My friend informed me of his decision to stop writing prose. There was no dry bread to be earned from it. Going forward, he went through life as a freelance journalist and lyricist. The money he earned he spent music festivals
Four years ago at the Winternachten Festival in The Hague, we spoke about it with Egyptian writer Alaa al Aswani, who was disarmingly upbeat despite the fact that he can barely publish in his own country. On lack of freedom of expression and fiction in times of fake, this year's theme, Al Aswani could have a word. 'Freedom of expression is even worse now than under dictator Mubarak.'
With the saving of Frascati and at least a Chamber that does understand the importance of the sector, the most depressing event of the year - the culture budget debate - still ended with a few bright spots.
This year, November Music not only has a house composer, but also a house ensemble, the New European Ensemble. Naturally, the Hague club will play in the opening concert with Seung-Won Oh's Bosch Requiem. And, of course, they present a portrait concert with greatest hits by composer-in-residence Kaija Saariaho.
Every dancer is nostalgic. Heroes or icons of the dance world are given a special and honourable stage place in the inspiration of young dancers, of choreographers and also of the public. So too Koert Stuyf and Ellen Edinoff, and their Contemporary Dance Foundation.
'The story of Anders' (8+) is the new Dance Theatre AYA performance created by Ryan Djojokarso, new resident choreographer with the company. A performance full of dance, absurd humour and crazy twists. Sometimes you just have to look at things differently.
As this is D66 culture minister Van Engelshoven's presumably last budget year, the press release once again emphasises that a total of 95 million extra has now come into the culture budget during her tenure. It is too early to draw far-reaching conclusions.
The VVD will not give away Mark Rutte's latest crown jewel, the arts subsidy cut, for free. The latest argument: suction effect.
What impressions, what images stick? Why am I enjoying this so much? The performances during the corona crisis deliver great gratitude: that I get to experience this, that actors, writers, directors and collaborators are faithful to perform for me for weeks or even months on end. The declaration of love is mutual.
That 8.6 million the fund is now minimally short of will probably be found somewhere, so the saw line will be shifted again. Then the sector can - virtually - continue for another four years. Another one and a half million may be added to shape the spread. Pleasing the art world is not that expensive, The Hague will notice.
Thank God the theatres are reopening to more audiences and The National Theatre is still playing for a while, for instance with the infectious Every Brilliant Thing with Tamar van den Dop or Bram Suijker. At the Theater aan het Spui on Wednesday 1 July, Tamar van den Dop in the afternoon and Bram Suijker in the evening played their first Every Brilliant Thing. It is,...
My story about cultural big earners turned out to be the talk of the town in the cultural sector. Not publicly, i.e. mainly behind the scenes, I was approached. One of the few people who did speak out publicly was Henk Scholten. On Facebook, he responded to a column by journalist Aukje van Roessel about the questions raised by The Hague city council
In recent days, tentative proposals for a new system to fund the arts in the Netherlands have appeared in various places. Tricky pieces, and so far not attesting to very much incisiveness. In Het Parool, a number of prominent figures, including Tinkebel and advertising man Kessels, think that we should think less in pigeonholes, and that, besides quality, we should also...
29 June is an important day for culture: the Lower House will then debate emergency support for the sector. Our message to politicians: "300 million euros of emergency support that OCW has available for the cultural sector is nowhere near enough to keep the sector afloat. Adopt the motion of PvDA, GroenLinks and SP!" In...
Let's just start with the good news: De Staat is a regular fixture in the Netherlands from now on. And so we are talking about the band De Staat. Who make fantastic music videos these days. They have been promoted from a four-year grant with the Performing Arts Fund to a four-year grant according to the Cultural Basic Infrastructure (BIS). With 55 other newcomers. All weighed...
This is the recording of the presentation: And here is the full text of the press release. Explanation follows, but we will read first. More room for innovation and culture outside the Randstad provinces 04-06-2020 | 14:00 | The Hague The Council for Culture advises giving more institutions with innovative cultural offerings and institutions from outside the Randstad provinces the chance to be on...
Men of colour in public spaces have no value. Their lives and well-being mean nothing. Muhammed Ali said something about this very early on: 'We are not second class citizens, that would actually be great. We are last class citizens, just not human enough.'
A rainy day in #coronaquarantine seems like the ideal time to listen to a CD about fire. So I slide Todos los fuegos el fuego by Ukrainian-Dutch composer Maxim Shalygin into the laptop. 'All fires the fire' is named after Julio Cortázar's collection of eight short stories of the same name. The CD also has eight songs, which together...
Just like in the world outside culture (call it capitalism), in the cultural sector itself you also see a huge payment gap between creators and 'the plush'. Only you can't talk about that taboo without being seen as a traitor.
'When the economic interests of involved parties outweigh the interests of the cultural sector, you end up getting movements like the ones we are seeing now in Brabant. Art makes itself more important than it is, and that sets off bad blood.' We have a conversation with Alexander Plooij, entrepreneur and once active in the cultural sector as a professional trumpet player, manager of music schools and...
The Advisory Multi-Year Policy Plan Arts and Culture 2021-2024 for The Hague was presented online on Friday 24 April. What stands out for dance in this City of Dance? Inclusion and diversity What at least stands out is that in the plan, the word 'inclusion' appears 110 times and 'diversity' 96 times. Then you know what time it is. Yet the Advisory Committee also gives...
Update Wednesday 15-4, 16:00: this afternoon, the government has decided to come over as yet with additional schemes for the cultural sector, which are now no longer taken out of the culture budget. Apparently, the massive pressure helped. We will let you know when more is known about it. Update Wednesday 15-4, 20:00: Drop in the ocean arrived, leaving the below message only....
'When the lockdown came, we actually decided right away to continue, but online. So we opened digital studios.' Like so many others, the Hague Theatre House also entered the digital world of Zoom, the app with which Culture Press also records podcasts remotely. 'People rehearse for presentations and performances. We have created a talent environment for that. An online place with films,...
'The world around us is changing, after this period we will speak about a period BC and AC'. Words from a wise dance maker from the Hofstad, referring to the period before and after the Coronavirus. However, you can also relate it to the news from the Hague dance world. What is the news? Sol Léon and Paul Lightfoot decided that...
In Verstoten Vaders, Elena Lindemans impressively highlights a huge, tucked-away social problem: of many tens of thousands of children who have to let go of one of their parents after a divorce. Elena: 'While making 'Wife Beats Husband' - a film about men who are victims of domestic violence - I came into contact with fathers who are abandoning their children - almost...
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