choreographer
Dance and music merge in Gesamtkunstwerk SHIROKURO
Holland Festival ,,I like to use the word 'Gesamtkunstwerk'. Light, space, matter, body, sound: it all belongs together. Each aspect forms an essential part of the whole."
Choreographer Nicole Beutler prepares with pianist Tomoko Mukaiyama and
Fiction in dance films, (how) does it work? Good question at festival Cinedans
Fransien van der Putt, together with choreographer and dance film-maker Angelika Oei, saw five new Dutch dance films during Cinedans. Some of the results were promising. The films all transcended the level of visual gimmick. In its place is a struggle with fiction and physical credibility.
Which Africa will the Holland Festival bring to our country?
Rokia Traoré, Dieudonné Niangouna, Brett Bailey, Compagnie La Baraka by choreographer Abou Lagraa, El Gusto with Kashba Blues: there is a lot of Africa in the Holland Festival 2013. Performances that
Cinedans festival: the images move. So.
Fransien van der Putt, dance expert from Culture Press, and Helen Westerik, film expert, attended the opening of Film Festival Cinedans and were amused, but not always by the programme.
Dutch dance audience chooses Belgian dance
The Dutch Dance Audience Award 2012 was awarded on Saturday 9 February 2013 to the Belgian performance Et Après By Isabelle Beernaert. During the festive ceremony on the closing night of The Hague CaDance Festival, awards were also presented to
NDT in motion: on stage, the silver screen and behind it
Being active on social media like Facebook or Twitter is now a must for any dance company. But broadcasting a dance performance (live) via 600 cinemas worldwide is no mean feat either. NDT (The Hague) has been chosen by Pathé theatres to join the illustrious list of The Metropolitan Opera (New York), The National Theatre (London) and the Bolshoi Ballet (Moscow) as a partner in high-level performing arts.
New impetus by young dance talent at PUNCH! Festival
PUNCH! is a fantastic festival. It shows how much beauty, news and surprise emerge when the line between dance and performance is dissolved. PUNCH! promotes a refreshing view of the world and shakes loose entrenched interpretations. The young dance makers and performers show tremendous originality and creativity that you will not only enjoy watching, you will go...
Paradiso full of dance energy at I Like To Watch Too
I Like To Watch Too: abundance of performances shows that dance and performance are powerfully connected to modern society. The dance steps rain down on you even before you have entered Paradiso. Tim Boerlijst tap-dances on the pavement. This infectious welcome immediately draws visitors into the atmosphere of 'I Like To Watch Too'. This festival showcases dance and performance from...
Shock and awe ballet in Bill & Mr. B overflows with quality on all sides; there is no stalling
In the production Bill & Mr B, the Dutch National Ballet dives thematically into history with reprises of works by George Balanchine and William Forsythe. Balanchine's Symphony in Three Movements (1972) is considered the breeding ground for Forsythe, who then went 'the extra mile' with Steptext (1985) and The Second Detail (1991). From protocol to photocall: dance as a photo session. Movement - click,...
Faustin Linyekula stages the "fundamental resemblance between Negroes and ballerinas" with "La Création du Monde" (Fernand Léger, Darius Milhaud), #HF12.
The 1923 Afro-Cubist dance classic can be seen at Music Theatre today and tomorrow, commented on by Congolese choreographer Faustin Linyekula. "Europeans have no idea that they are denying the shared history of Africa and Europe. Belgium is part of everyday life in Congo, but Belgians hardly know anything about Congo, or it is the clichés about poverty
No-nonsense audience does not care for tour de force of anti-pale dance in Révolution
Eleven poles are atmospherically lit like a nightclub. Dancers enter and make their way to their work stations. They will walk around their poles in a two-hour shift. They are not the only ones: audience members also start walking, towards the exit. Yet the dizzying repetitions of the hard-working ladies are effective. However, the transcendental minimalism will turn into a...
Enfant terrible Boris Charmatz puts finger on sore spot with confrontational choreography about the elusive child
With enfant, choreographer Boris Charmatz broaches a difficult topic: how do we as adults deal with ourselves, and how do we deal with children? Charmatz draws on the French philosopher Lyotard, who pondered the "inhumanity" of adults and saw real people in children. The current image about physical contact with children is distorted and it is...
