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Holland Festival: diary of the 2011 edition

On 28 February, Pierre Audi will present the programme of the 2012 Holland Festival at the City Theatre. As in 2010 and 2011, we will follow that festival closely with our online festival daily newspaper at www.dedodo.nl. That daily newspaper has now proven its right to exist, as more and more festivals want to collaborate with the Cultural Press Agency on this unique initiative. To the 'product-range'... 

Culture Council given little leeway

He barely showed his face in recent months, rarely engaging in debate with artists or the public. Now that the mega budget cut on culture is law, and nothing can be changed about it until 2016, we can follow Halbe Zijlstra's victory lap again. Also on twitter.

There is no Facebooking about taste. Harvard: only classical music and jazz preferences are transferable in social networks

For some, social media seemed to be the solution for how companies could market their wares. You sell something to one person, and that person passes on their good experiences to their social network. That way, you could influence a lot of people with relatively little effort. Not so. Friend networks on facebook are hardly interested in each other's tastes.... 

One hundred and thirty thousand visitors for the Cultural Press Office in 2011. The bar for 2012 is high.

That frightens us quite a bit ourselves. We knew that the Cultural Press Agency was doing pretty well, but we didn't really think a reach of more than 100,000 people was possible. After all, we had done nothing in the way of marketing. Just posting content and not giving away free tickets. And only once something with a bare female breast in it. Enfin.... 

Enterprising young theatre makers, Meermanno meets revenue standard, Eindhoven accepts collection, Amsterdam supports cultural education, et al.

Entrepreneurship is in young theatre-makers' blood (...) A new theatre circuit seems to have emerged in recent years. More and more young groups, such as Stichting Nieuwe Helden, PSTheater and Circus Treurdier, work relatively independently of subsidies and almost always outside the theatre building. They seek out their audiences anywhere, whether on the street, by a canal or in a... 

Benefit Giving Act, cultural budgets, Brabant, Amsterdam, Arnhem, Eindhoven, Goes, Utrecht et al.

Tax benefits to be gained this year (...) With effect from 2012, under the new Giving Act, there is an additional tax facility for donations (incidental or via periodic donations) to charitable institutions (non-profit organisations) designated as cultural institutions. Those cultural donations may be multiplied by a factor of 125 per cent for the gift deduction. This... 

Daily news: Sale in Rotterdam, protests in Amsterdam and an arts centre closes in the south

Culture sector signs agreement on youth pass Eight umbrella organisations in the culture sector signed a covenant on Wednesday advocating the continued existence, albeit in modified form, of the Culture Card. It should remain free, but will henceforth only give discounts on cultural outings. The 15-euro credit will disappear because the state will no longer provide subsidies. Instead, students in the... 

IDFA 2011 kicks off with Danish documentary stunt work: The Ambassador

The crisis rages on and the Arab world is in flux, but in the documentary world, the time for big stories is over. At least that was the conclusion drawn by festival director Ally Derks at a press conference ahead of the 24th edition of the International Documentary Film Festival Amsterdam (16-27 November). Unlike a decade ago, documentary filmmakers now focus... 

Sarah Moeremans camps out at the theatre and shows young actors all over it during #dekeuze

Director, actress and theatre designer Sarah Moeremans is holding office in the lobby of the Rotterdam Schouwburg for a year. Titled "My First Camp", she has moved into the front hall to be more in touch with the various users and visitors in the building and the world around it. Has the public space become a wilderness, which... 

Jacob Derwig and Elsie de Brauw receive 2011's top drama awards

On Sunday evening 11 September, the VSCD Drama Awards, the VSCD Mime Prize, the VSCD Youth Theatre Awards and the AVRO Toneel Publieksprijs 2011 were presented at the Gala van het Nederlands Theater. And that you then know that VSCD stands for the Association of Theatre and Concert Hall Directors and AVRO for General Free Radio Broadcasting. The award for the best male lead of the past... 

Hot and sunny weekend at Soesterberg airbase: time for new experiment with The Dodo

With temperatures above 25 degrees, it will be a sweltering but also unique summer day, that 10th September. The Cultural Press Agency will be present that day and Sunday with four journalists at the former Soesterberg Air Base to report on festival De Basis. When you get there, you will make lots of nature, even more impressive war history and a theatre performance or two... 

Finally answers pressing questions from theatre history

Ever known that 'The Wedding of Kloris and Roosje' was first performed in 1707, and that it is the forerunner of today's New Year's Eve conference? Thanks to the theatre encyclopaedia, which will be available online from 1 September, these and many more facts can be found. The Theaterinstituut Nederland (TIN) is the initiator and provides much of the content of... 

Rotterdam Theatre's International Choice has always been a personal choice

Last year, it was still about 'a sense of belonging': about the ability to feel at home somewhere, to know you belong somewhere. This year, the motto of the quirky Rotterdam festival De Internationale Keuze is almost diametrically opposed to that: parallel reality. Instead of one place offering warmth, the festival now says that place is there... 

Reviewers on the fortieth Rotterdam International Film Festival: lots of Chinese loneliness and that Russian needs to hit the cinemas

OK. A pilot. When Jeroen Stout lost his Wednesday film fork in Radio Kunststof on Radio 1 in December 2010, we made him an offer he could easily refuse: to do something like that with us. But that we would then look for a way that suits The Dodo. After all, audio online may be the... 

"Characteristic of the book trade remains the endless chatter, but this evening I wouldn't have wanted to miss." All tweets from #evdu, with video.

Interesting things are happening these days. The digital revolution is beginning to have traces of a real revolution. No one has yet set themselves on fire, as in Tunisia, but more and more people are taking to the virtual streets to overthrow the old powers: after the record companies, which let themselves be overwhelmed by people downloading, and the newspapers, which let themselves be overwhelmed by people searching freely for information, it now seems to be the turn of book publishers.

Springdance 2011 presents programme. The Dodo is there.

On Thursday 14 April, the Springdance festival 2011 opens with the opening performance Sideways Rain by choreographer Guilherme Botelho and his company Alias in the Stadsschouwburg Utrecht. Springdance 2011 presents innovative and high-profile contemporary dance from around the world. Besides many premieres, the festival has an extensive fringe programme including street performances, lectures, an introduction to contemporary dance for those starting... 

We will be there every day at The International Choice. With text. With video. With news and reviews

Tomorrow begins The International Choice of The Rotterdam Theatre. A festival that for years has presented remarkable theatre from all over the world at the Maasstad's theatre in September. Except this year, that is, because the 'chest of quist' is being rebuilt and that will take some time. Not something with Amsterdam metro builders, but whether the official reopening on 2 October 2010 will be... 

The Dodo spreads its wings in dire times for subsidised art

Then you just have to have Twan Huys. The presenter of Nova who managed to kill all Job Cohen's election ambitions in a few schoolmaster questions. He will be able to pull the same trick on Sunday 29 August with a few left-wing politicians and arts bobos in the traditional Uitmarkt debate in Paradiso.

De Keersemaeker sinks through the bottom of what is still dance in '3Abschied'

 Text Maarten Baanders (photo Herman Sorgeloos) After sensory work had already been reduced to a minimum in Keeping Still - Part I and The Song, dance philosopher Anne Teresa de Keersmaeker confronts the most extreme reduction possible in life in the final part of the trilogy, 3Abschied: death. Her choice of music strikes again Der... 

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