Skip to content

choreographer

'It felt a bit like the first time sex: way too direct, rushed, overactive and largely based on insecurity': Ivo Dimchev in battle with Franz West's wearable art

"What the fuck should I do with this?" was choreographer and performance artist Ivo Dimchev's (1976) first thought when confronted with the artworks of Austrian artist Franz West. After Dimchev's solo performance Some Faves (2010) in Vienna, West, a multi-awarded creator of bizarre sculptures and objects, sought contact with the choreographer. He asked him to make an improvised video based on his... 

Director of Dance Days Maastricht: "I really feel supported by Mayor Onno Hoes."

The Dutch Dance Days are not yet a mad hive of dance, but for Maastricht they are increasingly a fun tourist attraction. Day trippers and weekend tourists come from all over the country to combine the delights of the South with those of the art of dance. For that matter, all of Maastricht seems to float on VVV leaflets. In this sphere of promotion, is there still room for... 

Ingmar Bergman becomes opera at Grachtenfestival

Amsterdam, 1999. Studying Theatre Science, first-year theatre analysis class. I sit with notepad and pen clutched in fingers, making indecipherable notes. Halfway through the lecture, Sjaron Minailo (Tel Aviv, 1979) saunters in, dressed in a huge fur coat, with big Gucci sunglasses and dreadlocks. With a sigh, he plops into the back lecture bench, hears three sentences of the disrupted lecturer's speech 

Eszter Salamon and Daniel Linehan gems of highly diverse Julidans

Holland Festival, Julidans, IT's, Over 't IJ. End-of-season theatre is always strewn across Amsterdam. Between April and September, international performance offerings migrate from Utrecht (Springdance and Festival aan de Werf) via Amsterdam to Rotterdam (Internationale Keuze). If you want to experience something of contemporary, international dance, Springdance, HF and Julidans are the places to be. [For... 

#HF11 Special performance Jagden und Formen by Waltz and Rihm does not produce an ideal exchange, but it does raise interesting questions about the fusion of dance and music

Dancers of Sasha Waltz & Guests in ''Jagden und Formen''. Photo Dominik Mentzos. Composer Wolfgang Rihm and choreographer Sasha Waltz, two familiar faces at the Holland Festival and big names in European performing arts, released a performance together in 2008 that could not be missing from a Holland festival programme this year. The festival not only focuses on a number of...... 

#HF11 Environmental message in 'Birds with Skymirrors' does not give imagination wings, but literally gets in the way

You can hardly take your eyes off the feet. The dancers make busy, fast steps and yet their bodies seem to glide across the stage. It exudes something of perfection. In 'Birds with Skymirrors', you constantly get the feeling that the bird world has been the model for the movements. Trembling hands are reminiscent of wingtips, vulnerably scanning the skies.... 

Opinion: 'Let Joop van den Ende take classical ballet under his wing, merge Nederlands Dans Theater, Nationale Ballet and Scapino Ballet.'

It was predictable. Now that the Culture Council has given the secretary of state a go-ahead for massive and very deep cuts in dance, the first press releases are appearing with the outraged reactions. The National Ballet and Nederlands Dans Theater are aggrieved: 'How

Fascinating canon with 24 dancers by Boris Charmatz as bouncer and finale of Springdance 2011

Boris Charmatz's dancers in ''Levée des conflits'' Photo Caroline Ablain.

Nothing is more uplifting than singing a canon together. French choreographer Boris Charmatz's Frère Jacques, on show as the bouncer on the final night of Springdance, is a special case, though. 'Levée des conflits' has no recurring refrain, but it does have no fewer than 25 stanzas, which are sung by each of the 24 dancers....

You can now log in to continue reading!

Welcome to the Culture Press archive! As a member, you have access to all, over 4,000 posts we have made since our inception in 2009!

(Recent posts (under three months old) are available for all to read, thanks to our members!)

