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Holland Festival

The Holland Festival is the Netherlands' leading festival, showcasing the best of what is being made internationally and nationally on the bigger stages.

The Pyre: taut, disruptive performance by Gisele Vienne @HollandFestival

Holland Festival

Anyone suffering from the misconception that dance is about beauty is mercilessly disabused of the dream by Gisele Vienne. Her pieces are about pain. Sometimes gory and explicit, sometimes sublimated but no less powerful. The Pyre is an overwhelming piece that leaves the audience dizzy.

Two concentrated chickens and something with Chekhov at @hollandfestival

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Seagull, an early play by Anton Chekhov, is about drama in the same way that his equally famous play Cherry Garden is about cherry growing or real estate fraud. Not so. It seems to be a mistake that stage artists often make and that Chekhov cites in his 115-year-old play: thinking that everything is always about you. Which is why Thomas Ostermeier, lauded German director, cannot be blamed for the fact that his direction of The Seagull at Toneelgroep Amsterdam is about theatre.

Marie on a string: Anja Röttgerkamp stars as an unknown soldier in Gisèle Vienne's The Pyre @HollandFestival

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'The Pyre', the latest show from internationally rising star Gisèle Vienne, initially seems less disturbing than her previous work. Pieces like 'Jerk' (2008), based on the true story of a young serial killer, and 'This is how you will disappear' (2010), starring a dark forest, were only seen in a few places in the Netherlands. Hopefully, this performance at the Holland Festival will change that. Gisèle Vienne once studied harp, then philosophy and eventually trained as a puppeteer. But Vienne sees herself primarily as a visual artist working with time, on a stage, where different rhythms, motifs and figures come together.

Zimmermann & De Perrot give circus genre creative tap at @hollandfestival

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Circus, tricks, clownery, spectacle: it has been a party for centuries. But roughly the same party every time.

Zimmermann & De Perrot, originally clown and DJ respectively, found each other in the brilliant insight that circus could be turned into beautifully absurd modern theatre.

'El Djoudour' is interesting as a cultural-political project, but does not convince artistically @Holland Festival

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Men and women together on the dance floor, it is still forbidden in large parts of the Muslim world. Two years ago, the dance performance 'Nya' was at the Holland Festival, a piece written on the skin of nine Algerian dancers, mostly B-Boyz from the streets, but also the son of a ballet teacher from Algiers participated. This year, French choreographer Abou Lagraa, his wife Nawal Ait Benalla and much of the Algerian cast returned to the Holland Festival with a piece in which women also dance.

Desdemona in black and white

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Is the kingdom of the dead in the opera Sunken Garden by Michel van der Aa a 3D garden full of brilliant colour, director Peter Sellars chooses in Desdemona by Toni Morrison and Rokia Traoré for sober black and white. On the stage of a sold-out Muziekgebouw aan 't IJ are glass bottles and jars, sometimes lit from below, sometimes from above, with hanging light bulbs like flickering candles. On the left are a number of ngonis (Malian lute) and two koras (Malian harp lute), played by black musicians.

Chilean IK generation seeks revolutionary art at @hollandfestival

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Six actors, four years in a bunker. One is dead. Those are the details we have to make do with in Tratando de hacer una obra que cambie el mundo. According to this title, the actors are trying to create a play that will change the world. The characters have locked themselves away in an underground bunker and receive occasional provisions via a packet.

John Adams' other Gospel of Mary @HollandFestival: masterpiece just too long

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Mary is arrested at a demonstration and thrown into a cell next to a heroin addict, while her sister Martha has just started a shelter for the homeless. And Lazarus, yes, Jesus brings him back to life here too, with downright breathtaking sounds. And we are not even halfway through.

