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Make more music yourself! (What I learnt from November Music 2024)

Bij het begrip ‘nieuwe muziek’ heb ik nooit gedacht aan lol. Je denkt eerder aan ernst, subtiliteit, te verwerven smaak en luisterervaringen die je misschien later wel gewoon gaat vinden. Maar nu nog niet. Dit jaar heb ik tijdens November Music dus wel heel veel gelachen. Niet schaterend (een enkele keer), maar gewoon, van geluk. Terwijl er in de wereld… 

Circolo turns the growing pains between sport and theatre into something beautiful

Large spinning steel behemoths, mowing blades or relentless hands of a clock, which grind you as a human being if you don't duck, or jump, or roll away in time. There were two of them during Festival Circolo in Tilburg, this year, and it always impresses. It happened at Un Loup pour l'homme in the Spoorpark and at La Chute des Anges in... 

Southern romance and hushed high spirits: Circolo kicks off in style

Biogas. It works. In Tilburg, they have taken a big step in making circus romance more sustainable. The campfires, from the first edition the anchor of Circus Festival Circolo, have been modified. No longer fuelled by increasingly soggy firewood, beautiful yellow flames now play around glowing chunks. The wood fire became a gas fire, but designed by a pyrotechnician with circus experience. The flames... 

Wendell Jaspers and Lotte Dunselman shine in (tentative) last by Madeleine Matzer

Quantum entanglement, supersymmetry. The nerd in me could not get around the mystery of cosmic twins, which hundreds of billions of light years apart yet simultaneously take over each other's state when one of them is seen. Or something like that. In Blood Sister, Matzer's latest play, it's not billions of parsecs, it's an Atlantic Ocean and 17 years of life that those two identical sisters... 

Miho Hazama

Conductor turns out to be dancer: Miho Hazama leads KC Jazz Big Band

On Friday 20 September, Grammy-nominated composer Miho Hazama led the Royal Conservatory of Music's big band at the Conservatory Hall in Amare. And how. Dancer in nowhere A leap. A plié on one leg. A relevé on the toes. A plié on two legs. The head to the side and rhythmically to the other side and back like clockwork. A half arabesque... 

Important things happened in Utrecht during Gaudeamus Festival 2024 

On Saturday, I caught myself having a wonderfully sexist thought. Not surprising, probably, as sexist thoughts appear to be in the standard package of the product 'man'. But there I was, sitting in a not so very full auditorium during the Gaudeamus Festival at For Real by Andrea Voets. There, the idea struck me that it was pretty weird to see a woman concentrated... 

What They in Weimar can learn from We in Rotterdam

'Plattenbau,' the driver says with some horror as we pass some boarded-up concrete porch flats. The GDR-built flats are in Alt Schöndorf, two kilometres outside Weimar's historic centre. Nailed shut for years, and squatters didn't look after them either. A hated legacy, but more by the West than the East. The... 

Liesbeth Zegveld, Summer Guest Full of Love, gave a lesson in ingenious storytelling

You tell the best story by putting your audience on the edge of their seats right from the start. Using well-chosen fragments, Liesbeth Zegveld managed to build a story in which the climax stunned everyone. Even the excellently prepared Margriet van der Linden sat at the moment suprême with eyes like saucers and chin on... 

'Paris' was wonderful, but has everything to gain when you add 'Den Bosch'. 

Going over the edge, exploring and pushing boundaries, pushing the limits of bystanders' comprehension, performing feats no one expects. And seeing gnomes walking through a forest. Or reading things in water. Seeing half a boy save the world. The first 11 days of August 2024 were legendary, never to be forgotten. And all in the... 

The Dancers sought depth with Club Gewalt, delivering a highlight of Boulevard

"How nice it would have been if, as a (male) viewer, I had really been taken out of my comfort zone by the fact that the anger was not so obviously played and commented on. How thought-provoking I would have been when they weren't making goofy faces at their Rudi Carell-German that - if implemented consistently - would have made me laugh.... 

28 July 2024 brought us the best #Zomergasten in years, courtesy of Sana Valiulina. And Jelle. And Paris.

We had barely recovered from the rebirth of Celine Dion. The traditionally long-winded and kitschy 'Son et Lumière' with which France had this time made the opening of the Olympics a quintessentially French event had also unleashed a storm of protests with a tableau vivant after the sadly just short of famous painting 'The Feast... 