As gentle and intelligent as the very young dancers are handled, reactions to Boris Charmatz's 'Enfant' #HF12 are often wild.
Youth these days mostly evokes the thought of danger. Society suffers from a distorted ideal image that leaves real children little room to play. Eventually, therefore, they rebel in Enfant. But until then, the very young performers still mainly have the role of adjunct or capstone, complement or extension of the nine adult dancers. The new...
Hit in the heart by opening performance by Alain Platel, and then find solace. #hf12
At two-thirds, the lump shoots in to not go out until the end. It happens at every Alain Platèl performance. Heartfelt sobs from the audience, lots of swallowing around you and the inevitable tears welling up like a natural disaster. To call the Flemish choreographer's work predictable because of this is going too far. What he and his company Les...
Soul Seek is the world's first internet opera. With a nod to Mulholland Drive.
"For me, opera is much more than just music," says Israeli director Sjaron Minailo. "It may sound a bit pompous, but my internet opera is completely in the tradition of Richard Wagner. Soul Seek is really a multimedia gesamtkunstwerk, in which fashion, web design and digital media, play, cinema, theatre, dance and experimental music merge into one. Without one element...
Tino Sehgal and Ari Benjamin Meyers seek the most intense live experience possible at Springdance
Springdance closes with a remarkable dance concert on 28 April. Visual artist and choreographer Tino Sehgal created a movement piece to music by composer Ari Benjamin Meyers, which will be performed among the listening audience. Tino Sehgal's work is a well-kept secret. In any case, hardly any recordings of it are known. During the interview, Meyers says the following about it
Imaginative artwork SYLPHIDES looks at what moves people, starting with the breath
Every festival begs for volunteers, and in the early days of Springdance, there were not even any paid staff at all. That's also saying something. As Springdance merges with Festival aan de Werf after 30 years, the theme of this latest edition is 'scupltured bodies & body sculptures'. At SYLPHIDES, this aptly applies. "How people move doesn't interest me, I want...
In volatile and agonisingly slow "Untried Untested", childlike wonder at the laws of nature remains too distant
What is gravity? What is air? What is breath? In Untried Untested by choreographer Kate McIntosh, four women explore the magical workings of nature using simple means. They are armed with dozens of black balloons, a tangle of ship's rope, a handful of feathers, a few bags of potatoes, wind machines and fluorescent lights, a playground made of wrapping paper. And their own bodies. Unfortunately, that wonder remains...
Young dance makers meet and develop talents in travelling dance workshop Europe in Motion
Europe in Motion is a travelling talent development programme and acts as a battleground and meeting place for young choreographers. What is urgent in dance is discussed for a week to encourage dance makers in their artistic development. This second edition, with partners Dance4 (Nottingham), iDans (Istanbul) and Imagetanz (Vienna), ends in Utrecht. Springdance previously featured dance from high-tech laboratories in Israel (Batsheva Dance...
Inertia and extreme duration make "Wild Life Take Away Station" by Ibrahim Quraishi a mysterious still life
Upon entering, Wild Life Take Away Station has been going on for four hours. Two performers - Diego Agulló and Ria Higler, a young man and an old woman - stroll through the Central Museum's project studio like drowsy zombies. They are pale and muscle-naked, except for their weird slippers and wigs. The two lie sprawled across the sofa,...
Ruben Brugman interviews Russel Maliphant on the Rodin Project
"I love it when movement moves people," says British choreographer Russel Maliphant in this interview after the performance of The Rodin Project. In the Hekman foyer of Utrecht's Stadsschouwburg, our colleague from Danspubliek.nl put the creator ven the Rodin Project through his paces. It is interesting what Maliphant has to say about the first part of...
Maliphant takes Rodin as rich inspiration for dance, but makes disappointing opening for latest Springdance Festival
The festival opens disappointingly with 'The Rodin Project'. The sculptor Rodin may be a challenging choice, but unfortunately choreographer Russell Maliphant is limited to imitating atmosphere and external pictures. Rodin worked from a distinct idea about matter. He was looking for how forms and movements detach themselves from matter. With his human figures and their gestures, he showed...
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