'I work five nights a week and so I have to find out specifically when I can go to a concert. Sometimes I take time off for it. And then they do say, "hey, are you going to a concert again already?", and I say, "of course I'm going to a concert again". But I don't think it's extreme either.' Petra Gerritsen is process expert
Peter Vossen says he experiences a live concert twice a week on average. Not just in TivoliVredenburg, although he visited there almost 40 times last year. 'I also see a lot of free concerts on the streets and in cafés, of course.' Jazz is his great love, but he also attends soul, funk, Latin or pop concerts. Regularly, he can be found
Although the press picks it up only sparsely, not only the NTRZaterdagMatinee pays much attention to Dutch composers. Indeed, they are also well represented in the AVROTROS Vrijdagconcert (formerly De Vrijdag van Vredenburg). In 2014, for instance, Joey Roukens wrote The building of the temple to mark the reopening of TivoliVredenburg. Two years later, the season opened with Atlantis by Robin...
Performing arts policy greatly determines what can be seen and heard on Dutch stages. It underpins government funding of theatre and music. This policy pays a lot of attention to the quality of performances, but it hardly discusses the choice of pieces played, let alone what kind of repertoire landscape...
Dutch composer Theo Verbey (Delft 1959) writes music of lush tonal beauty, in which the achievements of centuries of musical tradition resound. He made his name with works such as Triad (1991) for orchestra and Expulsion (1988) for large ensemble, and with orchestrations of pieces by composers such as Modest Mussorgsky and Alban Berg. For the closing concert of De Vrijdag van Vredenburg, he wrote Traurig wie...
He has been given many labels. From (post-)minimalist to hardcore modernist and from neo-romanticist to neo-spiritualist. 'I don't pay attention to them anymore,' says composer Erkki-Sven Tüür (Estonia, 1959). Yet he responds somewhat surly when I ask in an email what he thinks of such descriptions: 'You either like my music or not.' Via Skype, he answers eight...
Willem Jeths (1959) is one of the most successful Dutch composers. Through his enormous craftsmanship and drive, he manages to create his own sound world, which is surprising yet accessible. His work is regularly performed at home and abroad and has appeared on many CDs. In 2014, he received the Amsterdam Prize for the Arts and later that year he was appointed
Georgian composer Giya Kantsjeli (Tbilisi, 1935) composes archaic-sounding, expressive works with slow progression, tremendous tension and heartbreaking melancholy. Characterised by fierce dynamic contrasts, his music often suddenly switches from an almost inaudible pianissimo to an oorsplitting fortissimo. On 23 February, Vredenburg's broadcasting series The Friday presents his monumental Styx for viola, choir and orchestra....
After years of concerts in the 'Red Box' on the A2, AVROTROS' De Vrijdag van Vredenburg on Radio 4 returned to the centre of Utrecht last summer. The new TivoliVredenburg was built entirely around Vredenburg's former Great Hall, renowned worldwide for its fabulous acoustics. Many a tear was shed at the reopening. To a new hall belongs...
For years he was a conductor who also composed, but after operas such as Le balcon and Angels in America Hungarian Peter Eötvös (1944) is now a composer who also conducts. On Friday 21 February, he leads the Radio Philharmonic Orchestra in Vredenburg Leidsche Rijn in the Dutch premiere of his Violin Concerto No 2, DoReMi, which he composed in 2012 for Japanese violinist Midori. - I spoke to him last week.
Three hundred years ago, the Treaty of Utrecht was signed, bringing an end to both the War of Spanish Succession, and the War of Queen Anne. Remarkably, this peace treaty was not negotiated on the battlefield, but at the negotiating table. It took a year and a half for the many parties to come to an agreement, and the treaty counts as the beginning of...
Amsterdam, 8 October 2012 During the well-attended Classical Music Day at the Muziekgebouw aan 't IJ the prize winners of the competition for women composers were announced this afternoon. The day was organised for the 11th time by Music centre Netherlands (MCN), which will cease to exist on 1 January. Thanks to an anonymous bequest, explicitly intended for women composers, three prizes could be awarded.
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