Het andere schrijversfestival: vier dagen in januari in het teken van schrijvers uit de meest onverwachte hoeken van de wereld. Wij maken de Winternachten mee.
How do you get back home mentally after a war? David van Reybrouck in conversation with Stefan Hertmans and Ian Buruma Carrots, potatoes, maybe some celery and a dash of lard, this was the monotonous winter diet of the underclass in rural Flanders in the late nineteenth century. But, outlines professor and guest speaker Louise O. Fresco in her opening column, these days it is the...
He had had a TED training. It couldn't be otherwise. Bart Moeyaert, poet, writer and multiple award winner, sometimes literally wriggled into numerous corners to warm up the Dutch literary guild to his plans for 2016. That year, for the first time in a long time, the Netherlands will host the Frankfurter Buchmesse again, the Art Basel of the literary world....
'Do you not agree with me that many of you - like members of Roman Catholic curia - are already trying to make yourselves immortal and indispensable? That you are suffering from severe mental and spiritual petrification?' Kees 't Hart measured himself a papal role on Sunday 18 January, when delivering The State of Dutch Literature,...
Radbraken. This is how it works: you tie someone to a sturdy cartwheel, then break all his or her bones by beating them country-wide with clubs, after which you braid the mangled limbs around the spokes of the wheel. It is essential that the punished person undergoes all this alive and conscious. After the treatment, you bring the wheel with...
Zelden twee vrouwelijke kunstenaars aan een tafel gezien die meer van elkaar verschilden dan Dominique Goblet en Leela Corman. Twee vrouwelijke striptekenaars, aan weerszijden van Peter Breedveld die elk jaar als kenner van het comic genre wordt ingevlogen op Writers Unlimited. Corman, naast striptkenaar ook danseres, schrijft haar verhalen in een vrij herkenbare stijl. Indrukwekkende verhalen, historisch, zoals haar laatste…
Writers Unlimited's Friday night kicked off with an Islam debate. In no uncertain terms, religious historian Karen Armstrong argued that Islam and jihad are not the same thing. There are only 41 jihads in the entire Quran, most of which are the peaceful struggle to help the poor when one is destitute oneself. But after the Paris attacks...
Nii Ayikwei Parks wants to write a book describing bad places in Africa as ideal, so that people who use his books as travel guides will be mugged and robbed and thus will learn what fiction is. With this humorous statement, the British-born and British-based writer, who spent his childhood with his Ghanaian parents in Ghana, brings some air into the evening...
Home is where The hell is. The naming of Writers Unlimited's programme sections leaves little to the imagination. And listening to the opening of this particular section, writer Maaza Mengiste is not one to leave us with pleasant thoughts either. She has plunged literarily into the plight of refugees coming from Ethiopia to...
20 years of Writers Unlimited's existence, and the anniversary, now in The Hague, comes at a time when free writing worldwide is under heavier pressure than ever. Perhaps that is also why the audience is more numerous than previous editions. All nights are rigidly sold out, making for a rather sweltering atmosphere at the Theater aan het Spui. Apt opening of...
"Everyone who writes will sooner or later run into a wall, a limit of what cannot, should not and should not be written. And almost everyone will flinch at that moment and refrain from writing it. Because that wall is there to protect us from what we don't want." Karl Ove Knausgård, already compared by some to Marcel Proust,...
Because Writers Unlimited collaborates with one of the last literary magazines in the Netherlands, and because that magazine is called 'Tirade', the last festival in The Hague included a place for tirades. And what might those be? The online dictionary says:
During Writers Unlimited, writers often mingle clandestinely among the common folk. And especially younger, international authors, unlike the Adriaan van Dissen of this world who cannot take a step without being buried in a scrum of literary groupies. So it can happen that you find yourself drinking beer several times with someone who suddenly, completely unexpectedly, turns out to be a genius author. Like Andrès Neuman.
"A good book is a man seducing me is like sex with a stranger." Anne Provoost, the securely Flemish-talking essayist managed to shake P.F. Thomése and Hermamn Koch for a moment. In a debate at Writers Unlimited, she made a plea for the not-true story, and did so in a metaphor that rather stirred the imagination. She quoted her own work "Fiction and Power" in which reading indeed becomes a rather physical affair:
"Of course she can write!" seems the mother of the award-winning South African poet Antjie Krog ever having exclaimed. "Because I can do it too, right? There's nothing special about that."
