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The figures are in. And they don't say anything at all.

We had already announced it. This period is all about positive framing by the arts sector. Good news has to be spread, although people don't really know why. After all, there are no shareholders to be kept happy, only concerned art lovers. Anyway. On Wednesday 9 September, NRC journalist Daan van Lent presented the result of an investigation into the... 

The 10 best films to get in the mood for SAIL

Boats and film, they have been linked since the very earliest cinema. The first moving shot is shot from a gondola in Venice, Georges Méliès already made Les haleurs de bateaux in 1896 and the much more sophisticated 20000 lieues sous les mers in 1907. With SAIL about to break loose, it is time to list the best nautical films.... 

Important performances now available in full on Theatre Encyclopaedia

Watch Who's Afraid of Virginia Woolf by the Dutch Comedy in 1964, or Live, the 1979 video ballet by the Dutch National Ballet. You can now do so at the Theatre Encyclopaedia. Thanks to the crowdfunding campaign Being/Not Being. For some time, the Theaterencyclopedie had wanted to put videos of some of the crown jewels of Dutch theatre performances on the internet. A nice start has now been made on that. Through a Voordekunst action, even more money has been raised... 

affiche over productiviteit

Idee voor Griekenland? Engeland 15 miljard meer waard dankzij kunst

Het zou zomaar een oplossing kunnen zijn voor de Griekse problemen: investeren in cultuur. Voor Engeland is de zachtste aller sectoren in ieder geval een vruchtbare melkkoe gebleken. De culturele sector voegde daar vorig jaar 15 miljard aan waarde toe aan de economie, bijna 3 miljard meer dan twee jaar geleden. Ofwel: voor iedere pond die de overheid erin stak… 

Dutch National Ballet - Empire Noir - photo Angela Sterling A0146

Cool Britannia: fine coalition of British choreography talent

Got that. Do I get increasingly impressed during the National Ballet's evening Cool Britannia, turns out it's not that good at all. Because connoisseurs react lukewarmly afterwards. Am I that dumb, or are they that smart? There is actually very little British about Cool Britannia. Except that the choreographers are from there. An obvious... 

Zeros, ones and the public; what is digital art?

The new format of the Holland festival puts the spectator first. Plenty of visible events, free performances and being in the middle of the city. It's director Ruth McKenzie's trademark. It is therefore not surprising that she does not shy away from the digital universe. After all, what better way to share than digital art? But what then is digital art... 

Carel Kraayenhof: 'Most people think I'm inside.'

When you think of Carel Kraayenhof, you don't immediately think of a young squatter orating about Karl Marx in circle discussions. Yet protest resides in the musician, just like in the tango. This becomes apparent when the interview gets off to a brisk start.
‘Als er iemand weet door te dringen tot de ziel van de tango, dan is het wel Carel Kraayenhof.’ Aldus Mike Schaperclaus, innovator bij het Rotterdams Philharmonisch Orkest dat in juni in Ahoy de productie Julia brengt. ‘Alles valt op zijn plek: dat gevoel hadden we toen we hoorden ...

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Selectie Nederlands Theater Festival: een prachtlijst die nergens op slaat

Een prachtlijst. Anders kan de officiële juryselectie van het Nederlands Theater Festival niet omschreven worden. Keurig opgedeeld in grotezaal- en kleinezaalproducties, met ook nog eens een mime- en een locatieproductie. Tegelijkertijd slaat de selectie helemaal nergens op. Want ja, het Theater Festival geeft toe dat het voornamelijk naar toneel kijkt. En zijn er immers niet allerhande prijzen voor opera, jeugdtheater,… 

Ivo van Hove directs Bowie's The Man Who Fell To Earth II: Lazarus

Indeed, you couldn't release this message on 1 April, because nobody would have believed it. But it is coming, then. Bowie, The Musical. But from the man himself. Sort of. Ivo van Hove, the boss of Toneelgroep Amsterdam who is now more famous in America and England than in the Netherlands, is going to direct Lazarus. That's a new... 

The five shows you must see in February

#1 Salzburger Festspiele / Schaubühne am Lehniner Platz / Katie Mitchell, The forbidden zone (toneel/performance) – Nederlandse première 11 februari, Stadsschouwburg AmsterdamDe Britse regisseur Katie Mitchell is deze maand de ‘brandstichter’ in de Amsterdamse Stadsschouwburg. Met voorstellingen die even sprankelend als grensoverschrijdend zijn. The forbidden zone gaat over gebieden die lang verboden terrein waren voor vrouwen: wetenschap en oorlog. De voorstelling volgt twee vrouwen… 

Masha Bijlsma’s come-back verandert Zeister Bovenkamer in zwoele jazz-club

Een bovenzaaltje op een verlaten bedrijventerrein wordt een knusse jazzclub, een meisje van 43 uit de Achterhoek wordt een zwarte jazzdiva en haar band maakt een comeback na het verscheiden van de muzikaal leider. Bij Masha Bijlsma zijn de wonderen de wereld nog niet uit. Muziek kan de tijd doen stil staan. Dat gebeurt héél soms maar; ik maak het… 

Copyright: Erik Bindervoet

The five theatrical performances you want to see in January 2015, and you already have to head back to the province

After the annual lists, the recommendations for the new year. All dailies participate in it. Problem: much is not yet known. Festivals and companies present their programmes sometime in February, March. So we cannot yet give the tips for the whole of 2015. But we do have the tips for the coming month, in chronological order, because ranking performances we still have to... 

2015 is not left: 5 reasons why art is becoming more exclusive

Art ends its 70th anniversary as a 'Leftist Hobby' in 2015. There is not much more to predict for this year. Art goes back to the bourgeois status it held since the start of the industrial revolution. 1: Art was never left Art, of course, has never been 'left'. Subsidy may have come from the thinking tubes of social and Christian democrats, but art an sich... 