Crushingly good: Nine Rivers by composer James Dillon, with conductor and percussionist Steven Schick @HollandFestival

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From the mild, everyday cacophony around the Muziekgebouw in the afternoon, on the terrace by the IJ, you'll get into the silence of the concert hall in a few steps. For three and a half hours (with over two hours of breaks in between), Asko|Schönberg, Slagwerk Den Haag and Capella Amsterdam will play and sing your ears off. Steven Schick (a.o. once Bang on a Can), not only conducts, but also takes charge of the middle part of the concert, at the Bimhuis, as a percussionist. Under his inspired direction, 'Nine Rivers' navigates between spectacle and purism: a battle between complex form and the simplicity of raw sound matter.

'Shéda', insane chaos with a glimpse of genius @hollandfestival

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If after only the first 15 minutes, half of the middle row flees the auditorium, and you look at your watch, thinking, my god we still have over five hours to go, there is something thoroughly wrong with the performance. 'Shéda', by Congolese playwright Dieudonné Niangouna, is an insane tub of chaos of incoherent tirades. Declaimed screaming at a stretch by 12 hyperactive African and European actors, each with a fixed character, returning as gods to apocalyptic worlds, à la Mad Max, beating each other up with bizarre lyrics. Goodness, it is impossible to make sense of it all. Yet it continues to fascinate. Why?

Meistersinger @HollandFestival convinces musically only

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Cowardly knight defeats untalented rule fetishist with help from wise cobbler and wins singing contest and the hand of coquettish goldsmith's daughter. Or: boy meets girl on the streets of Nuremberg and decides to enter the local version of Nuremberg's got talent. The judges send him away, but he gets the audience vote. Wagner wouldn't be Wagner, however, if he didn't take about five hours for this story.

Deep in the belly of the Icelandic cello @hollandfestival

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It's a tricky genre, which drone, or ambient. Or, what do you call the avant-garde cello experiments of the Icelandic Hildur Guðnadóttir (1982). Very slow, very repetitive, very minimalist. Abstract sound art that leans heavily on loops, resonations and buzzing, über syrupy tones that swell into a large, layered sound collage.

Two voices on Sunken Garden @HollandFestival part 2. Thea Derks: 'Guilt & penance before, after, with and in death'

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Amsterdam, 5-6-2013 - It is difficult to go uninhibited to a production that has already caused so much controversy as Sunken Garden by Michel van der Aa. This "first 3D opera" was slammed as "soporific" after its premiere at London's Barbican Theatre last April, but also hailed as "the future of opera".

Two voices on Sunken Garden @HollandFestival, part 1. Henri Drost: "much more than 3D film opera"

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Forget all the fuss about the first ever 3D film opera, forget all the fuss in British newspapers. Michel van der Aa himself sighed in interview that, on reflection, he would have loved to have made the second 3D film opera. And perhaps he had

Orchestre El Gusto lets sounds of Kashba Blues blow through @hollandfestival like warm desert wind

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They are gentlemen of age and therefore with a history. Grey or bespectacled or bald - or with a combination of all three. Their music has taken them everywhere. And now they are in a packed Carre: the Orchestre El Gusto. To their own delight, as they thank the audience for coming. The musicians from the kasbah of Algiers play the music as it is

Jan Lauwers with musical folk theatre at @hollandfestival: 'It's forbidden to memorise lyrics'

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Een explosie op een vol marktplein kostte 24 levens, waaronder 7 kinderen. Wanneer het dorp een jaar later die tragedie herdenkt, valt een jongetje uit het raam en verdwijnt een meisje voor

A chamber opera blown up to impressive proportions at @hollandfestival

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,,The special thing about Quartett is that an intimate story between two people is blown up to impressive proportions. The characters find themselves in a room, which seems to float. In this seclusion, an isolated game between a man and a woman plays out. Giant video projections

Minicourse Opening @HollandFestival, part 1: Total theatre on slippery communication

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Het Holland Festival opent dit jaar met een opvoering van de opera ‘Quartett’. Het is een stuk met een verhaal, dat enige uitleg behoeft. Maarten Baanders geeft een korte cursus over deze voorstelling. Ook interessant voor wie toevallig geen kaartje heeft kunnen kopen.

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