Skip to content

diversity

These are the winners, losers and newcomers in Amsterdam arts

Diversity in the Amsterdam art world is not yet flourishing. The Amsterdam Fund for the Arts, which announced its grant awards today, is getting a bit tired of it: "Across most disciplines, committees note that cultural diversity of audiences, staff and governance is disappointing, as are efforts to change this. Outside specialised organisations for which cultural diversity is a core business, ambitions are still not high, despite two decades of cultural policy in this area. If the ambitions are there, organisations do not always manage to give them hands and feet. There often seems to be a certain discomfort or 'not knowing how'."

So to start with the good news: Marmoucha grows 398 per cent compared to the previous grant round. The capital's producer and promoter of performing arts in the field of North African and Middle Eastern arts and culture in the Netherlands was severely cut back in 2013, but the Amsterdam Fund for the Arts found its work over the past four years to be so good that the grant has been more than deserved. In the new round of awards which became known on 1 August they rise from 25,070 euros to a tonne, adding that perhaps they should not be so ambitious.

Choreographer Jan Martens on Spring: 'I hold my heart every time, how it turns out'

Choreographer Jan Martens' new performance, The Common People, is on show in Utrecht this weekend during Spring. Dozens of volunteer performers have a blind date on the stage of the Stadsschouwburg's main auditorium. The audience can walk in and out between performances, drink a beer for the duration of one or more duets or browse on the back stage and... 

Theatres are doing better and better: 6 lessons from the VSCD @congresPK

On Monday 23 and Tuesday 24 May, the VSCD met, and the Congres Podiumkunsten (@congresPK) was going on at the Nijmegen Concert Hall De Vereeniging. I went to check it out and discovered some new things.

1 The eminent gentlemen are gone.

Things have changed in Dutch theatre since the beginning of this century. Somewhere around the year 2000, I was a guest at a meeting of the Association of Theatre and Concert Hall Directors, and it was a bizarre experience. I found myself among a gathering that could best be described as a gentlemen's club, where the number of upstanding municipal officials exceeded the number of artistically inspired theatre lovers.

Now, 16 years later,

Cultural governance code needs maintenance: who monitors supervisor?

'Ultimately, of course, it ends up on my plate,' sighed Jet Bussemaker, minister of culture in cabinet Rutte II, the other day. She was speaking at the presentation of a research report into the functioning of supervisors in the cultural sector, in Amstelveen at the end of April. Because, she summed up: if supervision fails, there is no one but the minister to repair the damage.

#OscarsSoWhite? Yes. But Europe is no better.

Things have been rumbling in the film world for some time: Why is the silver screen so, er, white? And where are all the women anyway? #OscarsSoWhite but also #OscarIsADude! Many people in the industry have already expressed their displeasure at this. At the previous Oscar ceremony, actresses aimed their arrows at equal pay, or rather, the lack of it. This year, many an African-American actor and... 

Winternachten gives audience a bigger voice

International literary festival Winternachten wants to involve the public more in its programmes next year. 'Audiences increasingly want to have a say,' says director Ton van de Langkruis. 'That can be done in all kinds of ways, we are now brooding on that.' Winternachten attracted some 7300 visitors this year, equalling last year's attendance. Last edition's theme was 'Hello Darkness', and... 

something raw logo

This was Something Raw 2016: less rebellious, more social

The raw in Something Raw can mean all sorts of things. The first thought might be something rough, as in the effect of sandpaper on skin or the havoc left by an elephant in the china shop. But rough is a derivative meaning. Raw first of all means unprocessed and fresh. There is a certain hope in the combination of rough and raw: artists who like... 

'TV has lost touch with reality'

"Let's have a Magna Carta of British Broadcasting." With those words, celebrated actor Idris Elba (Luther, The Wire) began his closing remarks in the British Parliament. For the past half hour, he has been speaking to the Lords and Ladies kindly yet persuasively about the need and opportunities for diversity in British television. The timing of this speech was perfect because... 

Apple was not just messing around

Ten years after his death, Karel Appel turns out to be more timeless than you would think with only Cobra in mind. This can be seen at a large and impressive retrospective at the Gemeentemuseum Den Haag. It showcases the oeuvre of a highly versatile artist who continued to develop into an old age. An impression of the exhibition under construction. Drawings Next to... 

Monks and hippies in search of enlightenment

Among the dozens of film festivals in this country, there is one that forms a small island of tranquillity and contemplation. The Buddhist Film Festival Europe, now in its 10th year, is a multi-day festival with, about and by Buddhists, or Buddhist-inspired. Now that everyone is all mindful, we go back to the source with festival director 

Italian grandfather of arthouse cinema

With Michelangelo Antonioni - Il maestro del cinema moderno, EYE has once again managed to put together a flawless and solid film exhibition. George Vermij visited the exhibition on the Italian master filmmaker and looks back on his influential oeuvre. In Dino Risi's road movie Il Sorpasso (1962), the passionate and extroverted Vittorio Gassman takes on a young and reserved Jean-Louis Trintignant... 

Let zzp'ers keep the supervisory boards of cultural companies on their toes!

How next for boards in the cultural sector? Supervisory boards are under considerable pressure following publications about possible failed supervision at Rotterdam's Wereldmuseum, Grand Theatre in Groningen and recently again from Rotterdam's Het Nieuwe Instituut. Previously, similar reports appeared about De Utrecht Games and the Groninger Museum, among others. In practically all cases, the cases involved a Council... 

The great Jihad or tearful dying: "Mom, are you ready?"