Lesson 1 for 2015: don't make your annual lists too early

Last weekend, we thought we were on the safe side with our list of best-read stories on Culture Press. True to old media laws, we thought the days between Christmas and New Year's would be quiet. Aber nein. It turned out there was another list on the way, which turned the whole thing upside down. Instead of 235 thousand interested readers... 

Photo: Monique van de Wijdeven

The 10 theatre performances you actually wanted to see in 2014, even if you had to leave Amsterdam for half of them

It's raining annual lists and we're merrily joining in. As subjective as anyone, after all, no one sees everything, and opinions on taste can always differ. Of course, also in this list many performances in or from the Randstad, but half of them were not yet shown there. And all genres mixed together. As long as it is theatre. With the only limitation: no repeats, apologies Ring and Lohengrin (DNO), St John Passion (NRO). And no dance, because for that our partner dance audience

In advance, 5 reasons why no one needs to apologise to Halbe Zijlstra.

Volgens de VVD moeten alle kunstenaars en kunstliefhebbers van Nederland ‘sorry’ zeggen tegen Halbe Zijlstra. Omdat ze zo boos op hem zijn geweest, toen hij zonder enig achterliggend idee 30 procent van de kunstsubsidies afschafte. Volgens het ministerie van Cultuur zou het namelijk fan-tas-tisch gaan met de kunst in Nederland. Wie het persbericht leest dat het ministerie daar gisteren over… 

Get the performing arts out of the margins: 1 award, 1 night, 1 gala. 100 cameras.

We can make a long story short. September and early October are raining awards. Every performing art form celebrates its own party. Theatre does it with Theo and Louis, cabaret with the Poelifinario, a Cricket is awarded somewhere, and then you have the Musical Awards and of course the Swans and the Dioraphte Prize. You can already feel it hanging: there... 

Joop Daalmeijer Marathon (5) "All balls on Amsterdam", I'm not into that at all.

Wijbrand Schaap: ‘Nu over de rol van de steden. Een van de reacties op onze site gaat over de rol van de randstad in het cultuurbeleid. Melle Daamen legt het primaat in de randstad, en gaat daarin verder dan de Raad.’ Marathon-interviewNaar aanleiding van de ophef rond Melle Daamens opiniestuk over het kunstbeleid zijn we uitgenodigd voor een ‘gesprek over… 

Sparkling Candide at Canal Festival

The 300-strong audience stood up as one after Leonard Bernstein's infectious performance of Candide at the Hilton Hotel in Amsterdam last night. The performance of this 'pocket version' of Bernstein's cheerful musical/opera about the incorrigible optimist Candide, produced by the Nationale Reisopera, took place indoors, in the hotel's ballroom, due to the weather conditions. After all, the Grachtenfestival has to be... 

Five things we learned from opera amuse Sweeney Todd

Wat: een voorproefje van de 'musical thriller' Sweeney Todd

Location: the biggest rehearsal space of the Dutch Travel Opera

Present: almost the entire cast, one hundred and fifty guests

Menu: bread, pastry, a dessert as pretty as it is tasty

Drinks: water, red/white wine ánd Bloody Mary's, complete with celery as a stirrer, Worcestershire sauce, Tabasco, pepper (and salt, nowhere to go), lemon (should have been lime), prepare it yourself

 
(1) Hoe maak je een Bloody Mary
Voo...

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Warhorse is almost perfect: 6 reasons to go. Or stay away.

Saturday, June 14, went off in a flood of evening gowns, dinner jackets, Dutch celebrities and Gooische Tanks War Horse premiered. A play about a war in which the Netherlands was neutral, and of which there are memorial stones in every village in the rest of the world. You can go and see it. Or not. We have listed six arguments.

Is Anne too big for reviews? 3 reasons why I find it hard to review Anne

Someone commented on Facebook that it looked a bit odd for a newspaper to hand out stars for a play based on The Diary of Anne Frank. Although I myself shudder to give out stars this early for a Godwin make, surely there is something to The Play and The Review. Indeed, reviews of The Play to The Diary seem superfluous. For how do you review such a play, with such a history? Isn't fuss about layering or no layering, adventurousness or no adventurousness in the direction even a little irreverent? So these are three issues, which led me to consider that maybe it shouldn't be possible at all. Anne review.

Nederlandse Reisopera with a musical. With Sanne Wallis de Vries. In Royal Theatre Carré.

Nee, bang voor concurrentie is het gezelschap niet. Voor samenwerking evenmin, getuige de juichend ontvangen Fairy queen met Veenfabriek en Combattimento, het orkest dat tot voor kort geleid werd door Jan Willem de Vriend.
Combattimento? Dat orkest zou er toch mee ophouden?
Daar leek het inderdaad even op toen Jan Willem de Vriend bekend maakte zich te willen richten op het Nederlands Symfonieorkest, maar zonder haar oprichter maakte het orkest een succesvolle doorstart. Net als de Reisopera, di...

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4 old cows in eternal Amsterdam theatre war cause Daamens oekaze?

Hoe kan een doorgaans heel gewone, aimabele theaterdirecteur opeens naar buiten komen met de mededeling dat een paar orkesten weg kunnen en het Nationale Ballet moet worden geoutsourced? Wij vroegen ons dat af en togen gisteren naar de parkeergarage bij het Concertgebouw. Want in het Concertgebouw was een borrel wegens de viering van een nieuwe cijferlijst, en waar borrels zijn, zijn losse lippen. Vooral in parkeergarages. En daar hoorden we tussen alle longemfyseemklachten wat nieuws: Melle Daa...

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