The Romeo. © Orpheas Emirzas

Trajal Harrell's The Romeo is the laid-back performance you need right now @Holland Festival. 

"I didn't hear a song I didn't know." Over white wine after Trajal Harrell's The Romeo, the lady was quite grumpy. I might add that I hadn't seen a move I couldn't have made myself. And yet that did not make me cranky. On the contrary: rarely have I been so happy and relaxed... 

Once maligned Brazilian hero Verocai conquers the Holland Festival.

This is what charisma looks like. Arthur Verocai, now 79, tall and lean, stylish jacket around bony shoulders, only has to look into the hall once to overwhelm the audience. In the Concertgebouw's main hall on Tuesday night, the Brazilian legend stood in front of the Metropole Orchestra to belt out work from his scarce albums. He hardly needed to... 

Katia Ledoux in Carmen. © Inés Manai

Carmen adaptation by Wu Tsang shows how to combine respect and topicality

Probably the most famous murder of a woman for what she is is that of the fictional Carmen, a free-spirited young Spanish woman with a fear of commitment. Opera composer Georges Bizet immortalised this character from a French story by Prosper de Merimée, making the crime of passionel a common term for what is none other than femicide. That habit of men killing women... 

Eleven thousand strings in a round temple: Holland Festival highlight, but also missed opportunity?

Jet fighters, drones, thunderstorms with accompanying flooding and lovely babbling brooks with the occasional bird in a pine tree. All of Austria descended on the Gashouder at Amsterdam's Westergasfabriek grounds this weekend and it is what it promised: spectacle as only Austrian music spectacle can be. Georg Friedrich Haas's work 11000 Saiten is a great superlative: surround with emdr and... 

Melencolia by Ensemble Modern at Holland Festival: Unreal music theatre about the end of everything

Future health minister and deputy prime minister Fleur Agema graduated as an architect early this century with a study on the ideal prison. Artist Jonas Staal re-examined her graduation design a few years ago. Agema appears to have an extremely dystopian vision of the world in which prisoners and guards must pass through a disorienting, inky-black, concrete hell to... 

Dying drummer says it all in Tiago Rodrigues' Dans la Mesure de l'Impossible at the Holland Festival

Live music in the theatre, I long for it more and more. Performances in which actors are accompanied by a soundtrack, amplified with or without transmitter microphones, always only half captivate. You soon find yourself watching a kind of live performed film. But without the comfort of a cinema and the technical capabilities of the camera.... Sunday 9 June sat in... 

Music with balls for Beatrix at Holland Festival

Jazz-Rock, it still exists. In all those years of sitting in the theatre, reading books or listening to David Bowie or Rufus Wainwright, I had kind of forgotten about it. Music by real men, Heavy Metal for people who have studied for it, Gothic but with several conservatory degrees under their belt. Subtle chopping where the drummer's left hand is a 17/23rd... 

With Despois do Silencio, Christiane Jatahy commands deep respect at the Holland Festival

That's where Christiane Jatahy had me for a moment. When during her directed and devised story 'Despois do Silencio', one of the actresses falls into a Winti-like delirium, and her colleagues try to keep her from colliding unceremoniously with spectators in the front row, I briefly think it is real. That's how used to reality we are by now... 

PR image Margarida Constantino

At Delft Fringe, living rooms offer the lowest possible thresholds for up-and-coming talent 

Twenty years from now, I can say that I saw Daniëlle Deddens play once before she was a world star. It was on a somewhat chilly Saturday in June 2024 in the storage attic of an old mill in the centre of Delft. I was with about 20 other citizens of Delft, who had paid a few euros... 

Kinan Abuakel at Podium Mozaïek photo by author

Boundless Roma pride makes opening Explorez Festival something not soon to be forgotten. 

Kinan Abuakel took his Syrian classical music with him when he fled the country. With his Saz, a Syrian stringed instrument similar to the Greek bouzouki, which in turn is derived from the Turkish Buzuk, he plays a mixture of new and classical Syrian music. I heard it by surprise at Amsterdam's Podium Mozaïek. That's how I discovered live what I... 

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