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ITA is a hopeless name for an art house. But there is no alternative for Amsterdam's city theatre

Toneelgroep Amsterdam and Stadsschouwburg Amsterdam will continue together as 'Internationa(a)l Theater Amsterdam' (ITA). Not to be confused with the just-removed Internationaal Danstheater Amsterdam. I find the name 'ITA' rather chilly. Maybe as cold as Toneelgroep, but at least that still contained the word 'group'. That has something cosy about it. ITA is something like ING. Great ambition and no roots. For a moment... 

'Had Couperus been born 10 years later, he wouldn't have needed all that packaging'

Director Ivo van Hove chose the 'books of little souls' cycle as the conclusion of the Couperus triptych at Toneelgroep Amsterdam. He previously directed 'Silent Power' (2015) and 'The things that pass' (2016). Dramaturg Koen Tachelet adapted Couperus' Magnum Opus for the theatre. The books 'The Little Souls', 'Late Life', 'Twilight of Souls' and 'Sacred Knowing' together form the cycle 'The Books of... 

passions humaines, guy cassiers, photo Kurt van der Elst

Hidden lusts of Belgians lead to great art on #HF15

2014 was the year of Ayn Rand's The Fountainhead, award-winning stage adaptation by Ivo van Hove. This year, that performance has been outstripped by 'Passions Humaines', written by Erwin Mortier, magisterially designed by Guy Cassiers. Again at the Holland Festival, confirming its place as a stage for the great debate on art. Two plays in which architecture, artistry and... 

Photo: Monique van de Wijdeven

The 10 theatre performances you actually wanted to see in 2014, even if you had to leave Amsterdam for half of them

It's raining annual lists and we're merrily joining in. As subjective as anyone, after all, no one sees everything, and opinions on taste can always differ. Of course, also in this list many performances in or from the Randstad, but half of them were not yet shown there. And all genres mixed together. As long as it is theatre. With the only limitation: no repeats, apologies Ring and Lohengrin (DNO), St John Passion (NRO). And no dance, because for that our partner dance audience

Sallie Harmsen and Joris Smit in Tasso (photo Kurt van der Elst)

Drama about art: to do or not to do? Ivo van Hove and Sallie Harmsen think so.

The National Theatre will premiere Blueprint for an Even Better Life on 8 November 2014, which addresses, among other things, the position of artists in society. A theme that also featured in their recent Tasso, and in Toneelgroep Amsterdam's successful The Fountainhead. Is the subject of art back on the theatre agenda due to the changed cultural politics of the past... 

Matthias Mooij (1976-2014): a career that should have been there.

He could have become an important director, but was at the wrong time, in the wrong place. In the end, his illness fatally bothered Matthias Mooij. Yesterday, this still young theatre-maker died of lung cancer, more than a year and a half after the premiere of his first large-venue production: Mogadishu. With that production, of a play written by the English writer Vivienne Franzmann, Mooij set a new tone in theatre: no longer did he seize back in theatre ...

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Aufführung der Komposition " Delusion of the fury " von Harry Partch in der Musiktheater Inszenierung von Heiner Goebbels mit dem Ensemble musikFabrik in der Jahrhunderthalle Bochum im Rahmen der Ruhrtriennale 2012-14 am Mittwoch, 21.08.2013

Seeing music (and not hearing it?)

Because of my fascination with the complex relationship between listening and watching, I decided to visit three performances at the recent Holland Festival and experience what happened when I tried to pay equal attention to ears and eyes. The first was "Delusion of the Fury" (1966) by American composer Harry Partch, the second a concert performance of Philip Glass's opera "The CIVIL warS" (1983), the third a performance of Franz Schubert's "Die Winterreise" (1827) in which...

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Ayn Rand was haunting Dutch theatre as early as 2006.

Ivo van Hove did not just create a play based on Ayn Rand's novel of ideas The Fountainhead. In 2006, the artistic director of Toneelgroep Amsterdam even wanted to base a whole new design of the theatre system on it. Eight years later, we can see that only the negative aspects of Van Hove's vision have been realised.

"The book is a whirlwind and doesn't let you go. It juxtaposes the thinking of the artist with that of the opportunist. And then I thought, let mi...

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7 confusing reasons why the stage version of The Fountainhead rattles, but you should still go.

Topical again, now that Toneelgroep Amsterdam is reviving the play, my review from 2014. This week, the stage adaptation of The Fountainhead premiered. The book is terrible, the performance rattles, the actors win only narrowly. The content, however, creates even more confusion, which is why I won't stop you from going to see it. And Hans Kesting, of course. I put it this way.

'Mogadishu' fits into zeitgeist of moral confusion

Once upon a time, subsidised theatre was a left-wing hobby. Now, two years on, subsidised theatre has effortlessly conformed to the prevailing, much more right-wing trend. Indeed, Toneelgroep Amsterdam has scheduled a stage adaptation of Ayn Rands rabidly anti-social novel and Tea Party bible The Fountainhead. And on Thursday 24 January, Utrecht-based city theatre company De Utrechtse Spelen announced a play in which for the content responsible for the...

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