For De Stadsbron, I interviewed Patrick Nederkoorn, comedian but in a previous life also politician, about his city, Amersfoort: You had a decisive role in politics here for eight years. In your programme, you reckon with that a bit. You argue that you were very much on form, and sometimes sold content where later you didn't... at all.
Holland Animation Film Festival and the Amsterdam animation festival Klik! have joined forces. The new festival is called KABOOM.
Virtual Reality is taking off. On Friday 11 October at 15:00, you can experience the world premiere of the chilling Walking through the Walls, a totally immersive work made for the Oculus Go and MEZE AUDIO headset, together the most complete portable VR set available. The event takes place at Mediamatic in Amsterdam, in collaboration with Stichting...
Eye Xtended presents extraordinary VR. This time an experiment by the always challenging artist Paul McCarthy. Embedded in a package of films that served as inspiration.
The dance film occupies a unique place among the film offerings. Not driven purely by psychologising or text, it offers every opportunity for experimentation in form and content. But that also means it is difficult to place. And therefore difficult to make. The second part on the growing pains of the dance film features 2 dancers and performance artist....
That you cannot shamelessly treat a black man as a rutting primal beast and a faceless object for your unlimited lust fantasy as a white woman? Seems logical to me, but for Angélica Liddell, world-renowned performance artist, it is typical of the new puritanism that threatens free art. She now brings The Scarlet Letter to the Netherlands, a theatrical performance that is rather...
Art at a music festival often degenerates into decoration, but that certainly does not apply to Groningen's CLASH. 'We don't want art to be left out of the programming, but rather to be given full attention. We think it deserves that,' says organiser Milou de Boer. Fifty per cent of CLASH's programming budget goes to the arts, and that was too...
Is production house Dansmakers Amsterdam losing its housing? Together with other institutions in the dance sector, it has made every effort to align and further develop the whole spectrum of dance facilities in Amsterdam. In 2018, for example, the joint plan Danswerf was developed and submitted as an application for a two-year development grant to the Amsterdam Fund for the Arts (AFK)...
'Please stop the show!", shouted an 83-year-old former reviewer from the back row. Theatre Frascati fell silent for a moment. There had never really been such an interruption at the Holland Festival's traditionally festive press conference. And that while Faustin Linyekula had just got into his stride, telling about the projects he is carrying out with his Studio Kanako in Kisangani. They provided...
The trans-drama Girl, Belgium's Oscar entry, is on a veritable victory lap. Filmmaker Lukas Dhont on the struggles of trans girl Lara, who is mostly an ordinary adolescent. On his personal struggle with stereotypes, and on his love of dance. "A place on the Oscar shortlist would already be very nice," he says.
Finally, the Groninger Museum has got it together. For six weeks, you can admire Hella and Freek de Jonge at the museum. Not only their art, but also the people behind the works. Art meets performance art meets reality show. From 10 a.m. to 5 p.m. A glimpse into the couple's kitchen; also literally, because Hella goes into the...
This edition, Theatre Festival Boulevard invited the audience to reflect on the two sides of identity: its immutability but especially its malleability. All this under the heading what you see is what you guess. If there is a performance to which this applies, it has to be Goat Song. A fascinating fifty-minute wordless performance by...
'Not a bad word about Lego or Knexx. But identity is the most exciting building kit.' So opens the preface to Theatre Festival Boulevard in Den Bosch. What you see is what you guess is the motto this time. It refers to the gap between how other people see you and how you yourself feel. Identity in its broadest form: from gender...
Usually when I speak to someone who calls themselves a playwright, they say they are 'only' a supplier of a 'half-product'. I never get that answer from a young actor, and certainly never from a director. It is they who make theatre out of the half-products supplied by writers. Actors and directors prefer to be addressed as 'theatre-makers'. Nothing wrong with that....
French-Austrian theatre maker Gisèle Vienne is showing her latest work Crowd at the Holland Festival. Vienne takes the rave party as a starting point for subtle observations on what moves people during a night out. Besides the ecstatic pleasure of dance and trance, the performance also stages all kinds of nocturnal self-loss, awkwardness, loneliness and aggression. Crowd, Gisèle Vienne. Photo: Estelle H... You can...
Occasionally it chafes at Playful Arts, an intimate festival that brings play and art together. It's all about interaction, doing it yourself, experiencing it. Some visitors have to cross a threshold. But then something does happen. Those dancers must be in really good shape," I hear someone behind me mutter reverently. On the other side of the street, a man points to...
A sizable group of women, their skin all shades of brown, white and black, their breasts and chests hopping briskly to the beat of stepping and running movements on the spot, swirls around its own axis upon entering the auditorium at the Brakke Grond. Legacy is an intimate performance that moves loosely up and down between concert, performance,...
It feels like a variation on a scene from a farce. On stage: Birmingham REP's public relations officer, a journalist flown in from the Netherlands for the premiere and the director's assistant rushed in. Location: an upmarket hotel in the heart of Birmingham. Time: Sunday morning a little after ten o'clock. The subject: sex and the all-encompassing concept of anxiety. Go! The big absentee is director Calixto...
Danez Smith is quite something. Or rather two, because the American poet likes to be addressed in the gender-neutral, or rather gender-plural plural form. A form of address not yet very common in Dutch, and thus avoided by everyone. Thursday night, 31 May at the former ro theatre, now Theater Rotterdam - Witte de With, fell around the...
Thursday 17 May opens SPRING Performing Arts Festival in Utrecht with, among others, Sic Transit Gloria Mundi by Dries Verhoeven and to come (extended) by Mette Ingvartsen. Over ten days, over twenty-five international dance and theatre productions, installations and performance works will be on show in public spaces and urban environments. A week earlier, festival director Rainer Hofmann looks relaxed. 'Until now...
In 1968, paving stones flew through the air in Paris. EYE Film Museum is packing big with the celebration of the 50th anniversary of that revolutionary year that unnerved and inspired filmmakers worldwide. But hadn't that wave of innovation started much earlier?
Poets Danez Smith and Patricia Lockwood once broke the internet with their virtuoso wordplay. Smith with a frothy tirade about ineradicable racism and police brutality in America (Dear White America) and Lockwood with a heartbreaking/funny poem about her rape (Rape Joke). Both have outgrown their hypes. They have secretly been doing a fantastic job for years, using Twitter, YouTube, paper and stage...
'There would be a difference between paper poems and poems that only fit into a recitation. I don't think it's a good poem in either case then. A good poem you can read well, and also reread, but it also fits very well in a performance.' Poet Anne van Winkelhof has clear views on what makes poetry good poetry....
In the documentary 'It is seen', they read and discuss Gerard Reve's defence against the charge of 'narrow blasphemy' 50 years ago. On the basis of their own experiences, they examine the state of freedom of art today. In anticipation of the later broadcast, film theatres will organise screenings followed by discussions.
Cinedans has been around since 2003. Back then, it was a single evening, part of Amsterdam's Julidans festival. Pretty soon, it grew into something bigger. According to Martine Dekker, involved with the festival since the 2011 edition, this was due to the overwhelming supply of dance films: 'From the second edition, filmmakers were invited to submit films,...
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