

Hot and sunny weekend at Soesterberg airbase: time for new experiment with The Dodo

With temperatures above 25 degrees, it will be a sweltering but also unique summer day, that 10th September. The Cultural Press Agency will be present that day and Sunday with four journalists at the former Soesterberg Air Base to report on festival De Basis. When you get there, you will make lots of nature, even more impressive war history and a theatre performance or two... 

The hottest day of this summer is dedicated to Festival De Basis at Soesterberg. Be there. #thebasis

Saturday 10 and Sunday 11 September promise to be the most beautiful days of the year. With temperatures above 25 degrees, it will be a sweltering but also unique summer day, that 10th September. The Cultural Press Agency will be present that day with four journalists at the former Soesterberg Air Base to report on festival De Basis. When you get there, make... 

Argentine lives inexorably turn to destruction at Mariano Pensotti's hands

Turntables and theatre have something in common. Especially in recent years, theatre-goers increasingly run the risk of facing a so-called rotating stage. After Johan Simons made use of this technical style figure in his direction of Hiob at the Munich Kammerspiele and Christoph Schlingensief made the stage turn spectacularly in his swan song Mea Culpa, it is now... 

Rotterdam Theatre's International Choice has always been a personal choice

Annemie Vanackere Last year it was still about 'a sense of belonging': the ability to feel at home somewhere, to know you belong somewhere. This year, the motto of the quirky Rotterdam festival De Internationale Keuze is almost diametrically opposed to that: parallel reality. Instead of one place offering warmth, the festival now says that those... 

Cackling fresh location artists prepare for Festival DE BASIS

With a few creative friends and a nice budget, romp around in a playground of many tens of acres of pristine nature. Surrounded by the remains of military might. It automatically makes you talk riotously. But that's how it goes sometimes. With art. So, to get right to the point: cuts are not always bad. For instance, divesting the... 

Eszter Salamon and Daniel Linehan gems of highly diverse Julidans

Holland Festival, Julidans, IT's, Over 't IJ. End-of-season theatre is always strewn across Amsterdam. Between April and September, international performance offerings migrate from Utrecht (Springdance and Festival aan de Werf) via Amsterdam to Rotterdam (Internationale Keuze). If you want to experience something of contemporary, international dance, Springdance, HF and Julidans are the places to be. [For... 

#HF11: We chat with Jeroen Stout, Daniël Bertina, Fransien vd Putt and Wijbrand Schaap.

  In conclusion. The 2011 Holland Festival could well be historic. Not only was it the festival that attracted the most audiences for years, it was also the festival that took place while a minority government of populists, nationalists and materialists proclaimed the end of art subsidies. We therefore look back on a festival in which we had a great time with our new... 

A few solid misses, interspersed with plenty of indispensable beauty in week 3 of the Holland Festival #hf11

The Dodo was busy, this third week of the Holland Festival. Thankfully, again with an exciting mix of beautiful, weird and extraordinary. As it should be, really. What makes the Holland Festival all the more exciting is that such extremes can sometimes take place within one programme, as with the National Ballet, or even within one performance, as with The Russians... 

#HF11 Audi makes Ayres' funny-grim animal opera 'The cricket recovers' layered and edgy

Composer Richard Ayres signs off on the animal opera ''The cricket recovers''. Photo Hanya Chlala At last: the opera The Cricket Recovers based on the animal story The cure of the cricket by Toon Tellegen is in the Netherlands! Over six years after its world premiere in Aldeburgh, the Holland Festival presents Richard Ayres' work, performed by Asko|Schönberg and VocaalLAB conducted by Etienne Sie...... 

#HF11 'The select' is neat and well behaved and on stage lacks the raw emotion of Hemingway's novel

Photo Mark Barton Could Prime Minister Rutte cum suis' anti-advertising by dismissing art as destined for leftist types and other idiots already be having an effect? You would almost think so when you see the rather poorly filled halls during the performances at the Holland Festival. There are more than ten people sitting in the front row, but still the... 

#HF11 Thomas Adès sails his own ship and steers across familiar waters with new compositions

The ark as the earth, as a spaceship carrying us through the chaos of the universe to a safe haven. The pole star as the apparent magnetic centre of the universe around which all the stars revolve. No, this is not woolly new age chatter, these are the starting points for Tevot and Polaris, two major orchestral works by Thomas Adès, which had their Dutch premiere under the composer's own direction.

#HF11 Dreamy cult pop and visual feast from The Irrepressibles

The Irrepressibles with their Human Music Box. Photo Patricia Niven At the request of the Holland Festival, Jamie McDermott of The Irrepressibles created a new programme: Human Music Box. The ten-piece British band will start its world tour in Amsterdam. The premiere on Friday 17 June at the Muziekgebouw aan 't IJ became an understated, musical evening that was especially visually appealing. In... 

#HF11 The National Ballet opts for aesthetic wandering and exotic pictures

Photo Joris Jan Bos 'Labyrinth' is the name of Sidi Larbi Cherkaoui's choreography. Mazes intrigue because you can get lost in them and then insist on finding the exit. Along the way, a person then has all kinds of revealing experiences about himself. But Cherkaoui does not get to this passage. He immediately starts with symbolism. A dancer holds a wide band that... 

#HF11: They're going to make another big cut to the Russians at Toneelgroep Amsterdam

Cologne and Paris may not have been built in a day, but it took less than three days to fly to the moon. A warped comparison to say that a show that rattles three days before its premiere can turn out to be an unimaginable hit on the premiere itself. So something like that could happen with The Russians, the latest show 

#HF11 Special performance Jagden und Formen by Waltz and Rihm does not produce an ideal exchange, but it does raise interesting questions about the fusion of dance and music

Dancers of Sasha Waltz & Guests in ''Jagden und Formen''. Photo Dominik Mentzos. Composer Wolfgang Rihm and choreographer Sasha Waltz, two familiar faces at the Holland Festival and big names in European performing arts, released a performance together in 2008 that could not be missing from a Holland festival programme this year. The festival not only focuses on a number of...... 

#HF11 Messy set-up of Around Robert Wyatt gets in the way of magical moments

Scene from ''Around Robert Wyatt''. Photo Annabelle Tiaffay. "Alifib" by British progrocker Robert Wyatt (b. 1945) is a song that gets under the skin. Wyatt's near-breaking voice sounds so genuinely sad that it takes your breath away. It seems an impossible task to perform "Alifib" convincingly without the master himself. Yet the French Orchestre National de Jazz gets... 

Week two of the Holland Festival (#HF11) brings a nice mix of highlights and questionable choices.

Photo: Ruth Walz That the Off Broadway musical Fela! was a success, we could actually expect. For The Dodo, we therefore did not send anyone there either: there are already enough newspapers and other bloggers eager to have a front-row seat to the New York audience favourite. That they had a good time, you can read elsewhere on this site,... 

#HF11: Japanese company canteen leads to hallucinatory tragedy of incapacity

In very different places, people can sometimes have the same idea. And even more sometimes, those similar ideas both lead to something wonderful. A couple of years ago, thanks to Brabant theatre Bis, mime company Kassys performed the beautifully sad tragedy 'Kommer', in which colleagues spent pointless time in a mourning room full of lease plants. Every gratuitous phrase was magnified by powerfully helpless gestures to the... 

#HF11: There is an old crippled servant haunting the Zuidas

Firs is his name. And he always arrives late. Because of the gout. Poor houseboy. Firs was created by Anton Chekhov. His masterpiece The Cherry Garden is about the boredom and lameness of the old rich, and Firs is the house servant who sees it all happening. Chekhov lets him die, at the end, when the departing house owners totally forget about him... 

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