It is actually a footnote in the press release that lobby organisation Kunsten '92 sent out into the world today. But, as always with footnotes, it did contain the most important news. Because Kunsten 92, the club in which organisations in the arts sector polder, is "exploring cooperation" with the Creative Industry Federation. The latter is the Arts '92 of everything that is also culture and creativity,...
Rabbit Hole is the name of the programme with which the International Film Festival Rotterdam dives into the world of internet memes. With a Meme Café, vlogging Chinese and the dazzling feminist pamphlet Make Me Up.
There are quite a few petitions floating around these days. The most curious of all petitions was in the digital mailbox today. In it, the existing support institutes in the cultural sector urge the Lower House not to put money into new support institutes. In doing so, clubs such as the Landelijk Kennniscentrum Amateurkunst (LKCA), Cultuur+Ondernemen, and the Boekmanstichting put in a small but...
Champagne at BAK in Utrecht, deep disappointment at The New Institute in Rotterdam: the Council for Culture has spoken. Today, Thursday 19 May 2016, the first advice after the draconian art cuts by the first Rutte cabinet came out, and heads are rolling. Amsterdam loses prestigious presentation institution De Appel, in The Hague fellow institution Stroom has to redo its homework. The Orkest van het Oosten and the Gelders Orkest have to come up with merger plans within two years. In Utrecht, the city company Theater Utrecht will no longer receive funding despite artistic appreciation. Het Zuidelijk Toneel in Eindhoven Tilburg must make new plans and Opera Zuid must quickly raise its artistic quality. These are the main conclusions of the Culture Council's opinion.
As dramatic as some of this may sound, the advice is actually not, when you look over the whole battlefield. Thanks in part to
'Ultimately, of course, it ends up on my plate,' sighed Jet Bussemaker, minister of culture in cabinet Rutte II, the other day. She was speaking at the presentation of a research report into the functioning of supervisors in the cultural sector, in Amstelveen at the end of April. Because, she summed up: if supervision fails, there is no one but the minister to repair the damage.
How next for boards in the cultural sector? Supervisory boards are under considerable pressure following publications about possible failures of supervision at Rotterdam's Wereldmuseum, Grand Theatre in Groningen and recently again from Rotterdam's Het Nieuwe Instituut. Previously, similar reports appeared about De Utrecht Games and the Groninger Museum, among others. In practically all cases, the cases involved a Council...
We are all a little afraid of losing control. So we are reluctant to like 'Europe', we are frightened by the unprecedented world powers lurking in our mobile communication devices and we think the public transport chip card is an onion, all the while being motivated every day to want newer, better, higher, more.
Erwin Olaf has a thing for wallpaper. The art photographer, known for his hushed and ominous compositions, thinks what is on a wall is at least as important as what is in front of it. The New Institute has now managed to combine that idea beautifully in an exhibition which shows both the sets of Erwin Olaf's most famous works, and a few wallpaper designs from the quivers of great artists.
What idiot could come up with that, wondered one of the attendees: that you can make electrical circuits by combining the DNA of an algae with that of a hamster? Just a question that comes to mind when walking around the exhibition Biodesign, on show in Rotterdam from 27 September to 5 January (2014). And then there's...
Piet Oudolf, the Dutch garden artist who changed the face of New York changed, is best known in the Netherlands as an ennobled plant book author. After many big cities worldwide, Rotterdam is the first city in the Netherlands to have a public garden designed by the now 69-year-old designer. And it immediately becomes clear what we have been missing in our 'public green space' for all these years. Quite right, then, that Oudolf received the Prince Bernhard Culture Fund Prize gets awarded.
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