Blood creeps, even for Krog. After a ten-year career as a successful architect - and secretly grinding on words - her own son debuted Andries Samuel with the crushing, heartbreaking collection of poetry Wanpraktyk (2011).
Writers Unlimited brought mother and son together on stage. Late at night. For the first time ever. And Wende sang to them. And god almighty how beautiful that was. By the way, you have to take it from us, because on pain of caning, pitch & feathers and fines from here to Siberia, it turned out that it was forbidden to film Wende singing (but we did, and the video was online for a while, but has now been removed from the internet).
It's because of Facebook. Says Ton van de Langkruis, artistic director of writers' festival Writers Unlimited: "You can no longer be that anonymous figure bombarding the world with hermetic texts from a locked attic room. The market is no longer for it. Your main means of communication is facebook. There you have to be open to questions, you communicate with your readers. We are back in the village square where the first stories were once told."
The latenight closures of Winternachten at Writers Unlimited are always upbeat. That's because the poets have already loosened up and the audience has drunk a bit more. And this time it was also because of mega-audience favourite (on other occasions) Arie Boomsma. Out of wantonness, the cheerful ratings canon smashed poetry books of the guests of his programme section.
“Luister niet naar de experts, ze hebben het eigenlijk altijd mis.” De kern van ‘Eyes wide open’, het nieuwste boek van Noreena Hertz, is helder. Dat ze zelf deskundige is, en dat haar visie daarom ook gewantrouwd moet worden, is logisch. Dat het gesprek wat ze over dit onderwerp voerde met oud-politica Femke Halsema almaar bizarder werd, was niet zo logisch. Ronduit schokkend was de val die de schrik van alle bankiers ter wereld aan het eind maakte.
Sometimes a Writers Unlimited programme can catch you off guard. Last year, the late-night talk show on literary sex was a hilarious highlight - pun intended - of the festival. This time, the programme dropped Let's talk about sex bar little to laugh at.
Forget the connotations with Salt N Pepa. Indonesian Linda Christanty writes not about 'happy sex, but about bitter sex as a means of power, as a form of coercion and violence.' That made us quiet for a moment.
Fouad Laroui doet niet aan internet. De van oorsprong Marokkaanse auteur en hoogleraar heeft zelfs geen mobiele telefoon. “Ik besef dat ik daarmee behoor tot een kleine elite”, verklaart hij tijdens een debat op Writers Unlimited, “maar ik zie er het nut niet van in.” Zijn tafelgenoten deelden zijn mening niet, en dat is best opmerkelijk. Nog maar een paar jaar geleden beschouwde het merendeel va de internationale schrijverselite de sociale media als iets waarmee zij zich niet hoefde te bemoeien.
In de rijke traditie van schrijvers die elkaars bloed wel kunnen drinken en de ander schuimbekkend met de pen te lijf gaan, orkestreerde Writers Unlimited een ‘polemiek’. Abdelkader Benali verwoordde in dit debat de stem van het volk, en Saskia De Coster die van de elite. Beiden hakten op elkaar in met hulp van moderator Elsbeth Etty. Resultaat: veel onsamenhangend getreiter.
Writers Unlimited is the most fun literary festival in the world. We can know, because we have been there twice now. Whether the comparison with all those 20 million other literature festivals in the world is entirely pure, we don't know. We do know that a lot of the writers who attend Writers Unlimited agree with us. At least during those few days and especially nights in January.
A few reasons.
Writers like to talk, and people like to talk about, with and through writers. As much as that may be reason to organise a literature festival, it is also why
At 1 strip or 1,000 words blogger and columnist Peter Breedveld spoke with three influential illustrators, Barbara Stok, Peter van Dongen and Thé Tjong-Khing using projected images from their beautiful work. The relaxed conversation was a breath of fresh air among the other ferocious debating violence at the festival.
Whether Tahmina Akefi is a good writer, I dare not say. The Afghan beauty can at least glue sentences together, and knows how to add an erotic layer on top. But whether this means she surpasses the average penny novel, or whether she has nothing to offer but oriental soft porn anyway? Tricky.
"We don't use social media because it's cool," says Tunisian internet activist Sami Ben Gharbia. "But in a dictatorship, it is the only way to inform people about what is really going on. To fight the demons in society. I am not a techny Became because it's fun. I just needed useful knowledge about internet codes, to improve my civic activism possible."
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