Become a member, or log in below:

Yasmeen Godder lets contrast between frightened individual and roaring group animal linger too much in dancers' minds

Dancers by Yasmeen Godder - photo Itzik Giuli

She is on her knees. Shaking and trembling, she jerks backwards. With clawed fingers that seem to grasp at the void. Like a frightened cat. Shuffling, the dancer moves backwards in a semicircle on the white stage floor of Theatre Frog. One by one, the five others step onto the empty open stage, while the first dancer anxiously faces the audience ...

You can now log in to continue reading!

Welcome to the Culture Press archive! As a member, you have access to all, over 4,000 posts we have made since our inception in 2009!

(Recent posts (under three months old) are available for all to read, thanks to our members!)

Become a member, or log in below:

"It would be very weird if you weren't allowed to laugh at a performance"

A shy, unassuming man, who transforms on stage into a brilliant clown and artist at the same time. You can't get more typically British than choreographer and dancer Jonathan Burrows. He has achieved cult status in the dance world, and it is actually strange that his performances do not reach a wider audience. Although he himself says he has no shortage of audience members,... 

Cesc Gelabert revives dance innovation

Cesc Gelabert Cesc Gelabert is a distinct figure in the world of modern dance. The Catalan with German roots makes a habit of keeping repertoire from the hot period of dance innovation alive, touring theatres and festivals with it for decades. So no Cinderella and Swan Lake for this engaging perfectionist, but dance steps from... 

How do you bring a river on stage?

The opening of Springdance was a beautiful, continuous movement, from left to right across the stage of Utrecht's Stadsschouwburg theatre. Before the performance, Wijbrand Schaap spoke to choreographer Guilherme Botelho about this special dance piece. ... You can log in now to continue reading! Welcome to the Cultuurpers archive! As a member, you have access to all, more than 4,000... 

'I want to make the perpetrator relive the death of his victim.' Jens van Daele makes dance out of cruelly disturbed art project

Photo: Judith Zwikker Jens van Daele concludes his series of choreographies on the seven deadly sins with the performance Brides for Peace. The piece is based on the art performance Brides on Tour by Italian artists Pippa Bacca and Silvia Moro. Hitchhiking and dressed in wedding dresses, with a text 'Peace' on their chests, they travelled from Milan to Jerusalem in 2008.... 

Springdance 2011 presents programme. The Dodo is there.

On Thursday 14 April, the Springdance festival 2011 opens with the opening performance Sideways Rain by choreographer Guilherme Botelho and his company Alias in the Stadsschouwburg Utrecht. Springdance 2011 presents innovative and high-profile contemporary dance from around the world. Besides many premieres, the festival has an extensive fringe programme including street performances, lectures, an introduction to contemporary dance for those starting... 

'Stardust' by Pete Rogie is great stream of little stories about encounters, confrontations, disappointments and lonely moments #dekeuze

Anyone walking into the venue where choreographer/visual artist Piet Rogie's performance 'Stardust' is due to take place is immediately astonished. In the vacant exhibition hall of the Netherlands Architecture Institute in Rotterdam, ropes are stretched, it is teeming with seemingly carelessly scattered props and four cement mixers stand along the side like implacable sentinels. The whole space radiates that things are getting exciting. And the viewer is not disappointed with that.

Private Membership (month)
5 / Maand
For natural persons and self-employed persons.
No annoying banners
A special newsletter
Own mastodon account
Access to our archives
Small Membership (month)
18 / Maand
For cultural institutions with a turnover/subsidy of less than €250,000 per year
No annoying banners
A premium newsletter
All our podcasts
Your own Mastodon account
Access to archives
Posting press releases yourself
Extra attention in news coverage
Large Membership (month)
36 / Maand
For cultural institutions with a turnover/subsidy of more than €250,000 per year.
No annoying banners
A special newsletter
Your own Mastodon account
Access to archives
Share press releases with our audience
Extra attention in news coverage
Premium Newsletter (substack)
5 trial subscriptions
All our podcasts

Payments are made via iDeal, Paypal, Credit Card, Bancontact or Direct Debit. If you prefer to pay manually, based on an invoice in advance, we charge a 10€ administration fee

*Only for annual membership or after 12 monthly payments

en_GBEnglish (UK)