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'This new law means even more obstacles and restrictions for visiting culture.'

Honourable members of the House of Representatives, It is with great concern that we look at the Temporary Test Act that will be voted on in your House on Tuesday 11 May. This new law means even more hurdles and restrictions for visiting culture. Restrictions that will be introduced but where the end date is not given. This new testing law could be a godsend for... 

Museum directors: is their role as figureheads and media artists becoming more important than as art history experts?

Dutch museums, partly due to the recent digital Museum Week, have been able to retain a large part of their audience. There is - reports the Museum Association on its website - a slight turnover though. And the hitherto loyal public will not find their way to museums automatically and to the same extent. But the picture is that the... 

Bart Rutten: we need to keep a close eye on parents in the Miffy museum in particular

'The spontaneous breeze should be planned at least 15 minutes in advance. After all, you have to buy tickets for a block of time. When you enter our venue, you immediately see all the security measures we have taken to protect staff and visitors. There are huge screens to separate the flow of visitors. There's a chance you won't get lost in... this time. 

Culture is good for nothing

On 4 June, the Council for Culture issued its opinion on the subsidy applications of cultural institutions in the so-called basic infrastructure. The Council for Culture is the legal advisory body of the government and parliament in the field of art, culture and media. The Council advises on current policy issues and subsidy applications, solicited and unsolicited. It is very worthwhile www.raadvoorcultuur.nl af... 

'I don't see Le Guess Who happening on a grass field'. Johan Gijsen on postponement of critically acclaimed festival

'At the beginning of March we were still having a bit of a laugh about the virus, but a week later it became clear to me that we would be in serious trouble this year.' Johan Gijsen, director and founder of the Utrecht-based festival that brings together the most surprising artists from all genres of the international music world every November, is still visibly... 

Who said modern music was humourless and cerebral again? American Kelley Sheehan wins in Music Week full of humour and reflection

For a moment, the envelope seems unopenable but then Minister Ingrid van Engelshoven conjures up the redeeming paper after all. 'The winner of the 2019 Gaudeamus Award is Kelley Sheehan!' The little American almost falls off her stool in amazement. Probably not entirely by chance, the new music organisation has positioned her right in the middle of her four fellow candidates. - She herself would... 

Shout out! The big fill-in for the new arts plan.

The Council for Culture has just proposed the new Basic Infrastructure (BIS), and it has become a very big, in traditional terms 'prosperous', baby. Since the Council is not allowed to name names, and can only list functions, we have already made a fill-in list here, in which we list (very briefly, because little time and not knowing about everything) which existing cultural... 

Karim makes Ducky, the successful wooden brother of that Utrecht bunny.

It is a rainy Tuesday. Walking distance from Utrecht Central Station, just behind the always lively Kanaalstraat in the Lombok district, I see a windmill on my right. That's where I will meet Karim Eharruyen today. Mill Park 10. Karim's studio is in a hidden idyllic spot in Utrecht. On the unusual site, I first check out his neighbours one by one:... 

Amsterdam has run out of things to do: now Stedelijk Museum topper gone too

Bart Rutten becomes the new artistic director of Utrecht's Centraal Museum Bart Who? Bart quite an important figure. Bart Rutten was the man behind some great blockbusters at Amsterdam's Stedelijk Museum. That he is going to Utrecht after Malevich and Matisse says a lot about the good work of his predecessor Edwin Jacobs. It says even more... 

My 2016, and why it scared me to death. (A list)

Five art experiences will always stick to this bizarre year for me. And one thing really scared me. Whether the worst is now behind us? At least the most extraordinary is still on view until 5 February 2017. A chronological overview of what was unbelievable, unthinkable, inconceivable, unbelievable and perhaps untrue. Much of it, by the way, will be in 2017... 

Bep Rietveld, daughter of....

Bep Rietveld could do at least 1 thing better than her father

The great thing about visiting openings is that sometimes you get to experience something that no one expected. Like at the mini-exhibition 'Bep Rietveld, daughter of...' at Kunstruimte Kuub in Utrecht. It features 72 paintings by the daughter of Gerrit Rietveld, the man who gave De Stijl its furniture and houses. This Bep, not without merit with the paintbrush, created a... 

4 reasons why the arts are going to lose a lot more. Municipal culture congress wrongly optimistic

It was ball in Rotterdam on Thursday, 30 January. At the Municipal Culture Congress, a few hundred officials, local politicians and arts organisations gathered to talk about where they could help each other. It was supposed to be a positive day. There had been long enough complaining and arguing: look ahead, hopeful into the future. Even if the worst is yet to come.

Erwin Olaf's sets in context, or: why should your visitors come back to your museum?

Erwin Olaf has a thing for wallpaper. The art photographer, known for his hushed and ominous compositions, thinks what is on a wall is at least as important as what is in front of it. The New Institute has now managed to combine that idea beautifully in an exhibition which shows both the sets of Erwin Olaf's most famous works, and a few wallpaper designs from the quivers of great artists.

Avdal and Shinozaki send a sultry spring breeze through Central Museum offices with "Field Works - office"

You think you are buying a ticket for Springdance, but actually you are making an appointment at the office, at the Central Museum. Once let inside the waiting room, staff walk busily past you and the doorman takes one call after another. You obediently fill in a form. As usual, you have to reveal all sorts of personal details. And then that question: what... 

Inertia and extreme duration make "Wild Life Take Away Station" by Ibrahim Quraishi a mysterious still life

Upon entering, Wild Life Take Away Station has been going on for four hours. Two performers - Diego Agulló and Ria Higler, a young man and an old woman - stroll through the Central Museum's project studio like drowsy zombies. They are pale and muscle-naked, except for their weird slippers and wigs. The two lie sprawled across the sofa,... 

Red Bull: the ideal power boost for languishing museums?

"If 1 person can prove that by collaborating with Red Bull, a sixteenth-century painting thins out or falls off the wall, I will stop working on it immediately." Edwin Jacobs, director of Centraal Museum Utrecht, opened his doors to the soft drink manufacturer. Under the title 'Art of Can', the museum is exhibiting artworks made from Red Bull cans. "Red Bull gives you wings,... 

Edwin Jacobs welcomes Red Bull can to Centraal Museum: "It is an inalienable right of everyone to become acquainted with art and culture"

Does a soft drink manufacturer's advertisement belong in a museum? In Edwin Jacobs's view, it can and fits seamlessly into these times. He opened his Centraal Museum to artworks made from Red Bull cans. Something to which not everyone reacts positively. The 'Art of Can' exhibition shows the sixty best creations that both amateurs and some... 

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