Gloating is a beautiful and deeply human thing. Director, screenwriter and film producer Paul Ruven - known for one Dutch film blockbuster after another, we call it Het Bombardement - recently received an impressive bowl of critical shit poured over him following his new bake The Surrender. So many, in fact, that Amsterdam cinemas didn't want to get burned by it.
Still, Ruven does not let himself be cowed.
Because of my fascination with the complex relationship between listening and watching, I decided to visit three performances at the recent Holland Festival and experience what happened when I tried to pay equal attention to ears and eyes. The first was "Delusion of the Fury" (1966) by American composer Harry Partch, the second a concert performance of Philip Glass's opera "The CIVIL warS" (1983), the third a performance of Franz Schubert's "Die Winterreise" (1827) in which twenty-four short films by South African artist William Kentridge were shown.
For years he was a conductor who also composed, but after operas such as Le balcon and Angels in America Hungarian Peter Eötvös (1944) is now a composer who also conducts. On Friday 21 February, he leads the Radio Philharmonic Orchestra in Vredenburg Leidsche Rijn in the Dutch premiere of his Violin Concerto No 2, DoReMi, which he composed in 2012 for Japanese violinist Midori. - I spoke to him last week.
Regional newspapers hardly do any real cultural journalism anymore. We know this, because it was the reason why we Culture Press once founded have. How bad things are now, five years later, with art in the region and the way the newspaper handles it, was evident this month in Tilburg.
Holland Festival
Benjamin Millepied is a glamour boy who conquers everything in his path: from actress Natalie Portman to the Paris Opera ballet. In reality, after the premiere in Amsterdam, the Frenchman looks like a
Rokia Traoré, Dieudonné Niangouna, Brett Bailey, Compagnie La Baraka by choreographer Abou Lagraa, El Gusto with Kashba Blues: there is a lot of Africa in the Holland Festival 2013. Performances that
Anyway: while Amsterdam's city newspaper Parool was embarking on a campaign against the Dutch capital's city company at the behest of the Flemish publishing board, the same Toneelgroep Amsterdam was winning the hearts of New York audiences with a production of the already years-old 'Roman Tragedies', which a few here did not even like overall: http://www.wijbrandschaap.nl/2007/06/romeinse-tragedies-hf2007ta/
Winning two awards in one weekend, that doesn't often happen to a person, not even in the award-winning art world. Eric de Vroedt is a theatre-maker and writer to whom it has thus happened. Entering his final season 'MightySociety' he got the Amsterdam Prize (35,000 euros) and the Prize of Criticism (a statuette), determined by a jury of newspaper reviewers.
While YouTubesurfing, I stumbled upon these razor-sharp sketches of Stephen Fry and Hugh Laurie. Descended from the heyday of their genius programme A Bit Of Fry & Laurie. Watching this beautifully parsed windbag, a nasty feeling came over me that damn little has changed in the mindset of art critics since this skit was broadcast. Complacency is always lurking.
I Like To Watch Too: abundance of performances shows that dance and performance are powerfully connected to modern society. The dance steps rain down on you even before you have entered Paradiso. Tim Boerlijst tap-dances on the pavement. This infectious welcome immediately draws visitors into the atmosphere of 'I Like To Watch Too'. This festival showcases dance and performance from...
At the request of Amsterdam debate centre De Balie, Parool and Groene Amsterdammer columnist Theodor Holman wrote a play about a conversation between Anders Breivik and Geert Wilders. In an interview with Joost Niemöller of the opinion blog 'De Dagelijkse Standaard', the presenter and writer explained that he admires Breivik's analysis of the situation in Europe, which he also believes...
Positive news to start with: in The Hague, the municipality is doubling photographer/filmmaker Anton Corbijn's contribution to his youth culture fund Haagse Bluf by €75,000. Corbijn explicitly told the fund not to interfere in the subsidised cultural sector. So compensation for the cuts need not be expected. In Arnhem, the alderman is satisfied with the...
It has finally been scientifically proven: a work of art does not stand alone. A work of art is only truly appreciated when the viewer is told that it is real art. British professor Martin Kemp conducted research with brain scans at Oxford University and provided proof that the way we look at art is "completely irrational". The research...
Tax benefits to be gained this year (...) With effect from 2012, under the new Giving Act, there is an additional tax facility for donations (incidental or via periodic donations) to charitable institutions (non-profit organisations) designated as cultural institutions. Those cultural donations may be multiplied by a factor of 125 per cent for the gift deduction. This...
State secretary does not give museum park Orientalis a cent (...) Interim director Peter Berns had asked Zijlstra, state secretary for Education, Culture and Science, for a one-off subsidy of six million euros. The province of Gelderland is willing to make a one-off contribution, if necessary, but only if the government also comes over the bridge. So that is not the case now, confirms a disappointed Berns. Source:...
We have received an initial response from the ministry to an objection from an institution to be cut away. In this case, the Netherlands Music Institute. Ministry products and services officer, appropriately named Drs Spijker, dismisses the objection, but we have some questions about the precise legal hedging of the whole thing. And we ourselves, of course, are...
(...) The Youth Theatre School Roosendaal received a project subsidy of 36,779 euros from the municipality in 2010 and 2011. The school also fulfils a regional function. Forty per cent of its 330 pupils come from the surrounding villages. The proposal is to end the subsidy from 1 January. It was only this week that this apparently dawned on Hofplein's management. Which immediately started a...
Pim van Klink is his name. He has been popping up everywhere lately. Especially when the malicious subsidy orientation of the cultural sector needs to be pointed out, every medium calls Van Klink first. Last week, he once again threw his hobbyhorse into the henhouse in the NRC and was invited to join Buitenhof. And according to our trench-coat-clad...
It looked like a party. Coffee and flan, a Maastricht song, brass band music and a speech by Prince Carnival. Optimism surrounded the launch of the website nadeschreeuwnudestem.nl on 21 February. Surely the cry for culture in November was mainly a voice of dissent. Now there is a chance to take forward-looking action. 'Mobilise everyone you know to join the March 2...
Now in terms of tax money, they already spend hardly anything on the arts, in America. But many think even that is too much. Earlier, we reported on Facebook and Twitter about Republican America's call to abolish subsidies altogether. Meanwhile, the president of the National American Arts Fund NAE (National Endowment of the Arts) has taken a bat...
We were at a debate day in The Hague that was as inconspicuous as it was historic on 13 December 2010: it was about the budget of the Ministry of Education, Culture and Science of the (first?) Rutte government, and that was the budget in which, at the request of the supporting party PVV, the amount to be cut in the arts budget was set at 200 million, with heritage and museums having to...
"It cannot be ruled out that previous choices made by the cabinet, such as on the VAT increase and the sharp cut in the Music Centre of the Netherlands Broadcasting Corporation, together with the announced cuts will cause irreparable damage to the cultural sector." Of course, even though Halbe Zijlstra has thankfully banned the term "Leftist Hobby" when it comes to culture, the distinguished gentlemen...
The Rutte government is defending the VAT increase on admission tickets to theatres and concerts, claiming that it will straighten out an exception for the arts. However, this does not appear to be true, according to a response from the Order of Tax Advisers to the proposal. "The Bar Association additionally points out that the explanatory memorandum notes that for the performing arts on...
Just when it was announced that musical production house M-Lab is in financial distress, a helping hand comes from Dutch theatre critics. Indeed, the annual Prize of Criticism goes to the laboratory that produces musicals that almost always matter. We quote the jury report:A laboratory is not only for somewhat unworldly scientists who are fiddling on the square millimetre...
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