Last night Nazmiye Oral, together with a large group of Turkish colleagues, played the performance Niet Meer Zonder Jou for the third and, for now, last time. It is an intimate and overwhelming theatre production by Adelheid Roosen, Female Economy & Zina, co-produced by and performed during the Holland Festival at Broedplaats De Vlugt, far west in Amsterdam-Slotermeer. Tearing die Nazmiye Oral calls... 

Bussemaker doesn't invest in youth theatre: she cuts a company out permanently

Every company 50,000 euros more. Youth theatre in the Netherlands should be very happy with the letter culture minister Bussemaker sent to the chamber last Monday. After years of squeezing under Halbe Zijlstra, finally more air for the makers. But the investment of 4 tonnes a year turns out to be a cutback. In fact, Bussemaker only gives a gift to eight companies. Company... 

5 nominees Golden Struis 2015 / Cultural Marketing Awards

Marketing in culture comes of age, these 5 clubs are this season's top performers

It is a niche sector in marketing, but cultural marketing is fast becoming mature. In recent years, cultural organisations have had to be creative and inventive with increasingly limited budgets. This often manifested itself in sensational marketing of performances, exhibitions and festivals. Not without results: these five marketing cases have bravely drawn attention last cultural season.... 

How do you remove the negative sound around 'amateur art'?

A tricky question, but Festival Havenwerk director Erik-Jan Post has an idea and likes to bad some sacred cows. About arts education. About the concept of 'amateur'. About how big you should want to be as a festival. 'We are much less a festival in the classic sense. Havenwerk is more of a meeting place, with the participants at the centre. This year, therefore, the entrance fees are... 

Anton Corbijn at the Gemeentemuseum (author photo)

Anton Corbijn in The Hague: Iconic portraits, dated musicians

In the halls of the Gemeentemuseum Den Haag, Mark Rothko has made way for photographer Anton Corbijn. A bigger difference hardly seems conceivable, but an exhibition with lots of pop photographs fits seamlessly into the museum's mission to bring 20th-century avant-garde art, stresses director Benno Tempel. Corbijn, who celebrates his 60th birthday this year, will be honoured with a double exhibition; besides... 

Much attention to Ingres' comtesse

3 outdoor opportunities for art lovers thanks to The Frick Collection at The Mauritshuis

Ingres, Cimabue, Memling, Tiepolo, Goya, Van Eyck, Constable. Pure top names in art history and many of them hardly ever hang in Dutch museums. But now they do. The Mauritshuis in The Hague is showing no fewer than 36 works from the famous Frick Collection in New York from 5 February. And that museum has never before lent so many art treasures. Therefore, the Mauritshuis has... 

2015 is not left: 5 reasons why art is becoming more exclusive

Art ends its 70th anniversary as a 'Leftist Hobby' in 2015. There is not much more to predict for this year. Art goes back to the bourgeois status it held since the start of the industrial revolution. 1: Art was never left Art, of course, has never been 'left'. Subsidy may have come from the thinking tubes of social and Christian democrats, but art an sich... 

IDFA 2014: Do women look at the world differently? 9 sides of a documentary puzzle

Film-making used to be a man's business. Men made films about men watching women - something like that. In 1975, film scholar Laura Mulvey launched the famous notion of 'The Male Gaze'. Last year, it resurfaced in the heated debate surrounding La vie d'Adèle, that wonderful film by Abdellatif Kechiche (male) about a lesbian love affair. So how about before? This year, IDFA has... 

The future is not fixed. 7 solutions to the arts crisis.

By Melle Daamen 'What do you want then?' was a question I received quite often in response to my articles last year in NRC, in which I expressed my concerns about the state of the arts in the Netherlands and especially its future. I argued for a fundamental debate from within the arts sector itself, focusing on the future, including... 

6 reasons why you should support Culture Press

Recently, you can also become a supporter of Culture Press. For 60 euros a year, you support our work, with no further obligations. That's a great way to further advance a unique news medium! 1: Culture Press is a readers' cooperative. Unlike, say, your favourite newspaper, with us you are not the product, with which we lure advertisers in. At... 

Culture Council notes total destruction of amateur art. Minister worries.

Over 60 million has disappeared from the coffers of the Netherlands' amateur artists in recent years. That money from your daughter's dance class, the brass band and your son's hip-hop class has been spent by municipalities, which had to compensate for cuts elsewhere, and provinces that suddenly saw no point in amateurs. That the national government additionally took 200 million from professional arts institutions is added to that.

5 lessons from a Tilburg riot: superficial newspaper determines superficial cultural politics

Regional newspapers hardly do any real cultural journalism anymore. We know this, because it was the reason why we Culture Press once founded have. How bad things are now, five years later, with art in the region and the way the newspaper handles it, was evident this month in Tilburg.

Small Membership
175 / 12 Months
Especially for organisations with a turnover or grant of less than 250,000 per year.
No annoying banners
A premium newsletter
5 trial newsletter subscriptions
All our podcasts
Have your say on our policies
Insight into finances
Exclusive archives
Posting press releases yourself
Own mastodon account on our instance
Cultural Membership
360 / Year
For cultural organisations
No annoying banners
A premium newsletter
10 trial newsletter subscriptions
All our podcasts
Participate
Insight into finances
Exclusive archives
Posting press releases yourself
Own mastodon account on our instance
Collaboration
Private Membership
50 / Year
For natural persons and self-employed persons.
No annoying banners
A premium newsletter
All our podcasts
Have your say on our policies
Insight into finances
Exclusive archives
Own mastodon account on our instance
en_GBEnglish (UK)